God is moving in our nation in an unprecedented way. I believe the years ahead of us hold the potential for the greatest move of the Spirit of God that humanity will have ever known. I also believe they hold the potential for the greatest expressions of evil. It's imperative we prepare for that season with prayer and a love of God's truth.

"God Bless America" is a song most Americans know well. It is taught in American schools and regularly performed at sporting events. After the attacks on September 11th, it was sung on the steps of the Capitol, at spontaneous memorial sites, and during the seventh inning stretch at baseball games, becoming even more deeply embedded in America's collective consciousness. In God Bless America, Sheryl Kaskowitz tells the fascinating story behind America's other national anthem. It begins with the song's composition by Irving Berlin in 1918 and first performance by Kate Smith in 1938, revealing an early struggle for control between composer and performer as well as the hidden economics behind the song's royalties. Kaskowitz shows how the early popularity of "God Bless America" reflected the anxiety of the pre-war period and sparked a surprising anti-Semitic and xenophobic backlash. She follows the song's rightward ideological trajectory from early associations with religious and ethnic tolerance to increasing uses as an anthem for the Christian Right, and considers the song's popularity directly after the September 11th attacks. The book concludes with a portrait of the song's post-9/11 function within professional baseball, illuminating the power of the song - and of communal singing itself - as a vehicle for both commemoration and coercion. A companion website offers streaming audio of recordings referenced in the book, links to videos of relevant performances, appendices of information, and an opportunity for readers to participate in the author's survey. Based on extensive archival research and fieldwork, God Bless America sheds new light on cultural tensions within the U.S., past and present, and offers a historical chronicle that is full of surprises and that will both edify and delight readers from all walks of life.

(Applause Books). Gathered together in one volume for the first time, here are all of the incomparable song lyrics of Irving Berlin the lyrics of more than 1,200 songs, 400 of which have never before appeared in print along with anecdotal, historical, and musicological commentary and dozens of photographs. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit after another: Blue Skies * Always * Cheek to Cheek * White Christmas * God Bless America * There's No Business Like Show Business * and many more. He also wrote a number of the classics of musical theater's Golden Age, climaxing with Annie Get Your Gun . He penned three Astaire and Rogers films Top Hat, Carefree , and Follow the Fleet as well as the scores of Holiday Inn, Easter Parade , and other films. The breadth of his accomplishment is staggering.

An inspiring portrait of an immigrant and the gift he gave his new home. Persecuted as Jews, Izzy Baline and his family emigrated from Russia to New York, where he fell in love with his new country. He heard music everywhere and was full to bursting with his own. Izzy's thump-two-three, ting-a-ling, whee tunes soon brought him acclaim as the sought-after songwriter Irving Berlin. He ignited the imaginations of fellow countrymen and women with his Broadway and Hollywood numbers, crafting tunes that have become classics we still sing today. But when darker times came and the nation went to war, it was time for Irving to compose a new kind of song: A boom-rah-rah song. A big brass belter. A loud heart-melter. A song for America. And so "God Bless America" was born, the heart swelling standard that Americans have returned to again and again after its 1918 composition. This is the tale of how a former refugee gave America one of its most celebrated patriotic songs. With stirring, rhythmic text by Adah Nuchi and delightful, energetic art by Rob Polivka, readers will be ready to hum along to this exuberant picturebook.

God Bless America lifts the veil on strange and unusual religious beliefs and practices in the modern-day United States. Do Satanists really sacrifice babies? Do exorcisms involve swearing and spinning heads? Are the Amish allowed to drive cars and use computers? Taking a close look at snake handling, new age spirituality, Santeria spells, and satanic rituals, this book offers more than mere armchair research, taking you to an exorcism and a polygamist compound—and allowing you to sit among the beards and bonnets in a Mennonite church and to hear L. Ron Hubbard's stories told as sermons during a Scientology service. From the Amish to Voodoo, the beliefs and practices explored in this book may be unorthodox—and often dangerous—but they are always fascinating. While some of them are dying out, and others are gaining popularity with a modern audience, all offer insight into the future of religion in the United States—and remind that fact is often stranger than fiction.

"Steve Almond is one of our finest literary provocateurs. His stories are without equal in their beautiful terrible honesty. Stylish and finely wrought, these are tales with the force of life itself.

(Piano Vocal). An arrangement of Irving Berlin's beloved favorite for piano and voice with guitar chord frames.