It is 1937, and Charles Ashworth, a Canon to the Archbishop of Canterbury, is sent to untangle a web of self-delusion and corruption at the episcopal palace of the charismatic Bishop of Starbridge.

Presents a chronological tour of major themes in Western art as reflected by more than two dozen seminal images that use such mediums as paint, sculpture, architecture, performance art, and digital art.

Shabti wakes in a barley field with nothing but a hoe in his hand and a head full of fragmented memories. A vicious master torments his days, working in the fields with no way of escape, until a hole suspended in mid-air, leads him to a room. Two shiny gold eyes glitter back at him. Questions. Who is he? And to where does this room lead? Amy arrives in Egypt to join her archaeologist father on an excavation. All around her tombs are unearthed, opened, entered. Left to her own devices, Amy discovers a rock. But not just any rock. A great tawny cat stares back at her from its smooth surface, its shiny gold eyes glittering. Questions. Where did it come from? And what should she do now? When past, present and future collide, it's clear that some things are best left buried ...

The time is 1940. Jonathan Darrow is an Anglican priest when he receives a shattering vision and knows he must leave the monastery that has been his home for seventeen years. As he plunges into the temptations of the real world, a crisis sends him into the labyrinth of his past to pluck out the buried truth beneath the deceptions he has been living through. Praise for Glamorous Powers “Fascinating . . . convincing . . . believable.”—Newsday “Mesmerizing . . . holds the reader riveted.”—The Washington Post “Intriguing and wholly involving . . . Darrow is a willful, proud, manipulative man, struggling to subdue his tempestuous character. . . . The resulting crisis—in which Darrow finally faces the necessary process of uncovering deeply buried pain—underlines Ms. Howatch's concern with the continual play of light and dark in the human spirit.”—The New York Times Book Review “Gripping . . . You'll be quite transported. You'll also discover one of the most original novelists writing today.”—Cosmopolitan “Howatch is skillful at plot development and deftly handles [her] subject. . . . Her grasp of psychic experiences and the inner struggle between the urge to do spiritual good and the temptation to exert control make for an engrossing read.”—New York Daily News “Wise, witty . . . Holds the reader spellbound.”—Publishers Weekly

NEW YORK TIMES BESTSELLER • The first in Susan Howatch's acclaimed novels centering on the glorious Cathedral of Starbridge, Glittering Images is a masterful depiction of spiritual hubris, the seductions of power, and the moral dilemmas of England between the wars. “Passionately eloquent . . . [A] tale of God, sex, love, self-analysis and forgiveness . . . The dialogue throughout this book is brilliantly crisp.”—The Philadelphia Inquirer It is the 1930s, and Charles Ashworth is dispatched by the Archbishop of Canterbury to learn the truth about the flamboyant Bishop of Starbridge, Adam Alexander Jardine, and his mousy wife. Do Jardine's outspoken denouncements of the Anglican Church's strict divorce laws have a personal motive? When he meets the cool and beautiful Lyle Christie, Mrs. Jardine's companion, Ashworth believes they do. But as he struggles to understand the strange relationships in the household, Ashworth ceases to be an innocent, objective observer. Slowly, he too is drawn into the secret drama that is being played out in the shadow of the cathedral, a drama that he could never have foreseen. Praise for Glittering Images “A terrific story . . . Glittering Images is driven by passion, emotional and spiritual, and its spiritual antagonists are brilliant characters.”—San Jose Mercury News “She may well be the Anthony Trollope of the 20th century.”—Andrew Greeley, The Washington Post “Bold and exciting.”—Los Angeles Times

WIth full-color illustrations throughout From the best-selling author of Sexual Personae and Break, Blow, Burn and one of our most acclaimed cultural critics, here is an enthralling journey through Western art’s defining moments, from the ancient Egyptian tomb of Queen Nefertari to George Lucas’s volcano planet duel in Revenge of the Sith. America’s premier intellectual provocateur returns to the subject that brought her fame, the great themes of Western art. Passionately argued, brilliantly written, and filled with Paglia’s trademark audacity, Glittering Images takes us on a tour through more than two dozen seminal images, some famous and some obscure or unknown—paintings, sculptures, architectural styles, performance pieces, and digital art that have defined and transformed our visual world. She combines close analysis with background information that situates each artist and image within its historical context—from the stone idols of the Cyclades to an elegant French rococo interior to Jackson Pollock’s abstract Green Silver to Renée Cox’s daring performance piece Chillin’ with Liberty. And in a stunning conclusion, she declares that the avant-garde tradition is dead and that digital pioneer George Lucas is the world’s greatest living artist. Written with energy, erudition, and wit, Glittering Images is destined to change the way we think about our high-tech visual environment.