A native of Haiti, Dimitry Elias Léger makes his remarkable debut with this story of romance, politics, and religion that traces the fates of three lovers in Port-au-Prince, Haiti, and the challenges they face readjusting to life after an earthquake devastates their city. Reflecting the chaos of disaster and its aftermath, God Loves Haiti switches between time periods and locations, yet always moves closer to solving the driving mystery at its center: Will the artist Natasha Robert reunite with her one true love, the injured Alain Destiné, and live happily ever after? Warm and constantly surprising, told in the incandescent style of José Saramago and Roberto Bolaño, and reminiscent of Gabriel García Márquez’s hauntingly beautiful Love in The Time of Cholera, God Loves Haiti is an homage to a lost time and city, and the people who embody it.

A native of Haiti, Dimitry Elias Léger makes his remarkable debut with this story of romance, politics, and religion that traces the fates of three lovers in Port-au-Prince, Haiti, and the challenges they face readjusting to life after an earthquake devastates their city. Reflecting the chaos of disaster and its aftermath, God Loves Haiti switches between time periods and locations, yet always moves closer to solving the driving mystery at its center: Will the artist Natasha Robert reunite with her one true love, the injured Alain Destiné, and live happily ever after? Warm and constantly surprising, told in the incandescent style of José Saramago and Roberto Bolaño, and reminiscent of Gabriel García Márquez’s hauntingly beautiful Love in The Time of Cholera, God Loves Haiti is an homage to a lost time and city, and the people who embody it.

“I couldn’t put Dear Haiti, Love Alaine down!” —New York Times bestselling author Jasmine Guillory “An enchanting and engrossing novel full of wit and laughter.” —Edwidge Danticat, author of Breath, Eyes, Memory “Remarkable, funny, and whip-smart.” —Ibi Zoboi, author of American Street, National Book Award finalist “Maika and Maritza Moulite have created quite the masterpiece.” —NPR.org “Alaine’s sarcastic quips...are worth the price of admission alone.” —HYPEBAE “A beautiful story from start to finish.” —Buzzfeed Alaine Beauparlant has heard about Haiti all her life... But the stories were always passed down from her dad—and her mom, when she wasn’t too busy with her high-profile newscaster gig. But when Alaine’s life goes a bit sideways, it’s time to finally visit Haiti herself. What she learns about Haiti’s proud history as the world’s first black republic (with its even prouder people) is one thing, but what she learns about her own family is another. Suddenly, the secrets Alaine’s mom has been keeping, including a family curse that has spanned generations, can no longer be avoided. It’s a lot to handle, without even mentioning that Alaine is also working for her aunt’s nonprofit, which sends underprivileged kids to school and boasts one annoyingly charming intern. But if anyone can do it all...it’s Alaine. “Delightful.” —Essence magazine “Alaine Beauparlant is YA’s new favorite heroine.” —Author Nina Moreno for Bustle “Seamlessly blending story lines and allusions to Haiti’s history and culture, the authors create an indelible, believable character in Alaine—naive, dynamic, and brutally honest—who stretches and grows as her remarkable, affectingly rendered family relationships do.” —Publishers Weekly (starred review) “Sisters Maika and Maritza Moulite deliver a phenomenal coming-of-age story with this stunning novel.” —Booklist (starred review) “Enchanting.” —Kirkus Reviews Winner of a Parent’s Choice Award!

"It took months of God waking me up in the middle of the night before I realized I was the one He was calling to leave my comfortable American life and move to Haiti." Miracle on Voodoo Mountain is the inspirational memoir of an accomplished and driven 24-year old who quit her job, sold everything, and moved to Haiti, by herself—all without a clear plan of action. Megan Boudreaux had visited Haiti on a few humanitarian trips but each trip multiplied the sense that someone needed to address the devastation—especially with the children, many of whom were kept as household slaves on the poverty-stricken and earthquake-devastated Caribbean island. God guided her every step as she moved blindly to a foreign land without knowing the language, the people, or the future. From becoming the adoptive mother of former child slaves, to receiving the divine gift of the Haitian Creole language, to starting, building, and running a school for more than 500 children, "the amazingness of what God did after I made the choice to be obedient is incredible," said Megan. Three years later, six acres on Bellevue Mountain in Gressier is the home of the nonprofit Respire Haiti at the former site of voodoo worship, and in the area that many still come to make animal sacrifices, Megan and her staff of nearly 200 are transforming this community as they educate, feed, and address the needs.

On January 12, 2010, the deadliest earthquake in the history of the Western Hemisphere struck the nation least prepared to handle it. Jonathan M. Katz, the only full-time American news correspondent in Haiti, was inside his house when it buckled along with hundreds of thousands of others. In this visceral, authoritative first-hand account, Katz chronicles the terror of that day, the devastation visited on ordinary Haitians, and how the world reacted to a nation in need. More than half of American adults gave money for Haiti, part of a monumental response totaling $16.3 billion in pledges. But three years later the relief effort has foundered. It's most basic promises—to build safer housing for the homeless, alleviate severe poverty, and strengthen Haiti to face future disasters—remain unfulfilled. The Big Truck That Went By presents a sharp critique of international aid that defies today's conventional wisdom; that the way wealthy countries give aid makes poor countries seem irredeemably hopeless, while trapping millions in cycles of privation and catastrophe. Katz follows the money to uncover startling truths about how good intentions go wrong, and what can be done to make aid "smarter." With coverage of Bill Clinton, who came to help lead the reconstruction; movie-star aid worker Sean Penn; Wyclef Jean; Haiti's leaders and people alike, Katz weaves a complex, darkly funny, and unexpected portrait of one of the world's most fascinating countries. The Big Truck That Went By is not only a definitive account of Haiti's earthquake, but of the world we live in today.

As a priest and a physician, Richard Frechette has known the body, heart, and soul of people in the most anguishing of circumstances. He has carried out his double ministry over the past twenty-five years in settings of extreme poverty, violence, social upheaval, and natural disasters. This personal experience of tough realities has been at once a descent into chaos and an ascent into compassion, never more so than in his work in Haiti. The reflections in this volume are less about Haiti than they are about real-life incidents that happened there, during a particular time in history. In a fuller sense, these reflections shed light on what happens in any place, at any time, to people of any race or class, who live out an assault on their human dignity. Whenever the dignity of human beings is marred, the human spirit finds itself in threatened conditions, and seeks desperately to preserve what is human about it. This is the unfailing light of Gods grace, ever present and faithful, fiercely persistent in trying to renew the face of the earth and the pilgrim human heart. Grounded in space and time, and yet speaking of universal concerns, this very personal volume shows how the ancient human scourges of poverty, ignorance, illness, and violence desecrate humanity and weaken the spirit. Yet as Frechette shows, from these ashes many people, with the help of God, valiantly rise. This is a stunning work that crosses conventional barriers between the personal and the political, between degradation by others and elevation by selves. "I will lead you by the way.... that you may become the brother of God and learn to know the Christ of the burnt men." -Thomas Merton

Gina Athena Ulysse's Because When God Is Too Busy: Haïti, me & THE WORLD is a lyrically vivid meditative journey that is unapologetic in its determination to name, embrace and reclaim a revolutionary Blackness that has been historically stigmatized and denied. Crafting experiments with "ethnographic collectibles" of word, performative sounds, and imagery to blur genres and the lines between the geopolitical and the personal, this collection is a testament to postcolonial inheritances. Ulysse's work remixes samples from a range of references as it beckons readers to bear witness to a coming of age as she shifts between time and place and plays with languages to stretch the margins of aesthetics in the academic. These poems, performance texts, and photographs gather fractured memories—longings laced with Vodou chants confronting a past that looms too largely in the present. Because When God Is Too Busy searches for humility while honoring sacred and ancestral imperatives to recognize and salute power beyond Western attachments to reason.