In this, our second volume of Witkin's photographs, the work is as controversial as ever. In often torturous or eroticized still lifes and tableaux, cadavers, physical anomalies, transsexuals and animals are carefully arranged to create a mythology that could originate only in the imagination of this singular artist. In Gods of Earth and Heaven, Witkin advances an aesthetic point of view in a manner that raises his artistic output to a new level of sophistication. As often praised as he is derided by critics, his work has become a basis for serious debate on issues of life and death, love and sexuality. At the very least Witkin's work challenges traditional canons of beauty and the spiritual in art. An updated bibliography and exhibition history are included.

When the night of the twelfth aeon fell, And silence, the high tide of night, swallowed the hills, The three earth-born gods, the Master Titans of life, Appeared upon the mountains. Rivers ran about their feet; The mist floated across their breasts, And their heads rose in majesty above the world. Then they spoke, and like distant thunder Their voices rolled over the plains.

Kahlil Gibran (1883-1931) was a Lebanese American of Assyrian descent, an artist, poet and writer. He was born Gibran Khalil Gibran in Lebanon (at the time a Syrian Province of the Ottoman Empire) and spent much of his productive life in the United States. While most of Gibran's early writings were in Syriac and Arabic, most of his work published after 1918 was in English. Gibran also took part in the New York Pen League, also known as the "immigrant poets" (al-mahjar), alongside other important Lebanese American authors such as Ameen Rihani ("the father of Lebanese American literature"), Mikhail Naimy and Elia Abu Madi. Gibran's best-known work is The Prophet, a book composed of 26 poetic essays, first written in English in 1923. The Prophet remains famous to this day, having been translated into more than 20 languages. Other works in English include: Spirits Rebellious, (1908), The Broken Wings (1912), A Tear and a Smile (1914), The Forerunner (1920), Sand and Foam (1926), Jesus the Son of Man (1928), The Earth Gods (1929), The Wanderer (1932) and The Garden of the Prophet (1933).

God's Good Earth offers Christians and their communities an engaging resource for prayer, reflection, and worship that reflects and nourishes their efforts to serve God and care for God's creation. Compilers Anne and Jeffery Rowthorn have prepared 52 beautiful, ready-made prayer services, each around a specific theme, drawing from a rich variety of ecumenical resources: psalms and other responsive readings, Scripture, hymns, prayers, and reflections from the world's most engaging nature writers and interpreters of the social and cultural landscape. Each section can be used in full, or the user may select smaller sections; permission is granted to the purchaser to reproduce for use in public prayer.

Humans are herded like sheep for the slaughter. And their only hope for survival lies with a team who just left the planet. Following their successful mission to destroy the slaver ring in New York City, Wic and the members of Phantom Team pass through the Antarctic's origin ring and find themselves deep in the heart of the Androchidan Empire. But as the scope of the alien specie's operation becomes apparent, Phantom Team realizes they can't standby as humanity is culled into submission. Efforts must be made to slow the enemy's progress, if not stop it altogether. Under Wic's leadership, the team devises a plan to infiltrate and neutralize part of the Androchidan's operation. Allies are made, and resources are acquired. But when enemy spies find evidence of collusion, it is only a matter for time before the Phantoms' hopes of thwarting the enemy are dashed. Will Wic and his elite team of warriors succeed in reversing the tide of the Androchidan invasion? Or will they succumb to the unrelenting power of the most notorious slaver operation in the galaxy? Join bestselling authors Christopher Hopper and J.N. Chaney as the Ruins of the Earth hit series continues with Book 2: Gods and Men. Read what fans call "the best military sci-fi of the year," and "Galaxy's Edge meets Expeditionary Force."

In this ambitious and venturesome book, Peter W. Rose applies the insights of Marxist theory to a number of central Greek literary and philosophical texts. He explores major points in the trajectory from Homer to Plato where the ideology of inherited excellence—beliefs about descent from gods or heroes—is elaborated and challenged. Rose offers subtle and penetrating new readings of Homer's Iliad and Odyssey, Pindar's Tenth Pythian Ode, Aeschylus's Oresteia, Sophokles' Philoktetes, and Plato's Republic. Rose rejects the view of art as a mere reflection of social and political reality—a view that is characteristic not only of most Marxist but of most historically oriented treatments of classical literature. He applies instead a Marxian hermeneutic derived from the work of the Frankfurt School and Fredric Jameson. His readings focus on illuminating a politics of form within the text, while responding to historically specific social, political, and economic realities. Each work, he asserts, both reflects contemporary conflicts over wealth, power, and gender roles and constitutes an attempt to transcend the status quo by projecting an ideal community. Following Marx, Rose maintains that critical engagement with the limitations of the utopian dreams of the past is the only means to the realization of freedom in the present. Classicists and their students, literary theorists, philosophers, comparatists, and Marxist critics will find Sons of the Gods, Children of Earth challenging reading.

God's world was created "very good," Genesis chapter 1 tells us, and in this book Jon Garvey rediscovers the truth, known to the Church for its first 1,500 years but largely forgotten now, that the fall of mankind did not lessen that goodness. The natural creation does not require any apologies or excuses, but rather celebration and praise. The author's re-examination of the scriptural evidence, the writings of two millennia of Christian theologians, and the physical evidence of the world itself lead to the conclusion that we, both as Christians and as modern Westerners, have badly misunderstood our world. Restoring a truer vision of the goodness of the present creation can transform our own lives, sharpen the ministry of the church to the world of both people and nature, and give us a better understanding of what God always intended to bring about through Christ in the age to come.