En cada párrafo de este libro, mi pensamiento vuela cual paloma del amor y del jardín de mi alma, perfume embriagador, esparzo a los cuatro vientos y en poemas y versos "viva el romance". Dentro de mis poemas todo es poesía, la mujer, la patria, las flores y las madres. La vida en sí es una poesía de amor profesado en amor para vivir, que es el alimento del alma. Más reciban flores del jardín de mi alma, ya que en cada verso resplandezca el amor cual sol brillante de la mañana y que en cada amanecer el amor sea el rocío de aguas cristalinas.

Terpening shows that not only did Dolce make interesting contributions to Italian literature, but he also played a decisive role in the formation and diffusion of late Cinquecento culture.

Lupe Victoria Yoli Raymond, popularmente conocida como La Lupe, o La Yiyiyi, lleno toda una época con su música, una mujer de un extraordinario valor, sin embargo, aun su recuerdo esta cubierto como con un velo, donde lo que nos llegan son historias, que muchas veces rayan en lo inverosímil o meras exageraciones. Pero la vida de Lupe fue así, siempre rodeada de hechos como salidos de la leyenda. Desde las polvorientas calles de San Pedrito, en el Oriente de Cuba, se trillo una carrera como interprete de música popular, hizo temblar la revolución de Fidel Castro, llego a los Estados Unidos, donde se situó en el trono incuestionable de La Reina de la Canción Latina. En esta obra, el autor desvela la vida de la artista como nunca nadie antes lo había hecho, con una narrativa dramática, emotiva, triste y perturbadora, llevando al lector a los mas oscuros rincones de la vida de la diva, así como también a los mas cándidos, leales, humanos y amorosos sentimientos de los que siempre fue dueña La Lupe. La Lupe, una Reina Poseída, revela la verdadera vida de Lupe Victoria Yoli Raymond, sin leyendas, sin tapujos. Conozca sus momentos de triunfos, así como los momentos amargos, de dolor miseria y abandono por los que tuvo que pasar esta extraordinaria mujer. Véalos pasar frente a sus ojos como una película, la cual nadie aun ha sido espectador.

Women have always been the muses who inspire the creativity of men, but how do women become the creators of art themselves? This was the challenge faced by Latin American women who aspired to write in the 1920s and 1930s. Though women's roles were opening up during this time, women writers were not automatically welcomed by the Latin American literary avant-gardes, whose male members viewed women's participation in tertulias (literary gatherings) and publications as uncommon and even forbidding. How did Latin American women writers, celebrated by male writers as the "New Eve" but distrusted as fellow creators, find their intellectual homes and fashion their artistic missions? In this innovative book, Vicky Unruh explores how women writers of the vanguard period often gained access to literary life as public performers. Using a novel, interdisciplinary synthesis of performance theory, she shows how Latin American women's work in theatre, poetry declamation, song, dance, oration, witty display, and bold journalistic self-portraiture helped them craft their public personas as writers and shaped their singular forms of analytical thought, cultural critique, and literary style. Concentrating on eleven writers from Argentina, Brazil, Cuba, Mexico, Peru, and Venezuela, Unruh demonstrates that, as these women identified themselves as instigators of change rather than as passive muses, they unleashed penetrating critiques of projects for social and artistic modernization in Latin America.

On May 1st, 1998 Professor P.W.Pestman retired from academic teaching. His contributions to the field of papyrology are well known: he has continually stressed the importance of Egyptian sources for the study of Greek and Roman Egypt, and the importance of studying the Greek and Egyptian documentation together, in context. Indeed, he has been among the first to link the formerly separate Greek and Egyptian documentation, establishing modern papyrological practice. He has thus given an Egyptian face to Graeco-Roman society, to complement the Greek face that had previously dominated papyrology. The present volume contains twelve contributions by members and alumni of the Papyrologisch Instituut that illustrate the two faces of Graeco-Roman Egypt and show how they may be tied together.