Marya Waters came into existence in the days of Ancient Sumer. However, as with all deities that have lost their followers, she now has a day job. She works with five other goddesses as a private investigator. When a demi-god and his pregnant human wife walk into Goddess Investigations, Marya is assigned their case. It seems routine enough, a portal has opened in their house, something that’s been known to happen when a human carries a demi-god baby. When Marya goes to close the portal, she discovers that this case is anything but routine and is just the start of something much bigger, and worse, when the portal refuses to close. Instead, it creates a fountain of youth when hit with Marya’s water powers. As she awaits backup, a merman escapes the portal. She realizes then that the portal leads somewhere; they’ll need to chase down anything and everything that comes out of the portal while they struggle to close it. It becomes evident that an unborn demi-god is not solely to blame for the opening of the portal which leads Marya to investigate who assisted with its opening and why.

A celebration of the beloved Citroën DS, icon of screen, street and style, through drawings, photos and ephemera From the moment of its debut in 1955, the Citroën DS was a sensation and a magnet for movie stars, designers, philosophers and politicians alike. No other automobile was able to combine form and technology so coherently and seemingly effortlessly. Radical in its implementation and revolutionary in terms of comfort and safety, the DS is one of the most innovative design icons of the 20th century. In collaboration with Lars Müller Publishers, the Swiss architect Christian Sumi published the new edition of AS in DS(Alison Smithson in DS) in 2001. In this new book, he examines the characteristics of this classic vehicle, such as the body, the chassis or the legendary hydraulics, which he documents in carefully arranged picture series and with drawings by Flaminio Bertoni and the Citroën design team. Using image essays from advertising campaigns for the Citroën DS, Sumi critically examines its reception and iconization, along with theories that discuss the phenomenon in both a contemporary and philosophical context.

The first book in Edgar-nominated Anne Holt’s international bestselling mystery series featuring detective Hanne Wilhelmsen, last seen in 1222. A small-time drug dealer is found battered to death on the outskirts of the Norwegian capital, Oslo. A young Dutchman, walking aimlessly in central Oslo covered in blood, is taken into custody but refuses to talk. When he is informed that the woman who discovered the body, Karen Borg, is a lawyer, he demands her as his defender, although her specialty is civil, not criminal, law. A couple of days later another lawyer is found shot to death. Soon police officers Håkon Sand and Hanne Wilhelmsen establish a link between the two killings. They also find a coded message hidden in the murdered lawyer’s apartment. Their maverick colleague in the drugs squad, Billy T., reports that a recent rumor in the drug underworld involves drug-dealing lawyers. Now the reason why the young Dutchman insisted on having Karen Borg as a defender slowly dawns on them: since she was the one to find and report the body, she is the only Oslo lawyer that cannot be implicated in the crime. As the officers investigate, they uncover a massive network of corruption leading to the highest levels of government. As their lives are threatened, Hanne and her colleagues must find the killer and, in the process, bring the lies and deception out into the open.

DIVDIVAfter running into trouble with the law, a teenager with an attitude is sent to a boarding school with a big secret/divDIV Even though it wasn’t Rachel’s idea to steal the car, she was happy to go along for the ride. But when her so-called friends bolt as soon as the cops show up, they leave Rachel to take the rap. In court, the judge takes pity on the Beverly Hills bad girl, and offers her a choice: thirty days in juvie, or a year at Blackthorn Academy. Rachel chooses the boarding school. After all, how bad could it be?/divDIV Cut into the side of a Pennsylvania mountain, Blackthorn is weirder than Rachel could ever have imagined. The students take Tae Kwon Do instead of gym, there are guardhouses on the edge of campus, and there’s a secret Top Floor that only certain students are allowed to access. Despite Blackthorn’s mysteries, Rachel is starting to fit in. She likes her roommate and her classmates, and even the all-knowing headmaster, Mr. Kim. But when Mr. Kim disappears, Rachel learns a secret about Blackthorn Academy—and herself—that will change her life forever./divDIV/div/div

This volume explores the theme of evil, women and the feminine, indicating both the misogynist and subversive implications of the evil woman stereotype.

A sparkling, witty and compelling novel based on the tragic rise and fall of the beautiful seventeenth century swordswoman and opera singer, Julie d'Aubigny (also known as La Maupin), a woman whose story is too remarkable to be true - and yet it is. Versailles, 1686: Julie d'Aubigny, a striking young girl taught to fence and fight in the court of the Sun King, is taken as mistress by the King's Master of Horse. tempestuous, swashbuckling and volatile, within two years she has run away with her fencing master, fallen in love with a nun and is hiding from the authorities, sentenced to be burnt at the stake. Within another year, she has become a beloved star at the famed Paris Opera. Her lovers include some of Europe's most powerful men and France's most beautiful women. Yet Julie is destined to die alone in a convent at the age of 33. Based on an extraordinary true story, this is an original, dazzling and witty novel - a compelling portrait of an unforgettable woman. 'I thought the book was utterly fascinating, dazzlingly original and inventive, and written with such wit and flair. the character of Julie is drawn so poignantly - what a woman!' Kate Forsyth 'An engaging and skilfully told tale of a singular character' Sydney Morning Herald 'The divine creature who plummets 'from the painted clouds' to center stage in Kelly Gardiner's gender-bending picaresque Goddess, is based on an actual historical character, Julie d'Aubigny. Scenes sparkle with period details and sensory impressions: all spectacle and shimmer, all gesture and pose, Baroque mask and mirror and role-play. Gardiner does this very well. And her goddess fascinates.' New York Times Book Review 'This is a wonderful story, made all the more gripping for being founded on truth. Gardiner undertakes to bring this ambiguous and outrageous woman back to life ... she succeeds with flair ... I wholeheartedly recommend this book as the most exquisitely-rendered historical novel I have read in years.' Historical Novel Society review