*NATIONAL BESTSELLER* A PARADE MOST ANTICIPATED BOOK OF THE YEAR A NEW YORK POST BEST BOOK OF THE WEEK In her first novel inspired by a true story, Jane Green re-imagines the life of troubled icon Talitha Getty in this transporting story from a forgotten chapter of the Swinging '60s From afar Talitha's life seemed perfect. In her twenties, and already a famous model and actress, she moved from London to a palace in Marrakesh, with her husband Paul Getty, the famous oil heir. There she presided over a swirling ex-pat scene filled with music, art, free love and a counterculture taking root across the world. When Claire arrives in London from her small town, she never expects to cross paths with a woman as magnetic as Talitha Getty. Yearning for the adventure and independence, she's swept off to Marrakesh, where the two become kindred spirits. But beneath Talitha's glamourous facade lurks a darkness few can understand. As their friendship blossoms and the two grow closer, the realities of Talitha's precarious existence set off a chain of dangerous events that could alter Claire's life forever.

An original examination of the ubiquity of glitter—from bodily adornment to activist glitter bombing—and its vibrant and transformational properties. Glitter is everywhere, from crafting to makeup, from vagazelling to glitter-bombing, from fashion to fish. Glitter also gets everywhere. It sticks to what it is and isn't supposed to, and travels beyond its original uses, eliciting reactions ranging from delight to irritation. In Glitterworlds, Rebecca Coleman examines this ubiquity of glitter, following it as it moves across different popular cultural worlds and exploring its effect on understandings and experiences of gender, sexuality, class and race. Coleman investigates how girls engage with glitter in collaging workshops to imagine their futures; how glitter can adorn the outside and the inside of the body; how glitter features in the films Glitter and Precious; and how LGBTQ* activists glitter bomb homophobic and transphobic people. Throughout, Coleman attends to the plurality of politics that glitter generates, approaching this through the concepts of hope, wonder, fabulation, and prefigurative politics—all of which indicate the making of different, better worlds, although often not in ways that are straightforward or conventional. She develops an original account of future politics, where time is nonlinear and sometimes non-progressive. Coleman's argument brings together feminist cultural theory, feminist new materialisms, and theories on futures and temporality, in order to propose that we should understand glitter as a thing—vibrant, processual, transformational, and traversing boundaries between media and material, culture and nature, bodies and environments.

A hilarious new collection of essays from New York Times bestselling author Annabelle Gurwitch When Annabelle Gurwitch was a child, surrounded by a cast of epically dysfunctional relatives, she secretly prayed that it was all a terrible mistake. Suffering from a colossal case of “family envy,” Gurwitch began seeking out other forms of community. If she’s learned anything, it’s that no matter how hard you try to escape a crazy family, you just end up in another crazy family. Using her own clan of hucksters and scam artists as inspiration, Wherever You Go, There They Are unpacks and redefines our ideas of community and belonging. In her essays, Gurwitch explores family mythologies, the fragility of sisterhood, the rituals and rites of passage into urban tribes, the seductive charm of a cult, and the spectacularly daunting search for the community where her aging parents will spend the last chapter of their lives. With a wry wit and healthy dose of irresistible self-deprecation, Gurwitch asks: Who and what makes a family in our modern society? Is it our blood relations, the people we work with, pray with, our pets? By turns hilarious and deeply moving, Wherever You Go, There They Are is an irreverent, laugh-out-loud examination of family—both those that we join unwittingly and those we join on purpose.

Snapshots of the downtown and East Village drag scene of the late 1980s and early 1990s

The what? The Everything?On Oceanos at least, if you turn to a dictionary, you find this: ‘...Everything, the: a “everything” in the workaday sense of “all the things”; the world of physical objects and events in which we live. b “everything” in the more rarefied sense of “it all”; reality, the very fabric of existence, as a single undivided whole. c (principally scientific) space and time on the grand scale (see everythingology and everythingologist)...’This book is about all of these. Along the way, you’ll discover the Freewheel Principle, Sky-Map Effect and Duckpondscope; there’s a whole new school or style of art (Blockism) and of philosophy (Structured Nonsense and its brain-frying Hot Air Theory); you meet the Gigantic Space Cheese and Incredible Shrinking Man And Dog, Magnum Opus’s awesome Monument and the great Bridge Between The Worlds. Ultimately, too, it’s about you the reader: how the Everything relates to our own familiar world and why you’re being told all this in the first place. And why are you being told all this? Well, the book’s subject is reality itself – and gives you a glimpse into its true nature you’ll never forget.The Everything, which took shape over the best part of thirty years, is for anyone who likes philosophy, fiction (or, indeed, Structured Nonsense).