Dan W. Clanton, Jr. examines the presence and use of religion and Bible in Agatha Christie's Hercule Poirot novels and stories and their later interpretations. Clanton begins by situating Christie in her literary, historical, and religious contexts by discussing “Golden Age” crime fiction and Christianity in England in the late 19th-early 20th centuries. He then explores the ways in which Bible is used in Christie's Poirot novels as well as how Christie constructs a religious identity for her little Belgian sleuth. Clanton concludes by asking how non-majority religious cultures are treated in the Poirot canon, including a heterodox Christian movement, Spiritualism, Judaism, and Islam. Throughout, Clanton acknowledges that many people do not encounter Poirot in his original literary contexts. That is, far more people have been exposed to Poirot via “mediated” renderings and interpretations of the stories and novels in various other genres, including radio, films, and TV. As such, the book engages the reception of the stories in these various genres, since the process of adapting the original narrative plots involves, at times, meaningful changes. Capitalizing on the immense and enduring popularity of Poirot across multiple genres and the absence of research on the role of religion and Bible in those stories, this book is a necessary contribution to the field of Christie studies and will be welcomed by her fans as well as scholars of religion, popular culture, literature, and media.

Dan W. Clanton, Jr. examines the presence and use of religion and Bible in Agatha Christie's Hercule Poirot novels and stories and their later interpretations. Clanton begins by situating Christie in her literary, historical, and religious contexts by discussing “Golden Age” crime fiction and Christianity in England in the late 19th-early 20th centuries. He then explores the ways in which Bible is used in Christie's Poirot novels as well as how Christie constructs a religious identity for her little Belgian sleuth. Clanton concludes by asking how non-majority religious cultures are treated in the Poirot canon, including a heterodox Christian movement, Spiritualism, Judaism, and Islam. Throughout, Clanton acknowledges that many people do not encounter Poirot in his original literary contexts. That is, far more people have been exposed to Poirot via “mediated” renderings and interpretations of the stories and novels in various other genres, including radio, films, and TV. As such, the book engages the reception of the stories in these various genres, since the process of adapting the original narrative plots involves, at times, meaningful changes. Capitalizing on the immense and enduring popularity of Poirot across multiple genres and the absence of research on the role of religion and Bible in those stories, this book is a necessary contribution to the field of Christie studies and will be welcomed by her fans as well as scholars of religion, popular culture, literature, and media.

God's invitations to rest, follow, remember or repent may seem less compelling than your to-do list. But Adele Calhoun believes invitations like these can heal, restore and shape where we go, what we do and who we become. Here she includes reflection questions, exercises and disciplines to help you attend to the quiet voice of the Great Inviter.

"In that it removes the question mark from the end of one's life, this book is a great comfort to the aging and those who contemplate death. Yet, it is most important to the young and those who contemplate life." Howard Jason Smith, Boston Globe. Lucien Gregoire, friend-biographer of Albino Luciani, has written books on the evolution of world religions in a simple and enlightening way so that a child can easily understand them. This is one of them. In 1947, Albino Luciani--the 33-day pope John Paul I--defended his thesis 'The Origin of the Human Soul...' in which he defined the human soul--just what is it one is trying to save? What's more, he stumbled upon the secret of eternal life. The relatively heavy theological intellectual complexity of Luciani's thesis is presented in a series of fun and entertaining conversations with a ten year old boy. As Dante once took the reader through the levels of hell, the reincarnated Luciani takes the reader through the heavens of the Christian, the Jew, the Muslim, the Hindu, the Buddhist, the Tao, and one more--a long lost religion holding the secret to eternal life. One no longer has to guess. One can know in this life, one will live forever. Listen as he tells you what he meant, when he told us, "Don't knock yourself out over smart monkeys and Adam and Eve. Each of us is responsible for our own evolution. We can either choose to remain as mortal men, or we can evolve as Gods." Albino Luciani, Gregorian University, doctoral dissertation, Feb '47. "If every teen were to read this book, what a wonderful world we would live in." Dr. Alexis Bishop, London Times.

R. S. Thomas (1913-2000) was a major poet of the twentieth century. He was respected by luminaries of the literary establishment, recognized with numerous awards, and nominated for the Nobel Prize in 1996. Thomas was also a priest of the Anglican Communion who wrestled ceaselessly with problems of faith and doubt in his poetry. John G. McEllhenney makes R. S. Thomas' poems, ministry, and irascible character come brilliantly alive in his new book, A Masterwork of Doubting-Belief: R. S. Thomas and His Poetry. McEllhenney, who developed a personal relationship with Thomas during the last decade of the poet's life, draws on his conversations and correspondence with Thomas, as well as his experiences as a clergyman and lover of poetry, and offers readers a unique experience that is part biography, part appreciation, and part religious meditation. A Masterwork of Doubting-Belief is an important new contribution to our understanding of R. S. Thomas and an inspiring source of insights for all who struggle with their faith!

Allusions are a marvelous literary shorthand. A miser is a Scrooge, a strong man a Samson, a beautiful woman a modern-day Helen of Troy. From classical mythology to modern movies and TV shows, this revised and updated third edition explains the meanings of more than 2,000 allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rambo to Rubens. Based on an extensive reading program that has identified the most commonly used allusions, this fascinating volume includes numerous quotations to illustrate usage, drawn from sources ranging from Thomas Hardy and Charles Dickens to Bridget Jones's Diary. In addition, the dictionary includes a useful thematic index, so that readers not only can look up Medea to find out how her name is used as an allusion, but also can look up the theme of "Revenge" and find, alongside Medea, entries for other figures used to allude to revenge, such as The Furies or The Count of Monte Cristo. Hailed by Library Journal as "wonderfully conceived and extraordinarily useful," this superb reference--now available in paperback--will appeal to anyone who enjoys language in all its variety. It is especially useful for students and writers.