No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.

No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.

General Reference

Two works -- Conceptual and material aspects of media art -- Musical roots of performed and performative media -- Zen for film -- Changeability and multimedia art -- Time and conservation -- Heterotemporalities -- The material and the immaterial archive -- Archival implications -- Conclusion: the many archai of conservation and curation

How Motown changed the landscape of American popular culture

How Stella Got Her Groove Back is full of Terry McMillan's signature humor, heart, and insight. More than a love story, it is ultimately a novel about how a woman saves her own life—and what she must risk to do it. Stella Payne is forty-two, divorced, a high-powered investment analyst, mother of eleven-year-old Quincy- and she does it all. In fact, if she doesn't do it, it doesn't get done, from Little League carpool duty to analyzing portfolios to folding the laundry and bringing home the bacon. She does it all well, too, if her chic house, personal trainer, BMW, and her loving son are any indication. So what if there's been no one to share her bed with lately, let alone rock her world? Stella doesn't mind it too much; she probably wouldn't have the energy for love—and all of love's nasty fallout—anyway. But when Stella takes a spur-of-the-moment vacation to Jamaica, her world gets rocked to the core—not just by the relaxing effects of the sun and sea and an island full of attractive men, but by one man in particular. He's tall, lean, soft-spoken, Jamaican, smells of citrus and the ocean—and is half her age. The tropics have cast their spell and Stella soon realizes she has come to a cataclysmic juncture: not only must she confront her hopes and fears about love, she must question all of her expectations, passions, and ideas about life and the way she has lived it.

"The poems in Deepening Groove proceed in elegant triplets that drift effortlessly down the page on waves of sound, serenely self-confident. The subjects are animals, trees, flowers, fish, the weather, and the human condition, all mixed up in a heady stew that simmers quietly one minute, and shimmers brightly the next. This is a book of savvy, delicious surprises." -Wyn Cooper "In Deepening Groove, Ravi Shankar's poems are small wonders of defining, seeing, and sound. He is a poet fascinated with transformations and here are shiftings of dust and sand, loon calls, flutterings of insects, changing tides and splendid cascades- always information-driven, often rapturous with Hopkins-like intensities, imperatives, and trochaic stresses. What I'm most taken by is how the poems both see and feel simultaneously: In "Dark," "Darkness in New England has a flavor close / to anise, a texture plush as peat moss." In "Bats," the bats' flight is "carrying away pieces of us, / a maelstrom too faint to see, turning to ellipsis...." In virtually all these poems, to quote words from "Willard Pond," there is "a sense // that the distance between the alternate / universes humans" [and other creatures on Earth] "inhabit is smaller / than ever imagined and more astonishing." And although the poems give special pleasures on first encounters, they contain-as in "The Oyster"-"secrets that require / a knife to pry open and vinegar to serve." Deepening Groove shows Ravi Shankar is truly, now, one of America's finest younger poets." -Dick Allen Ravi Shankar is Executive Director of Drunken Boat and Co-Director of the Creative Writing Program at Central Connecticut State University. His first full length book was Instrumentality (Word Press, 2004). Along with Tina Chang and Nathalie Handal, he edited Language for a New Century: Contemporary Poetry from Asia, the Middle East & Beyond (W.W. Norton & Co.). He has appeared in the New York Times and the Chronicle of Higher Education, and on the BBC and NPR. He teaches in Fairfield University's MFA Program and in the first international MFA Program at City University of Hong Kong.