Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.

Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.

Beginning with the Paleolithic Age and drawing on ancient Greek, Chinese, Native American, and Near Eastern cultures, Adele Getty portrays the myriad historical and mythological perspectives of the female archetype. Illustrated.

Goddess as Nature makes a significant contribution to elucidating the meaning of a female and feminist deity at the beginning of the twenty-first century. Bridging the gap between the emergent religious discourse of thealogy - discourse about the Goddess - and a range of analytical concerns in the philosophy of religion, the author argues that thealogy is not as incoherent as many of its critics claim. By developing a close reading of the reality-claims embedded within a range of thealogical texts, one can discern an ecological and pantheistic concept of deity and reality that is metaphysically novel and in need of constructive philosophical, thealogical and scholarly engagement. Philosophical thealogy is, in an age concerned with re-conceiving nature in terms of agency, chaos, complexity, ecological networks and organicism, both an active possibility and a remarkably valuable academic, feminist and religious endeavour.

"This comprehensive text, highly acclaimed as the premier sourcebook on goddesses, introduces students of religion to the various manifestations and complex nature of the goddess. Often a stranger to contemporary devotees of monotheistic religions, the goddess forces the recognition of female power, which can transform deeply held beliefs. The recent renewed interest in goddesses and the rise of feminist scholarship are addressed in this well-chosen collection of essays, written by an international group of scholars. The book elucidates the diverse religious cultures and periods of history in which goddesses have played an important role by providing examples of ancient and modern goddesses in Eastern and Western religious traditions, in major world and tribal religions, and in living religions and those no longer practiced."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

Goddess of Nature is the first and only adult coloring book series featuring ethnic art. Celebrated artist Sylvia "Gbaby" Cohen has created beautiful unique images for adults to decorate using crayons, watercolor pencils, or colored markers. The book features 25 stress-relieving patterns interwoven within images that include women and nature. This is truly art therapy for the mind and soul.