The Heavenly Dao led to the reversal of Yin and Yang, and all worlds were treated as a prison. If one wanted to break through the Heavenly Dao and become eternal, the only way was to break through the Heavenly Dao and restore the heavens. The protagonist, the reincarnation of the reincarnation of the reincarnation of a reincarnation, would eventually defy the heavens to become a saint. The main character: Life as a mystery, reincarnation as reincarnation. Female lead: Has it disappeared? How could that be possible? She was the female lead, so of course she would appear again. Furthermore, she was the center. The Heavenly Dao would eventually be shattered, the universe would be set in stone, and everything would be in chaos. Close]

Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies. Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics. Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats--Weiss, Seamus Heaney, and Derek Walcott--exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present.

Arkana Archaeology Thrillers: Volume 7 - The Sage Stone Prophecy In the series finale, the Nephilim and the Arkana scour the farthest reaches of the planet for the hiding place of the legendary relic known as the Sage Stone. At the same time, mortal danger threatens friends and foes alike as the cult's leader pushes humanity to the brink of extinction. The fate of the world hinges on the outcome of a final confrontation with both factions pinning all their hopes on a prophecy that might not mean exactly what it says. If you've followed this saga from the beginning, THE SAGE STONE PROPHECY reveals at long last who will claim the most sought-after relic of all and how many others will lose their lives trying.

Shirley MacLaine has established herself as a fearless, iconoclastic thinker and seeker of truth. Her eagerly-awaited new book features an irresistible blend of stories from her life as a Broadway and Hollywood star combined with her lifelong search for spiritual clarity and meaning. Full of personal anecdotes and reflections, MacLaine confronts the realities and rewards of growing older, looking back at where her journey has taken her and coming to a greater understanding of her own place in the universe. Full of her trademark wit and candour, this new book explores a wealth of issues ranging from nutrition and health to what happens to us after death. It is sure to delight her legions and fans and fellow travellers everywhere.

In contemporary Western societies, the visual domain has come to assume a hitherto unprecedented cultural centrality. Daily life is replete with a potentially endless stream of images and other visual messages: from the electronic and paper-based billboards of the street, to the TV and Internet feeds of the home. The visual has become imbued with a symbolic potency, a signifying power that seemingly eclipses that of all other sensory data. The central aim of this four-volume collection is to explore key approaches to visual research methods and to consider some of the core principles, issues, debates and controversies surrounding the use of visual techniques in relation to three key enterprises: 1) documentation and representation; 2) interpretation and classification and 3) elicitation and collaboration. Volume One: Principles, Issues, Debates and Controversies in Visual Research serves as a theoretical backdrop to the field as a whole. It introduces core epistemological, ethical and methodological debates that effectively cut across the four volume collection as a whole. Volume Two: Documentation and Representation illustrates approaches to visual documentation and representation, from classical documentaries to contemporary, state of the art modes of visual anthropology and ethnography. Volume Three: Interpretation and Classification examines core debates surrounding and approaches to visual analysis. Volume Four: Elicitation and Collaboration explores participative approaches to visual inquiry.

Introduction by James H. Charlesworth This new edition of David Flusser's classic study of the historical Jesus, revised and updated by his student and colleague R. Steven Notley, will be welcomed everywhere by students and scholars of early Christianity and Judaism. Reflecting Flusser's mastery of ancient literary sources and modern archaeological discoveries, The Sage from Galilee offers a fresh, informed biographical portrait of Jesus in the context of Jewish faith and life in his day. Including a chronological table (330 BC – AD 70), and twenty-eight illustrations, The Sage from Galilee is the culmination of nearly six decades of study by one of the world's foremost Jewish authorities on the New Testament and early Christianity. Both Jewish and Christian readers will find challenge and new understanding in these pages.

It's the story "They" don't want you to read. Though, to be fair, "They" are probably right about this one. To quote the Bible, "Learning the truth can be like loosening a necktie, only to realize it was the only thing keeping your head attached." No, don't put the book back on the shelf -- it is now your duty to purchase it to prevent others from reading it. Yes, it works with e-books, too, I don't have time to explain how. While investigating a fairly straightforward case of a shape-shifting interdimensional child predator, Dave, John and Amy realized there might actually be something weird going on. Together, they navigate a diabolically convoluted maze of illusions, lies, and their own incompetence in an attempt to uncover a terrible truth they -- like you -- would be better off not knowing. Your first impulse will be to think that a story this gruesome -- and, to be frank, stupid -- cannot possibly be true. That is precisely the reaction "They" are hoping for. John Dies at the End's "smart take on fear manages to tap into readers' existential dread on one page, then have them laughing the next" (Publishers Weekly) and This Book is Full of Spiders was "unlike any other book of the genre" (Washington Post). Now, New York Times bestselling author David Wong is back with What the Hell Did I Just Read, the third installment of this black-humored thriller series.