A deliciously charming novel about finding true love . . . and yourself. Nothing ever happens in Little, CA. Which is just the way 17-year-old Carter Moon likes it. But when Hollywood arrives to film a movie starring former child star-turned public relations mess Adam Jakes, everything changes. Utterly annoyed, Carter feels like the only girl not buying what Hollywood's selling. Then Carter gets an offer she can't refuse: play the part of Adam's girlfriend while he's in Little, to improve his public image, and take home a hefty paycheck, which her family desperately needs. So instead of a summer hanging out with friends and working, Carter begrudgingly poses for the tabloids but soon finds that Adam isn't who she thought. Worse yet, she might actually be falling for him. As they grow closer, their relationship walks a blurry line between what's real and what's fake; and Carter must open her eyes to the scariest of unexplored worlds - her future. Can Carter figure out what she wants out of life AND get the boy? Or are there no Hollywood endings in real life?

This coming-of-age story by multiple-award-winner Meg McKinlay is about loss and grief, dealing with change and fighting to hold on to what you can, while letting go of what you can’t. It’s 1979 and the sky is falling. Skylab, that is. Somewhere high above Frankie Avery, one of the world’s first space stations is tumbling to Earth. And rushing back with it are old memories. Things twelve-year-old Frankie thought she’d forgotten. Things her mum won’t talk about, and which her little brother Newt never knew. Only ... did he? Does he? Because as Skylab circles closer, Newt starts acting strangely. And while the world watches the sky, Frankie keeps her own eyes on Newt. Because if anyone’s going to keep him safe, it’s her. It always has been. But maybe this is something bigger than splinters and spiders and sleepwalking. Maybe a space station isn’t the only thing heading straight for calamity.

It was after midnight in 1990, and a group of NASA technicians are playing chess in the lounge. They never notice the soft clicking noises as radiation detectors kick in and a strange code begins taking over a computer monitor. As a glowing saucer zips past the Voyager, locks itself into orbit around Neptune, rolls over, and then disappears from view, the technicians loudly argue over the rules of the gameunaware that aliens are headed toward Earth. Unfortunately, the amphibian-like creatureswho reproduce in alarming numbershave made a serious mistake. They have chosen a small town in Iowa as the place to launch their invasion, mistakenly thinking they can attack under a cloak of invisibility. But this rural setting is protected by the Pirates, an elite team of adventurers and foilers of evil plots comprised of the most dangerous creatures on planet Earthyoung boys. As the alien invaders kidnap one of the pirates and begin to examine him for weaknesses, they have no idea that they have in their possession the girl-hating, chaos-creating nuisance that is the bane of all fourth-grade math teachers in town. It may be the last mistake theyll ever make.

JOHN DONNE: AIR AND ANGELS: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a 'Muse poet', a poetwho wrote passionately of the Muse. It is easy to see Donne asa love poet, in the tradition of love poets such as Bernard deVentadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of lovepoems. There are the bawdy allusions to the phallus in 'TheFlea', while 'The Comparison' parodies the adoration poem, with references to the 'sweat drops of my mistress' breast'. Like William Shakespeare in his parody sonnet 'my mistress' eyes are nothing like the sun', Donne sends up the Petrarchan and courtly love genre with gross comparisons ('Like spermatic issue of ripe menstruous boils'). In 'The Bait', there is the archetypal Renaissance opening line 'Come live with me, and be my love', as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of 'The Extasie', a much celebrated love poem, and the 19th 'Elegy', where features Donne's famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In 'The Canonization', we find the age-old Neo-platonic belief that two can become as one ('we two being one', or 'we shall/ Be one', he writes in 'Lovers' Infiniteness'), a common belief in love poetry. John Donne's love poetry, like (nearly) all love poetry, self-reflexive. Although he would 'ne'er parted be', as he writes in 'Song: Sweetest love, I do not go', he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in 'The Extasie' and 'Elegy', he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. With an introduction and bibliography. Illustrated, with new pictures. The text has been revised for this edition. Also available in an E-book edition. www.crmoon.com. "

As Bear watches for the last leaf of autumn to fall, he is joined by other animals who do not know why the leaf is so special to him.

In "Catch a Falling Star" a young boy named Fish begins to experience feelings of anxiety and confusion. It feels like his brain is very busy and noisy. Fish feels scared when this happens and it gets worse when he goes to school. Fish meets Iris the Dragon and learns techniques to help him relax and understand that his parents and doctors can help. This is a story about a boy who has a variety of symptoms that could be considered ‘red flags’ in a child’s emotional and social development.

Written for a young audience, this intense memoir explores the harsh realities of life on the streets in contemporary North Korea. Every Falling Star is the memoir of Sungju Lee, who at the age of twelve was forced to live on the streets of North Korea and fend for himself. To survive, Sungju creates a gang and lives by thieving, fighting, begging, and stealing rides on cargo trains. Sungju richly recreates his scabrous story, depicting what it was like for a boy alone to create a new family with his gang, “his brothers,” to daily be hungry and to fear arrest, imprisonment, and even execution. This riveting memoir allows young readers to learn about other cultures where freedoms they take for granted do not exist.