Flat glass opens up more possibilities for the planner than virtually any other material. Because of the technological complexity of using it, however, no specific structural forms have been developed for glass supporting frameworks as they have been for wood, concrete, and steel. This book is thus the first to present a coherent guide to the planning and design of glass supporting frameworks. The focus is on the pressure-resistant, flat supporting element as a basic building block for broad supporting structures. The spatial and constructive forms of multifunctional, self-supporting glass envelopes are vividly illustrated and systematically explained. The constructions presented exhibit new aesthetic qualities, based not on the dictum of "dematerialization" but on the poetry of gleaming and transparent planes. They ring in a new chapter in the history of glass architecture.

From the Gothic to the contemporary, glass has transformed the structural, formal and philosophical principles of artchitecture. In The Glass State, Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1988 as part of Francois Mitterand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buidings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions.

This book attempts to redress this issue by providing an overview of the recent developments in this field thereby providing a basis for the understanding of the structural performance and design of glass in buildings. Each chapter draws on the latest developments in practice and research and contains contributions from various international glass experts. The mix of general and specialist content ranging from rules of thumb to fracture mechanics and novel applications to post-breakage performance make this book useful to practitioners and researchers. Furthermore, the text is supplemented by tables of the major codes of practice and by an extensive list of references.

The application of glass as a structural material may seem surprising initially, yet pioneering glass structures were first built two decades ago already. Ever since, Structural Glass has been developing at a very high pace thanks to very intensive scientific and industrial research and new technological developments.Right at the heart of these rap

Blurred Transparencies in Contemporary Glass Architecture brings to light complex readings of transparent glass through close observations of six pivotal works of architecture. Written from the perspectives of a practitioner, the six essays challenge assumptions about fragility and visual transparency of glass. A material imbued with idealism and utopic vision, glass has captured architects’ imagination, and glass’s fragility and difficulties in thermal control continue to present technical challenges. In recent decades, architecture has witnessed an emergence of technological advancements in chemical coating, structural engineering, and fabrication methods that resulted in new kinds of glass transparencies. Buildings examined in the book include a sanatorium with expansive windows delivering light and air to recovering tuberculosis patients, a pavilion with a crystal clear glass plenum circulating air for heating and cooling, a glass monument symbolizing the screen of personal devices that shortened the distance between machines and humans, and a glass building symbolizing the social and material intertwining in the glass ceiling metaphor. Connecting material glass to broader cultural and social contexts, Blurred Transparencies in Contemporary Glass Architecture enlightens students and practitioners of architecture as well as the general public with interest in design. The author demonstrates how glass is rarely crystal clear but is blurred both materially and metaphysically, revealing complex readings of ideas for which glass continues to stand.

A timely look at the ways in which glass is utilized in some of today's most beautiful and experimental building designs For centuries, glass has provoked fascination with its properties as a versatile material that permits light to enter buildings in spectacular ways. Much of modern architecture has been conceived by using glass to create increasingly minimal structures, to promote the notion of lightweight construction solutions, and to allow maximum daylight into buildings. New Glass Architecture showcases the changing ways that aesthetics and methods for using glass have been developing since the 1990s. The book begins with an introduction that traces the history of key moments in glass architecture--from the stained glass windows of Chartres Cathedral to the Crystal Palace of 1851, and early constructions by John Soane, Bruno Taut, Le Corbusier, and Mies van der Rohe. Author Brent Richards explains the importance of glass artists in the second half of the 20th century and describes developments in glass technology over the last twenty years. Beautifully illustrated with newly commissioned photographs by Dennis Gilbert, the book features twenty-five case studies of recent glass constructions from around the world by such leading architects as Foster and Partners, Frank Gehry, Herzog & de Meuron, Steven Holl, Toyo Ito & Associates, Jean Nouvel, Raphael Viñoly, and Peter Zumthor. Each building is illustrated in full color and accompanied by detailed drawings. New Glass Architecture features these buildings and more: - Chapel of Ignatius, Seattle - Condé Nast Café, New York - DZ Bank, Berlin - Kimmel Center for the Performing Arts, Philadelphia - Kunsthaus, Graz, Austria - Laban Dance Centre, London - Torre Agbar, Barcelona

The concept of tomorrow's towns and cities will be based on new social, economic and technological ideals focused on improving the quality of life. To attain this objective, architects and engineers of today must improve the quality of buildings and establish new principles of building conception. The quality of interior space and the impact of a building on its surroundings depends strongly on the physical interface that separates the outer environment from the inner building space. The conception and realisation of this interface (the envelope) are, therefore, of prime importance.