A practical text explaining the allegorical significance of gods and goddesses; rituals and festivals; invocations and prayers. It educates a spiritual aspirant with the philosophical aspect of religious practices.

In many of the world's religions, both polytheistic and monotheistic, a seemingly enigmatic and paradoxical image is found--that of the god who worships. Various interpretations of this seeming paradox have been advanced. Some suggest that it represents sacrifice to a higher deity. Proponents of anthropomorphic projection say that the gods are just "big people" and that images of human religious action are simply projected onto the deities. However, such explanations do not do justice to the complexity and diversity of this phenomenon. In Religion of the Gods, Kimberley C. Patton uses a comparative approach to take up anew a longstanding challenge in ancient Greek religious iconography: why are the Olympian gods depicted on classical pottery making libations? The sacrificing gods in ancient Greece are compared to gods who perform rituals in six other religious traditions: the Vedic gods, the heterodox god Zurvan of early Zoroastrianism, the Old Norse god Odin, the Christian God and Christ, the God of Judaism, and Islam's Allah. Patton examines the comparative evidence from a cultural and historical perspective, uncovering deep structural resonances while also revealing crucial differences. Instead of looking for invisible recipients or lost myths, Patton proposes the new category of "divine reflexivity." Divinely performed ritual is a self-reflexive, self-expressive action that signals the origin of ritual in the divine and not the human realm. Above all, divine ritual is generative, both instigating and inspiring human religious activity. The religion practiced by the gods is both like and unlike human religious action. Seen from within the religious tradition, gods are not "big people," but other than human. Human ritual is directed outward to a divine being, but the gods practice ritual on their own behalf. "Cultic time," the symbiotic performance of ritual both in heaven and on earth, collapses the distinction between cult and theology each time ritual is performed. Offering the first comprehensive study and a new theory of this fascinating phenomenon, Religion of the Gods is a significant contribution to the fields of classics and comparative religion. Patton shows that the god who performs religious action is not an anomaly, but holds a meaningful place in the category of ritual and points to a phenomenologically universal structure within religion itself.

Remains of Ritual, Steven M. Friedson’s second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality—in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson’s careful scrutiny, as does his own position and experience within this ritual-dominated society.

In African cultures, the spiritual and the physical exist in close communion. This relationship explains many aspects of African societies. Here, Daniel Laine presents a vivid photographic portrayal of men and women as they perform exorcisms, dances and other ritual of African mysticism.

Scholars have long emphasized the importance of scripture in studying religion, tacitly separating a few privileged “religions of the Book” from faiths lacking sacred texts, including ancient Roman religion. Looking beyond this distinction, Duncan MacRae delves into Roman religious culture to grapple with a central question: what was the significance of books in a religion without scripture? In the last two centuries BCE, Varro and other learned Roman authors wrote treatises on the nature of the Roman gods and the rituals devoted to them. Although these books were not sacred texts, they made Roman religion legible in ways analogous to scripture-based faiths such as Judaism and Christianity. Rather than reflect the astonishingly varied polytheistic practices of the regions under Roman sway, the contents of the books comprise Rome’s “civil theology”—not a description of an official state religion but one limited to the civic role of religion in Roman life. An extended comparison between Roman books and the Mishnah—an early Rabbinic compilation of Jewish practice and law—highlights the important role of nonscriptural texts in the demarcation of religious systems. Tracing the subsequent influence of Roman religious texts from the late first century BCE to early fifth century CE, Legible Religion shows how two major developments—the establishment of the Roman imperial monarchy and the rise of the Christian Church—shaped the reception and interpretation of Roman civil theology.

Rites of the God-King offers a critical revision of mainstream Hinduism from the perspective of the life of a single ritual from medieval India. Drawing theoretical connections to modern ethnographies, it raises questions about the nature of kingship and priesthood, image-worship, and ritual change.

Conversations about materiality have helped forge a common meeting ground for scholars seeking to integrate images, sites, texts and implements in their approach to religion in the ancient Mediterranean. The thirteen chapters in this volume explore the productivity of these approaches, with case studies from Israel, Athens, Rome, Sicily and North Africa. The results foreground the capacity of material approaches to cast light on the cultural creation of the sacred through the integration of rhetorical, material, and iconographic means. They open more nuanced pathways to the uses of text in the study of material evidence. They highlight the potential for material objects to bring political and ethnic boundaries into the sacred realm. And they emphasize the role of ongoing interpretation, debate, and multiple readings in the creation of the sacred, in both ancient contexts and scholarly discussion.