Go F*ck Yourself, Cian! is a laugh-out-loud alternative relationship guide by Facebook's favourite comedian, Cian Twomey. Fine, nothing, and okay are three words when used by your partner, that are guaranteed to make a man's testicles shrink in fear - and so they should according to Cian Twomey, Facebook's favourite comedian, whose imaginary other half has threatened to push him into a well and when all else fails hopes he chokes on his own slice of pizza. What did Cian do to deserve such atrocities? A lot - according to erratic Emily, the difficult other half to Cian's own personality. Go F*ck Yourself Cian is the relationship guide for you, no matter your status; single, friends with benefits, loved up, or ashamedly whipped, this book holds the answers. Learn what to do with Cian's practical advice, from that awkward first date to that even more awkward first fart. Learn what not to do with Emily's not so helpful interjections and high maintenance demands, and get to know the real Cian and Emily and their heart-warming romance. Cian Twomey: 'There's days where I think my girlfriend is the most beautiful thing on the planet, there's also days when I want to leave her in a forest...'

We present 120 "Go F-ck Yourself, Cian!" excuses with 24 awesome hand drawn adult coloring images. Color those images and tell your partner a different excuse each time you need to have sex. Feel free to gift a copy of "Go F-ck Yourself, Cian!" to your friends, girlfriends and colleagues.

Hyena is a collection of autobiographical stories by Jude Angelini, which takes the reader on his journey of heartbreak, depravity, and hilarity, deftly moving between his adult life and his childhood growing up in a factory town outside of Detroit. Each story is told with brutal honesty, yet maintains a gallows humor that will leave you shaking your head in disbelief. Jude is one of the top hip-hop radio hosts on Sirius Satellite radio. His self-published, print-on-demand edition of Hyena has been an indie bestseller, despite having no ebook or physical distribution. Its exploration of drugs, sex, and the human condition compares to Charles Bukowski, Hunter S. Thompson, Artie Lange, and Jim Norton. It also captures the hardscrabble culture, language, and landscape of post-industrial Detroit, from which came some of pop culture's most compelling artists.

Loosely speaking, adaptive systems are designed to deal with, to adapt to, chang ing environmental conditions whilst maintaining performance objectives. Over the years, the theory of adaptive systems evolved from relatively simple and intuitive concepts to a complex multifaceted theory dealing with stochastic, nonlinear and infinite dimensional systems. This book provides a first introduction to the theory of adaptive systems. The book grew out of a graduate course that the authors taught several times in Australia, Belgium, and The Netherlands for students with an engineering and/or mathemat ics background. When we taught the course for the first time, we felt that there was a need for a textbook that would introduce the reader to the main aspects of adaptation with emphasis on clarity of presentation and precision rather than on comprehensiveness. The present book tries to serve this need. We expect that the reader will have taken a basic course in linear algebra and mul tivariable calculus. Apart from the basic concepts borrowed from these areas of mathematics, the book is intended to be self contained.

Among the few truly experimental composers in our cultural history, Harry Partch's life (1901–1974) and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical invention and transcendental visions. Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.