This lively and accessible introduction to Plato focuses on the philosophy and argument of his writings, drawing the reader into Plato's way of doing philosophy, and the general themes of his thinking. This is not a book to leave the reader standing in the outer court of introduction and background information, but leads directly into Plato's argument. It looks at Plato as a thinker grappling with philosophical problems in a variety of ways, rather than a philosopher with a fully worked-out system. It includes a brief account of Plato's life and the various interpretations that have been drawn from the sparse remains of information. It stresses the importance of the founding of the Academy and the conception of philosophy as a subject. Julia Annas discusses Plato's style of writing: his use of the dialogue form, his use of what we today call fiction, and his philosophical transformation of myths. She also looks at his discussions of love and philosophy, his attitude to women, and to homosexual love, explores Plato's claim that virtue is sufficient for happiness, and touches on his arguments for the immortality of the soul and his ideas about the nature of the universe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The underlying concept developed here is the paradigmatic function of the theophanic Glory-cloud in the creation of the image of God. Dr. Kline identifies the major symbolic models employed in Scripture to expound the nature of the divine image in humanity - the priestly and the prophetic.

This book presents a comprehensive study into Plato's theological doctrines, offering an important re-valuation of the status of Plato's gods and the relation between metaphysics and theology according to Plato. Starting from an examination of Plato's views of religion and the relation between religion and morality, Gerd Van Riel investigates Plato's innovative ways of speaking about the gods. This theology displays a number of diverging tendencies - viewing the gods as perfect moral actors, as cosmological principles or as celestial bodies whilst remaining true to traditional anthropomorphic representations. Plato's views are shown to be unified by the emphasis on the goodness of the gods in both their cosmological and their moral functions. Van Riel shows that recent interpretations of Plato's theology are thoroughly metaphysical, starting from aristotelian patterns. A new reading of the basic texts leads to the conclusion that in Plato the gods aren't metaphysical principles but souls who transmit the metaphysical order to sensible reality. The metaphysical principles play the role of a fated order to which the gods have to comply. This book will be invaluable to readers interested in philosophical theology and intellectual history.

This book is a collection of dovetailing essays which together interpret and assess the chief arguments and texts which make up Plato's cosmology. Arguments in the Timaeus, Sophist, Statesman, Philebus, and Laws X are analyzed with an eye to problems which affect the wider understanding of Plato's metaphysics, theology, epistemology, psychology, and physics. New interpretations are given to Plato's views on the role and characteristics of his craftsman God, the nature and status of Forms, the nature of time and eternity, the status and nature of space and the phenomenal realm, and the nature of and relations between reason, souls, bodies, and motion. The book is critically sympathetic to the Platonic project, at least to the extent that it argues that many (though not all) features of the Platonic cosmology are more intelligible and coherent than usually supposed by critics. It defends the view that for Plato God makes the world in the way that a carpenter cuts a board to be exactly a yard long - by applying a yard stick to the board and removing the excess wood. independently both of the agent who creates and the world on which he works. These standards are Plato's Forms. Transcendent Forms cannot be excised from the Platonic metaphysics as many modern critics have been trying to do in an attempt to make Plato respectable by today's criteria of philosophical decency. Parts of this work were previously published in 1985 by E. J. Brill (Leiden) under the title The Platonic Cosmology. This new edition includes four published essays by the author as well as one as of yet unpublished essay titled Extensions.

This book explores the process during 100 BCE-100 CE by which dualistic Platonism became the reigning school in philosophy.

Plato's Timaeus is one of the most influential and challenging works of ancient philosophy to have come down to us. Sarah Broadie's rich and compelling study proposes new interpretations of major elements of the Timaeus, including the separate Demiurge, the cosmic 'beginning', the 'second mixing', the Receptacle and the Atlantis story. Broadie shows how Plato deploys the mythic themes of the Timaeus to convey fundamental philosophical insights and examines the profoundly differing methods of interpretation which have been brought to bear on the work. Her book is for everyone interested in Ancient Greek philosophy, cosmology and mythology, whether classicists, philosophers, historians of ideas or historians of science. It offers new findings to scholars familiar with the material, but it is also a clear and reliable resource for anyone coming to it for the first time.

Challenges the idea that Plato is a secular thinker, exploring the interaction of philosophy and Greek religion in the dialogues.