A fresh, strikingly immediate and elegant verse translation of the classic, with an introduction and helpful guides to each section, by the rising American poet. Born in the United States into a secularized Hindu family, Amit Majmudar puzzled over the many religious traditions on offer, and found that the Bhagavad Gita had much to teach him with its "song of multiplicities." Chief among them is that "its own assertions aren't as important as the relationships between its characters . . . The Gita imagined a relationship in which the soul and God are equals"; it is, he believes, "the greatest poem of friendship . . . in any language." His verse translation captures the many tones and strategies Krishna uses with Arjuna--strict and berating, detached and philosophical, tender and personable. "Listening guides" to each section follow the main text, and expand in accessible terms on the text and what is happening between the lines. Godsong is an instant classic in the field, from a poet of skill, fine intellect, and--perhaps most important--devotion.

(Integrity). This instructional book by songwriters Paul Baloche and Jimmy & Carol Owens covers basic songwriting principles like how to develop a song after inspiration comes, 30 characteristics that make a song memorable, 16 shared qualities of great worship songs and 12 keys to unlock writer's block. You will also learn how to gain the listener's attention quickly, find fresh ways of expressing worship and choose just the right words. God Songs also contains advice on how to make your song its best before releasing it, how to get your songs heard and used by others, and ways to minister most effectively with your music. Song stories and advice from writers and publishers such as Darlene Zschech, Chris Tomlin, Matt Redman, Bart Millard, Craig Dunnagan and Rita Baloche are also included. Softcover, 304 pages.

The 'Song of God' is a new book of scripture for a new and modern age. This revelation was brought forth by Azrael Ondi-Ahman (a.k.a., Archie Dean Wood, Sr.) who, in 1979, began receiving visitations by highly evolved, glorified human beings who identified themselves as God. After seven years of instruction, Azrael was commissioned to begin writing what would become the foundation for a new dispensation, and the restoration of gnosis for all humanity. The 'Song of God' begins with the premise that the only proper religion for mankind is humanity itself, for it is from this humanity that God first evolved -God who is our future, came from humans who are Their past. Extraordinary in depth and scope, the 'Song of God' is both radical and affirming. This modern revelation is an anthem of knowledge, myth and mystery that will sing to the heart and uplift the mind. The 'Song of God' is a grand unification of wisdom and truth, confirming with sound clarity the beauty, value and potential of humankind. This book presents a new standard, a new choice that both challenges and empowers us to let go of hurtful dogmas and move forward into an age of greater peace and understanding.

Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.

Gaither shares the story and the inspiration behind 30 favorites, penned and performed by she and her husband. Her personal reflections offer not only behind-the-scenes glimpses into the events that inspired the lyrics but also timeless spiritual wisdom that speaks straight to the heart. Includes a CD of best-loved songs by the Gaithers for a complete experience of meditation and melody, prayer and praise.

Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book’s three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what—if anything—makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity’s long relationship with music, including those working in the fields of theology, musicology, and liturgical studies.