Global Trade and Cultural Authentication, edited by Joanne Eicher, showcases the complexity and enduring aesthetic and ingenuity of Kalabari artisans. The Kalabari people, most of whom make their homes in the eastern Niger Delta region of western Africa, are renowned for the artistry in working with globally imported textiles and dress for centuries. The 22 essays in this edited volume feature the work of leading Nigerian and American scholars and offer an in-depth, nuanced understanding of Kalabari textiles, aesthetics, and engagement with past and present global trade networks. Using dress and textiles as a lens, Global Trade and Cultural Authentication explores the Kalabari people's centuries-long role in the global trade arena. Their economic interconnectedness demonstrates that Africa was never a "dark continent" but, rather, critically involved in a global trade built around Kalabari resourcefulness and imagination.

Lifemaking offers a fresh frame for analyzing contemporary African politics and imagining its future. Rooted in the indigenous political philosophy of lifemaking of the Kalabari-Ijo people of the Niger Delta, this work is a counterpoint to the necropolitics that dominates African political practice. For practitioners and analysts for whom Africans and their polities are caught in the TINA (There Is No Alternative) syndrome, this book offers inspiration for an alternative to the current necropolitics. Because the book's thesis is an unreserved celebration of lifemaking, it identifies collective human flourishing as essential to politics.

Bringing together a wealth of primary sources and with contributions from leading experts, Dress History of Korea presents the most recent approaches to the interpretation of dress and fashion of Korea. Through close analysis of visual, written, and material sources-some newly excavated or recently re-discovered in global museums-the book reveals how dress and adornment evolved from the period of state formation to the modern era. Authors with a range of academic and curatorial experience discuss the close relation of dress and adornments to the socio-political and cultural history of Korea and place the dress history of Korea within broader contexts in studies of fashion, material culture, museology, and costume design. As in other cultures, modern Korean fashion owes many of its styles to historic dress and this process of adaptation is explored within high fashion and popular culture contexts in ways that benefit historians, curators, and designers alike. With key materials newly available to global readers, Dress History of Korea is the indispensable guide to the study of Korean dress and fashion.

Now in its eighth edition, The Cultural Dimension of Global Business continues to provide an essential foundation for understanding the impact of culture on global business and global business on culture. The highly experienced authors demonstrate how the theory and insights of cultural anthropology can positively influence the conduct of global business, examining a range of issues that individuals and organizations face as they work globally and across cultures. The cross-cultural scenarios presented in each chapter allow students of business, management, and anthropology alike to explore cultural difference while gaining valuable practice in thinking through a variety of complex and thorny cultural issues. The fully updated eighth edition offers: • an expanded focus on organizational activities, with two new chapters that provide greater insight into organizational culture and change, and customer engagement; • fresh case study material with a range of examples drawn from around the world; • further resources via a companion website, including a fully updated Instructor’s Manual and new interactive quiz questions for students.

This book demonstrates how the theories and insights of anthropology have positively influenced the conduct of global business and commerce, providing a foundation for understanding the impact of culture on global business, and global business on culture.

Conflict can occur when a body of law regulating one aspect of international activity does not correspond with the rules of another. This book uses trade in cultural products to illustrate that, rather than being a question of accidental overlap, such conflicts stem from different regimes having fundamentally different goals.

Through object-based case studies of garments from the ancient past through to the 21st century, Margaret Maynard reveals the countless ways the temporal is woven into our attire. From the physical effects of age on garments to their changing cultural significance, time and fashion are inextricably linked. Every garment has its own pace and narrative, and every dress practice is rich with temporal associations: 'wearing' time in the form wristwatches, marking key moments in time from marriage to death, 'defying' time with beauty products, preserving and re-imagining time through vintage, and concepts of 'timeless' and 'classic' styles. This ground-breaking book presents a complete rethinking of the study of global fashion history, revealing the complex nature of changing fashion when viewed through the lens of time and challenging Eurocentric approaches such as the periodization of style and the arbitrary division of 'western' and 'non-western' fashion. Fashion in Time is essential reading for students and scholars of fashion and dress history, material culture studies, cultural anthropology, archaeology and related fields.