"The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild, alleviating fears of a savage frontier through views that subdue the landscape to the eye. Zachary Tavlin's "Glancing Visions" challenges the long-standing assumption that visuality in nineteenth-century art and literature was inherently imperialistic or possessive. While there is much to be said for both material, economic, and theological impulses to clear the wilderness, superimpose a national identity, and usher in a Puritanical idyll, many literary figures of the era display a purposeful disdain for the "possessive gaze," signaling instead a preference for subtle glances, often informed by early photography, Impressionism, new techniques in portraiture, and, soon after, the dawn of cinema. The visual subjectivities and contingencies introduced by these media made room for a visual counter-narrative, one informed by a mode of seeing that moves fast and lightly across the surface of things. Tavlin probes Nathaniel Hawthorne's idea of the imagination, one that derives from both the camera obscura (in "The Custom House") and the daguerreotype (in The House of the Seven Gables), each in its way an instance of the "glance" and entirely dependent on temporal moments. The poetry of Frances Ellen Watkins Harper toggles between gazes and glances, unsettling two competing forms of racialized seeing as they pertain to nineteenth-century Black life and racial hierarchies--the sentimental gaze and the slave trader's glance--highlighting the life-and-death stakes of both looking anyone squarely in the eye and looking away. Emily Dickinson's "certain slant of light," syntactical oddities, and her stitching of scraps and fragments into the fascicles that constitute her corpus all derive from a commitment to contingency, "the ungrounded life's only defense against the abyss of non-being." Tavlin investigates, as well, Henry James's vexed but entirely dependent relationship to literary and painterly impressionism, and William Carlos Williams's imagist poetics as a response to early cinema's use of the cut as the basis for a new visual grammar. Each of these literary artists, Tavlin argues--via their own distinctive sensibilities and the artistic or technological counterparts that informed them-refuse the authoritative, all-possessive gaze in favor of the glance, a mode of seeing, thinking, and being that made way for what we now think of as commonplace, namely modernity"--

The author practices Optometry in the Atlanta area, and serves as a legal consultant to optometrists and related health care professionals. He holds an undergraduate degree in Physics-Mathematics, and post-graduate degrees in Law and Optometry. Dr. Provost is a member of The Florida Bar and The Georgia Bar, and is licensed to practice Optometry in Florida and Georgia. He lives in an Atlanta suburb with his wife Evelyn, an attorney, and their four champion Persians, who have replaced in both intelligence and charm, four talented children who have gone on to careers in Optometry, teaching and real estate. The author graduated from Berry College near Rome, Georgia in 1961. While at Berry College in the late fifties the author was President of the Freshman Class, Treasurer of the Sophomore Class, Secretary, Vice-president and finally President of the Men's Student Government. At the end of his Junior year he became the first ever recipient of the Jessie Pritchett Parish Student Leadership Award, presented to the one student among the entire student body who best demonstrated leadership qualities on campus. While at Berry College the author rewrote the Berry College Handbook for Men. Following graduation in 1961, the author enlisted in the U. S. Army. He served two tours of duty in South Korea, the first as the feature writer for The Pacific Stars and Stripes newspaper, distributed daily to more than 37,000 U. S. soldiers in South Korea. The young reporter covered all meetings of the Military Armistice Commission (MAC) held at Panmunjom, and traveled freely throughout South Korea in his assigned Jeep, writing about anything of a military or civilian nature that interested him or that might be of interest to his readers. At age 24 the author was accepted as a student at the prestigious Defense Language Institute, located at Monterey, California, where he studied the Korean language for a year, graduating first in his class of thirty students. Following months of instruction at the U. S. Army Intelligence Center located at Ft. Holabird, Maryland, the author was stationed with the 502 Military Intelligence Battalion in Seoul, South Korea. As the youngest of the five prisoner interrogators and intelligence analysts, the specialist daily interrogated captured North Korean espionage agents and their 'minders" who had failed in their attempt to infiltrate the irregular coastline of South Korea. These experiences are the subject of the author's soon to be published book entitled The Wall at Inchon. In 1965 the author received an Honorable Discharge from the U. S. Army, and in 1967 was accepted as a student at the University of Houston College of Optometry. Dr. Provost graduated in 1972 with the degree Doctor of Optometry, and began his private practice of Optometry in the Ft. Lauderdale, Florida suburb of Plantation. In 1977 Dr. Provost was accepted into Nova Southeastern University College of Law, graduating in 1980 with the degree Juris Doctor. He has practiced Optometry since 1972 and Law since 1980, in Georgia and Florida. The author was born in Kinston, North Carolina in 1939, the knee baby of seven children. Following the sudden death of his father, a wartime U. S. civil service engineer, in February 1947 the seven-year-old was sent to live for a decade in historic Oxford Orphanage, located northeast of Raleigh. Dr. Provost's Reflections in An Orphan's Eye-A Decade at Oxford is the first book written about the historic 132-year-old institution since Nettie Bemis' popular Life at Oxford, published in1925. However, whereas Nettie Bemis' work centered around the history and campus life at Oxford, Dr. Provost's work, while recounting the history of the institution, is a factual, bittersweet narrative of a youngster's decade-long odyssey spent growing up 'inside the hedges." This work is a moving account of how tradition rich Oxford Orphanage and its four hundred students and staff grabbed a timid, disillusion

Naẓar: Vision, Belief, and Perception in Islamic Cultures offers multiple perspectives on how the Islamic visual culture and aesthetic sensibility have been enabled and shaped by common conceptual tools, consistent socio-spatial practices, and unifying beliefs and moral parameters.

Can the child be found before it’s too late or is she facing heartache again? Felicity has spent her life alone, moving from one place to another hiding a part of her that no one has ever been able to accept, not even her own family. For as long as she can remember she’s had dreams that lead her to a person that’s somehow connected with her. There are no answers or cures, only misery for her when she can’t get anyone to believe her. When a child reaches out to her, frightened and in the hands of strangers she forgets the reasons why she shouldn’t tell anyone and goes to the police. She finds herself sent for a court-ordered psychiatric evaluation. It’s not the first time, it won’t be the last. She packs up once again, ready to move as soon as she’s done with another doctor’s assessment. From the moment she steps into the office everything changes and she finds nothing she expected.

Plagued nightly by vivid, frightening dreams where a voice constantly antagonizes him, Aryan is certain someone is waiting for him in another dimension he has yet to discover. Soon, his inability to differentiate between reality and illusion causes him to question the fundamentals of the fragmented universe he is now dwelling in. Much to his discomfort, Aryan begins a journey where he precariously treads through various surreal paradigms within his already chaotic thoughts. As echoes of his past and future mingle, Aryan encounters various characters plotting to overthrow the control of his mind. Guided through his journey by the dreamy voice of Milathe one he is meant to be withAryan battles negative ideologies and thoughts. But what Aryan does not know is that when dreams become reality, no one really knows who is master and who is slave. The Inverted City shares the tale of one mans quest to find his destiny as he walks a fine line between reality and illusion within a shadowy and disjointed universe.