Awakening in a clinic with most of his memories missing, Robin goes on the run from unknown enemies out to kill him, volunteering to take part in the Glasshouse, an experimental polity simulating a pre-accelerated culture in which he will be assigned an anonymous identity, but he experiences radical changes that threaten everything. 20,000 first printing.

For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.

This collection represents the first sustained attempt to grapple with the complex and often paradoxical relationships between surveillance and democracy. Is surveillance a barrier to democratic processes, or might it be a necessary component of democracy? How has the legacy of post 9/11 surveillance developments shaped democratic processes? As surveillance measures are increasingly justified in terms of national security, is there the prospect that a shadow "security state" will emerge? How might new surveillance measures alter the conceptions of citizens and citizenship which are at the heart of democracy? How might new communication and surveillance systems extend (or limit) the prospects for meaningful public activism? Surveillance has become central to human organizational and epistemological endeavours and is a cornerstone of governmental practices in assorted institutional realms. This social transformation towards expanded, intensified and integrated surveillance has produced many consequences. It has also given rise to an increased anxiety about the implications of surveillance for democratic processes; thus raising a series of questions – about what surveillance means, and might mean, for civil liberties, political processes, public discourse, state coercion and public consent – that the leading surveillance scholars gathered here address.

THE INTERNATIONAL BESTSELLER, “A captivating mystery: beautifully written, with a rich sense of place, a cast of memorable characters, and lots of deep, dark secrets.”—Kate Morton, New York Times bestselling author of The Clockmaker's Daughter “Extraordinary…Absolutely her best yet.”—Lisa Jewell, New York Times bestselling author of The Family Upstairs Three generations. Three daughters. One house of secrets. The truth can shatter everything . . . When the Harrington family discovers an abandoned baby deep in the woods, they decide to keep her a secret and raise her as their own. But within days a body is found in the grounds of their house and their perfect new family implodes. Years later, Sylvie, seeking answers to nagging questions about her life, is drawn into the wild beautiful woods where nothing is quite what it seems. Will she unearth the truth? And dare she reveal it? (Published in the UK as The Glass House) “The Daughters of Foxcote Manor is not really about a murder, or a creepy house, but about families - the ones we're born into, the ones we make and especially the ones we flee.”—The New York Times One of the New York Times "Novels of Suspense and Isolation" One of The Washington Posts' Best New Audiobooks One of Bustle's Most Anticipated Books of Summer One of PopSugar's Best Books of July One of New York Posts Best Books of the Week

For decades, artists and photographers have used the Glass House--architect Phillip Johnson's landmark home in New Canaan, Connecticut--as inspiration for works of art. Now, with THE GLASS HOUSE COLORING BOOK, we can all do the same. With 36 black-and-white drawings by David Crotty, an introduction by Pulitzer Prize-winning architecture critic Paul Goldberger, and cover art by Vik Muniz, the 96-page softcover presents Johnson's home in ways that invite creative exploration and reinterpretation. Now owned and operated by the National Trust for Historic Preservation, the Glass House is a 49-acre landscape that comprises 14 architecturally diverse structures built between 1949 and 1995. In addition to Johnson's glass-and-steel residence (1949), the coloring book's perforated pages include illustrations of the compound's chain-link Ghost House; the skylit Sculpture Gallery; the stone-walled "doghouse"; and interior furnishings designed by Mies van der Rohe. Conceived by Scott Drevnig, deputy director of the Glass House, the pages of the THE GLASS HOUSE COLORING BOOK provide dozens of opportunities for exploration, experimentation, and delight. For decades, artists and photographers have used the Glass House--architect Phillip Johnson's landmark home in New Canaan, Connecticut--as inspiration for works of art. Now, with THE GLASS HOUSE COLORING BOOK, we can all do the same, and make the Glass House a canvas of our own. With 36 black-and-white drawings by David Crotty, an illuminating introduction by Pulitzer Prize-winning architecture critic Paul Goldberger, and cover art by Vik Muniz, the sophisticated 96-page softcover presents Johnson's home in ways that invite creative exploration and reinterpretation. As a historic site now owned and operated by the National Trust for Historic Preservation, the Glass House is a pastoral 49-acre landscape that comprises 14 architecturally diverse structures built between 1949 and 1995. In addition to Johnson's groundbreaking glass-and-steel residence (1949), the coloring book includes drawings of the compound's chain-link Ghost House; the skylit Sculpture Gallery; the stone-walled "doghouse"; and a collection of architect-designed furniture, including iconic pieces by Mies van der Rohe. Conceived by Scott Drevnig, deputy director of the Glass House, THE GLASS HOUSE COLORING BOOK--like the compound itself--serves as a canvas for exploration, experimentation, and delight.

In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces. Perfect for garden and design lovers, and armchair travellers of all ages. The Haarkon Greenhouse Tour, a conceptual photoseries project by India and Magnus--the creators of Haarkon, began as a self-initiated adventure in Oxford's botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia, and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses, and private potting sheds along the way. Divided into seven thematic chapters--History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture--the featured spaces in Glasshouse Greenhouse are depicted via a series of evocative photographs that draw out the style, plant collections, and character of each space. Glasshouse Greenhouse fuses together a myriad of cultures and countries under one glass roof.

In Inside Out, author Glenn Williamson explains the award-winning development of St. Petersburg's first modern Class A office/retail center by a multinational team of Americans, Russians, Brits, Turks, and Finns. Inside Out provides a fascinating memoir of his experiences working as a developer in Russia in the 1990s while balancing a home life with a new baby son. With unique and astute anecdotes, it offers insights into Russia, its people, and its culture. Inside Out, funny and serious, sincere and sarcastic, narrates the anatomy of a real estate deal. Now, at a time when America and Russia consider ways to reset their relations, Williamson's story shows how actual players on all sides of a complex business and personal adventure looked for, and ultimately found, a common language.