With a foreword by Jane Goodall, this moving memoir follows a successful journalist and filmmaker who felt like something was missing in her life as she finds her purpose in advocacy for the Asian elephants in her childhood home town of Kerala, India. "The greatness of a nation and its moral progress can be judged by the way its animals are treated." - Mahatma Gandhi Elephants are self-aware, conscious beings. They can feel and grieve the loss of both elephants and humans. But despite all empathy that elephants shower on humans, we continue to inflict pain and suffering on these caring, sentient beings. In 2013 Sangita Iyer visited her childhood home of Kerala, India. Over 700 Asian elephants live in Kerala, owned by individuals and temples that force them to perform in lengthy, crowded, noisy festivals, abusing and shackling these animals they claim to revere for tourists and money. When Sangita found herself in the presence of these divine creatures and witnessed their suffering first hand, she felt a deep connection to their pain. She too had been shackled and broken for too long-to her patriarchal upbringing in India, to the many "me too" moments in her work life that were swept under the rug, to the silence. Now she would speak out for the elephants and for herself. And she would heal alongside them. This sparked the creation of her award winning documentary of the same name and a new purpose in this life for both Sangita and the elephants.

As Ragnarok looms, the trickster Loki breaks free from his chains. In the battle to come, all shall die, but Ragnar will do anything to save his gods. Einer scours the nine worlds for Hilda, who walks among gods and goddesses, searching the truth of the Runes. For centuries Siv has run from her past, but she knows that to protect her daughter, and Midgard, she will have to face her worst fears. It is time to confront the Alfather.

More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.

Dive into an epic fantasy full of crunching revolutionary action, twisted magic, and hard choices in dark times. The war is over. The enemy won. Jia's people learned the hard way that there are no second chances. The Egril, their ancient enemy, struck with magic so devastating that Jia's armies were wiped out. Now terror reigns in the streets, and friend turns on friend just to live another day. Somehow Tinnstra - a deserter, a failure, nothing but a coward - survived. She wants no more than to hide from the chaos. But dragged into a desperate plot to retake Jia, surrounded by people willing to do anything to win the fight, this time Tinnstra will need to do more than hide. If Jia is to get a second chance after all, this time she will need to be a hero. With all the grit of Joe Abercrombie, Mark Lawrence and Ed McDonald, this is a debut epic fantasy with the sharpest of edges. * * * * * * * * * * Readers can't put down We Are the Dead: 'The next Game of Thrones' Glen Cook, author of The Black Company 'Tarantino crossed with David Gemmell' Peter McLean, author of Priest of Bones 'A powerful debut' Gavin Smith, author of The Bastard Legion 'So much bloodshed and actions, Shackle's debut is fast-paced, grim, and unputdownable' Novel Notions 'This is a fantastic story that I think everyone would enjoy. Every aspect, from prose to characters to plot is just superbly crafted' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Utterly gripping, original fantasy that really must be counted amongst the best in the genre' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'If you are looking for a fantasy read with phenomenal magic, battle scenes that are so vividly described that you experience them through all of your senses, villains who are entirely despicable, and a compelling story filled with crushing heartbreak and glorious redemption, then you need to pick up WE ARE THE DEAD right now' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'A fantastic tale of rebellion against an occupying force . . . I really loved how this one all pulled together, and seeing the rebellion from different viewpoints was a real treat' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'This is a fast paced and intense story that never lets up in its brutality and dark environment' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'From start to finish this will keep you on the edge of your seat . . . This is an outstanding debut, you don't want to miss it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ THE LAST WAR Book One: We Are the Dead Book Two: A Fool's Hope Book Three: Until the Last

Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.

The Discord of Gods marks the epic conclusion to Jenn Lyons's Chorus of Dragons series, closing out the saga that began with The Ruin of Kings, for fans of Brandon Sanderson and Patrick Rothfuss. THEIR CONFLICT COULD END THEM ALL. Relos Var's final plans to enslave the universe are on the cusp of fruition. He believes there's only one being in existence that might be able to stop him: the demon Xaltorath. As these two masterminds circle each other, neither is paying attention to the third player on the board, Kihrin. Unfortunately, keeping himself classified in the 'pawn' category means Kihrin must pretend to be everything the prophecies threatened he'd become: the destroyer of all, the sun eater, a mindless, remorseless plague upon the land. It also means finding an excuse to not destroy the people he loves (or any of the remaining Immortals) without arousing suspicion. Kihrin's goals are complicated by the fact that not all of his 'act' is one. His intentions may be sincere, but he's still being forced to grapple with the aftereffects of the corrupted magic ritual that twisted both him and the dragons. Worse, he's now tied to a body that is the literal avatar of a star — a form that is becoming increasingly, catastrophically unstable. All of which means he's running out of time. After all, some stars fade — but others explode. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

WHAT IS GOD?S RELIGION? Nila Sagadevan's new book Warpaint of the Gods asks provocatively: Does God have a religion? If He does, what is it? If He does not?why do we humans have so many? An incredibly powerful message of the underlying unity of all world religions, this book aims to introduce a voice of reason to the paradox of religious bloodshed that pervades the world today. It undertakes a ruthless examination of religion's role in the brutal internecine conflict that has ruled the Earth, and concludes that human beings are so preoccupied with their own ethnocentricity (religious and ethnic) that they are blind to the horrors they are inflicting on one another. Equally important, this blinkered view of humanity has prevented us seeing the real picture?that life exists not only on the microscopic speck of cosmic dust we call Earth, but in the distant realms of the Universe, too. This vast celestial ocean renders our genocidal affinities all the more ridiculous,