This collection explores the multifaceted nature of the gods and goddesses worshipped in ancient Italy. It examines Italic, Etruscan, and Latin deities in context and in the material remains, and also in the Greco-Roman written record and later scholarship which drew on these texts. Many deities were worshipped in ancient Italy by different individuals and communities, using different languages, at different sanctuaries, and for very different reasons. This multiplicity creates challenges for modern historians of antiquity at different levels. How do we cope with it? Can we reduce it to the conceptual unity necessary to provide a meaningful historical interpretation? To what extent can deities named in different languages be considered the equivalent of one another (e.g. Artemis and Diana)? How can we interpret the visual representations of deities that are not accompanied by written text? Can we reconstruct what these deities meant to their local worshippers although the overwhelming majority of our sources were written by Romans and Greeks? The contributors of this book, a group of ten scholars from the UK, Italy, France, and Poland, offer different perspectives on these problems, each concentrating on a particular god or goddess. Gods and Goddesses in Ancient Italy offers an invaluable resource for anyone working on ancient Roman and Italian religion.

While the ancient Roman pantheon in many ways resembles that of ancient Greece, there is much that sets apart Roman mythology. Romans also borrowed from the religions of ancient Egypt, Asia Minor, and the Middle East, and legendary figures such as Romulus and Remus, tied closely to the history of Rome, feature prominently in ancient stories. The major and lesser figures of Roman mythology are presented in this vibrant volume with sidebars spotlighting related facts and concepts about Roman mythology and religion.

What is good luck and what did it mean to the Romans? What connections were there between luck and success? This volume aims to address these questions by focusing on the Latin goddess Fortuna, who was connected to the concept of chance and good fortune, and analysing the changing interactions with deity and concept in ancient Italy.

Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, these small objects could be fashioned in any medium from terracotta to precious metal or stone. Showcasing the collections in the Getty Villa, this book’s emphasis on the spiritual beliefs and practices of individuals promises to make the works of Greek and Roman art more accessible to readers. Compelling representations of private religious devotion, these small objects express personal ways of worshiping that are still familiar to us today. A chapter on contemporary domestic worship further enhances the relevance of these miniature sculptures for modern viewers.

Published in conjunction with the exhibition organized by the Museum of Fine Arts, Boston and held at the Museum of Fine Arts, Boston, Oct. 26, 2011-Feb. 20, 2012, J. Paul Getty Museum at the Getty Villa, Malibu, Mar. 28-July 9, 212, and San Antonio Museum of Art, Sept. 15, 2012-Feb. 17, 2013.

Examining sites that are familiar to many modern tourists, Valerie Warrior avoids imposing a modern perspective on the topic by using the testimony of the ancient Romans to describe traditional Roman religion. The ancient testimony recreates the social and historical contexts in which Roman religion was practised. It shows, for example, how, when confronted with a foreign cult, official traditional religion accepted the new cult with suitable modifications. Basic difficulties, however, arose with regard to the monotheism of the Jews and Christianity. Carefully integrated with the text are visual representations of divination, prayer, and sacrifice as depicted on monuments, coins, and inscriptions from public buildings and homes throughout the Roman world. Also included are epitaphs and humble votive offerings that illustrate the piety of individuals, and that reveal the prevalence of magic and the occult in the spiritual lives of the ancient Romans.