How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.

The Old Man of the Mountain once cast a steady gaze upon the slopes of Franconia Notch. Its profile drew writers, explorers and presidents, delighting all who glimpsed its features. But when it collapsed on May 3, 2003, the Old Man seemed forever lost. Veteran historian Bruce Heald and the last caretaker of the Old Man, David Nielsen, have gathered 101 images from the profile's long history. These one-of-a-kind photos from Nielsen's private collection depict four decades of preservation work, seismic testing by national experts, visits from dignitaries and rare memorabilia. With Nielsen's personal reflections on his life's work and Heald's notes on the history of the Old Man, this volume recaptures the wonder of New Hampshire's great stone face.