Whether our notions of ‘god’ are personal projections or inherited traditions, author and theologian Brad Jersak proposes a radical reassessment, arguing for A More Christlike God: a More Beautiful Gospel. If Christ is “the image of the invisible God, the radiance of God’s glory and exact representation of God’s likeness,” what if we conceived of God as completely Christlike—the perfect Incarnation of self-giving, radically forgiving, co-suffering love? What if God has always been and forever will be ‘cruciform’ (cross-shaped) in his character and actions? A More Christlike God suggests that such a God would be very good news indeed—a God who Jesus “unwrathed” from dead religion, a Love that is always toward us, and a Grace that pours into this suffering world through willing, human partners.

Is it possible to hold on to faith in an age of unbelief? Written with personal and pastoral experience, Brian Zahnd extends an invitation to move beyond the crisis of faith toward the journey of reconstruction. As the world rapidly changes in ways that feel incompatible with Christianity, this book provides much-needed hope that a stronger, more confident faith is possible.

We know Jesus the Savior, but have we met Jesus, Prince of Peace? When did we accept vengeance as an acceptable part of the Christian life? How did violence and power seep into our understanding of faith and grace? For those troubled by this trend toward the sword, perhaps there is a better way. What if the message of Jesus differs radically differs from the drumbeats of war we hear all around us? Using his own journey from war crier to peacemaker and his in-depth study of peace in the scriptures, author and pastor Brian Zahnd reintroduces us to the gospel of Peace.

Dark Horse Comics continues to showcase its dedication to publishing the greatest comics of all time with the release of the sixth spooky volume of our Creepy magazine archives. This collection of legendary yell yarns includes selections from revered writers Archie Goodwin and Harlan Ellison, among others, and groundbreaking artistic contributions from Frank Frazetta, Neal Adams, Angelo Torres, Jack Davis, underground comics great Vaughn Bodé, and more. Treat yourself to this fright-filled tomb, and you'll see why these gore-geous collections have become freaky fixtures on the New York Times bestseller list! * Creepy Archives won the 2009 Eisner Award for Best Archival Collection! * Creepy Archives includes bonus color pages.

#1 NEW YORK TIMES BESTSELLER! This must-read fantasy from an author who is legend herself--Tamora Pierce--is one Bustle calls "the perfect book for die-hard Pierce fans and newcomers alike." Discover the origin story of one of the realm's most powerful mages in the first book in the Numair Chronicles. Arram Draper is on the path to becoming one of the realm's most powerful mages. The youngest student in his class at the Imperial University of Carthak, he has a Gift with unlimited potential for greatness--and for attracting trouble. At his side are his two best friends: Varice, a clever girl with an often-overlooked talent, and Ozorne, the "leftover prince" with secret ambitions. Together, these three friends forge a bond that will one day shape kingdoms. And as Ozorne gets closer to the throne and Varice gets closer to Arram's heart, Arram realizes that one day--soon--he will have to decide where his loyalties truly lie. In the Numair Chronicles, readers will be rewarded with the never-before-told story of how Numair Salmalín came to Tortall. Newcomers will discover a YA fantasy where a kingdom's future rests on the shoulders of a talented young man with a knack for making vicious enemies. BONUS! Don't miss Sarah J. Maas's interview with Tamora Pierce! "A beautiful, genuine exploration [of] friendship. . . . Unforgettable." --Hypable "Tamora Pierce is one of the queens of fantasy, and as a fan of the Immortals series most of all, I was happy to be reunited with the world of Tortall and literary crush Numair Salmalín." --The Mary Sue

The tragedy of extinction is explained through the dramatic story of a legendary bird, the Ivory-billed Woodpecker, and of those who tried to possess it, paint it, shoot it, sell it, and, in a last-ditch effort, save it. A powerful saga that sweeps through two hundred years of history, it introduces artists like John James Audubon, bird collectors like William Brewster, and finally a new breed of scientist in Cornell's Arthur A. "Doc" Allen and his young ornithology student, James Tanner, whose quest to save the Ivory-bill culminates in one of the first great conservation showdowns in U.S. history, an early round in what is now a worldwide effort to save species. As hope for the Ivory-bill fades in the United States, the bird is last spotted in Cuba in 1987, and Cuban scientists join in the race to save it. All this, plus Mr. Hoose's wonderful story-telling skills, comes together to give us what David Allen Sibley, author of The Sibley Guide to Birds calls "the most thorough and readable account to date of the personalities, fashions, economics, and politics that combined to bring about the demise of the Ivory-billed Woodpecker." The Race to Save the Lord God Bird is the winner of the 2005 Boston Globe - Horn Book Award for Nonfiction and the 2005 Bank Street - Flora Stieglitz Award.

For over 40 years, Jack M. Sasson has been studying and commenting on the cuneiform archives from Mari on the Euphrates River, especially those from the age of Hammurabi of Babylon. Among Mari’s wealth of documents, some of the most interesting are letters from and to kings, their advisers and functionaries, their wives and daughters, their scribes and messengers, and a variety of military personnel. The letters are revealing and often poignant. Sasson selects more than 700 letters as well as several excerpts from administrative documents, translating them and providing them with illuminating comments. In distilling a lifetime of study and interpretation, Sasson hopes to welcome readers into a fuller appreciation of a remarkable period in Mesopotamian civilization. Sasson’s presentation is organized around major institutions in an ancient culture: (1) Kingship, treating accumulation of wealth, control of vassals, dynastic marriages, treaty-obligations, as well as illustrating the hazards and vexation of ruling a large territory; (2) Administration, from palaces that teem with bureaucrats, musicians, and cooks, to the management of provinces and vassal kingdoms; (3) Warfare, military establishment and martial practices; (4) Society, including organs of justice (and shortcuts to it), crime, punishment, and civil transactions; (5) Religion, including notices on diverse pantheons, rituals, priesthood, cultic paraphernalia, vows, ordeals, and channels to the gods (divination, dreams, and prophecy); and (6) Culture, including ethnic distinctions, class structure, and moments in the life cycle (birth, childhood, family life, health matters, death, and commemoration). Sasson’s presentation of the material brings to life a world entombed for four millennia, concretizes the realities of ancient life, and gives it a human perspective that is at once instructive and entertaining. The book is accompanied by extensive concordances and indexes (including to biblical passages) that will be useful to those who wish to study the letters more intensively.