Glory, Trouble, and Renaissance at the Robert S. Peabody Museum of Archaeology chronicles the seminal contributions, tumultuous history, and recent renaissance of the Robert S. Peabody Museum of Archaeology (RSPM). The only archaeology museum that is part of an American high school, it also did cutting-edge research from the 1930s through the 1970s, ultimately returning to its core mission of teaching and learning in the twenty-first century. Essays explore the early history and notable contributions of the museum's directors and curators, including a tour de force chapter by James Richardson and J. M. Adovasio that interweaves the history of research at the museum with the intriguing story of the peopling of the Americas. Other chapters tackle the challenges of the 1990s, including shrinking financial resources, the Native American Graves Protection and Repatriation Act and relationships with American Indian tribes, and the need to revisit the original mission of the museum, namely, to educate high school students. Like many cultural institutions, the RSPM has faced a host of challenges throughout its history. The contributors to this book describe the creative responses to those challenges and the reinvention of a museum with an unusual past, present, and future.

Glory, Trouble, and Renaissance at the Robert S. Peabody Museum of Archaeology chronicles the seminal contributions, tumultuous history, and recent renaissance of the Robert S. Peabody Museum of Archaeology (RSPM). The only archaeology museum that is part of an American high school, it also did cutting-edge research from the 1930s through the 1970s, ultimately returning to its core mission of teaching and learning in the twenty-first century. Essays explore the early history and notable contributions of the museum’s directors and curators, including a tour de force chapter by James Richardson and J. M. Adovasio that interweaves the history of research at the museum with the intriguing story of the peopling of the Americas. Other chapters tackle the challenges of the 1990s, including shrinking financial resources, the Native American Graves Protection and Repatriation Act and relationships with American Indian tribes, and the need to revisit the original mission of the museum, namely, to educate high school students. Like many cultural institutions, the RSPM has faced a host of challenges throughout its history. The contributors to this book describe the creative responses to those challenges and the reinvention of a museum with an unusual past, present, and future.

Key writings of Alice Beck Kehoe provide students and scholars of anthropology an overview of methodological and ethical issues in Americanist archaeology over the last thirty years.

Introduction : the enigma of Max Gluckman -- Making the very model of a modern liberal -- London calling -- How the guinea pig burnt his own bridge -- Return to Oxford and intellectual ferment -- Landing and living in Livingi -- Mary, Max, and the Mongu masquerade -- Getting to grips with the Lozi -- Running the Rhodes-Livingstone Institute -- The seven year plan -- The African undertow

Presenting examples from the fields of critical race studies, cultural resource management, digital archaeology, environmental studies, and heritage studies, Trowels in the Trenches demonstrates the many different ways archaeology can be used to contest social injustice. This volume shows that activism in archaeology does not need to involve radical or explicitly political actions but can be practiced in subtler forms as a means of studying the past, informing the present, and creating a better future. In case studies that range from the Upper Paleolithic period to the modern era and span the globe, contributors show how contemporary economic, environmental, political, and social issues are manifestations of past injustices. These essays find legacies of marginalization in art, toys, houses, and other components of the material world. As they illuminate inequalities and forgotten histories, these case studies exemplify how even methods such as 3D modeling and database management can be activist when they are used to preserve artifacts and heritage sites and to safeguard knowledge over generations. While the archaeologists in this volume focus on different topics and time periods and use many different practices in their research, they all seek to expand their work beyond the networks and perspectives of modern capitalism in which the discipline developed. These studies support the argument that at its core, archaeology is an interdisciplinary research endeavor armed with a broad methodological and theoretical arsenal that should be used to benefit all members of society. Contributors: |Christopher P. Barton | Stephen A. Brighton | Tiffany Cain | Stacey L. Camp | Kasey Diserens Morgan | Yamoussa Fane | Daouda Keita | Nathan Klembara | Ora V. Marek-Martinez | Christopher N. Matthews | Bernard K. Means | Vinod Nautiyal | Kyle Somerville | Moussa dit Martin Tessougue | Kerry F. Thompson | Joe Watkins | Andrew J. Webster

"In Declared Defective: Native Americans, Eugenics, and the Myth of Nam Hollow, Robert Jarvenpa offers both an intriguing history of the mixed-race Native Americans named the "Nam," who originated from western New England, and a critical reevaluation of one of the earliest eugenics family studies, The Nam: A Study in Cacogenics, written in 1912 by the leading eugenicists Arthur H. Estabrook and Charles B. Davenport" --

Hoarding New Guinea provides a new cultural history of colonialism that pays close attention to the millions of Indigenous artifacts that serve as witnesses to Europe's colonial past in ethnographic museums. Rainer F. Buschmann investigates the roughly two hundred thousand artifacts extracted from the colony of German New Guinea from 1870 to 1920. Reversing the typical trajectories that place ethnographic museums at the center of the analysis, he concludes that museum interests in material culture alone cannot account for the large quantities of extracted artifacts. Buschmann moves beyond the easy definition of artifacts as trophies of colonial defeat or religious conversion, instead employing the term hoarding to describe the irrational amassing of Indigenous artifacts by European colonial residents. Buschmann also highlights Indigenous material culture as a bargaining chip for its producers to engage with the imposed colonial regime. In addition, by centering an area of collection rather than an institution, he opens new areas of investigation that include non-professional ethnographic collectors and a sustained rather than superficial consideration of Indigenous peoples as producers behind the material culture. Hoarding New Guinea answers the call for a more significant historical focus on colonial ethnographic collections in European museums.