"Amazzone's voice is strong and clear. Goddess Durga promises the transformation, empowerment, and dignity that is our birthright."--Marisa Tomei, Academy Award-winning actor.

Durga, as this powerful warrior-goddess is known, Has nine special forms-each one unique, not just a clone. Shailaputri, Brahmacharini and Chandraghanta, Kushmanda and Skandamata, Katyayani and Kaalratri, Maha Gauri and Siddhidatri . . . They are the Nava Durga, Worshipped during Navaratri, The festival of nine nights and nine days That's celebrated across India and the world in myriad ways To praise the goddesses and their glory. This is their story!

The basic dynamism of God has been defined in Indian philosophy as nature or Prakriti which is supposed to be Primeval Power that has been visualized from time immemorial as 'Adyashakti' by seers and thinkers.'Adyashakti' is again the integral active form of God keeping the entire cosmos in control while Her manifestation has been portrayed by the artists and sculptors of ancient India as the Supreme Goddess Mahamaya, the creative force of the Universe. That is why She is also known as Brahmani which is an epithet of Durga. The genesis of the concept of the Supreme Goddess Mahamaya is to be found in the prevailing faith of a great number of people on the supremacy of matriarchal culture. Mahamaya or Brahmani is also known as Durga, Chamunda, Chanda, Kali, Amba and Mahishasurmardini. These violent forms of Mahamaya denote her victory over the vicious and sinful elements. She is represented on these various violent forms as a slayer of demons and sinners. She is also represented as Maha Sarasvati, the great Goddess of learning and absolute Knowledge. She is as well represented as MahaLakshmi, the great Goddess of wealth, beauty and Bliss. Like the Triad of Brahma, the God of Creation, Vishnu the God of Protection and Mahesh the God of Destruction, Mahamaya also assumes the role of Creation, Protection and Destruction. Durga or MahaKali destroys the wicked while Maha Lakshmi and Maha Sarasvati uphold Virtue, spread enlightenment and grant power and prosperity while offering protection. In this volume we present select stories about Durga. The stories allegorically describe struggles between gods and demons and teach the human race to hope that eventually truth and justice prevail. The stories are designed for children and are accompanied with beautiful illustrations.

This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.

Goddess Durga is the fierce form of Devi who, as shakti, is considered the personification of Universal energy. According to the Devi Bhagavata, the universe is but her manifestation. The worship of Durga is believed to be more than 4,000 years old in India.