“A harrowing portrait of race relations in America, as beautiful as it is urgent.”—Entertainment Weekly “Black satire with bite, like Zora Neale Hurston used to do, with a smile and a sharp elbow. A touch of Paul Beatty, a dose of Dolemite, and a serving of Dorothy Parker, too. Give My Love to the Savages announces Chris Stuck as a fearless talent, a debut that'll make your sides and your heart hurt.”—Victor LaValle, author of The Changeling “Give My Love To The Savages is a wildly inventive collection of provocative stories about navigating the minefield of black masculinity in America. Stuck’s fresh and fearless perspective overturns assumptions about race and identity to reveal complex layers of absurdity. At times merciless, always darkly funny, these are stories of unexpected communion, connection, and compassion.”—Chanelle Benz, author of The Gone Dead A provocative and raw debut collection of short fiction reminiscent of Junot Diaz’s Drown. A Black man’s life, told in scenes—through every time he’s been called nigger. A Black son who visits his estranged white father in Los Angeles just as the ’92 riots begin. A Black Republican, coping with a skin disease that has turned him white, is forced to reconsider his life. A young Black man, fetishized by an older white woman he’s just met, is offered a strange and tempting proposal. The nine tales in Give My Love to the Savages illuminate the multifaceted Black experience, exploring the thorny intersections of race, identity, and Black life through an extraordinary cast of characters. From the absurd to the starkly realistic, these stories take aim at the ironies and contradictions of the American racial experience. Chris Stuck traverses the dividing lines, and attempts to create meaning from them in unique and unusual ways. Each story considers a marker of our current culture, from uprisings and sly and not-so-sly racism, to Black fetishization and conservatism, to the obstacles placed in front of Black masculinity and Black and interracial relationships by society and circumstance. Setting these stories across America, from Los Angeles, Phoenix and the Pacific Northwest, to New York and Washington, DC, to the suburbs and small Midwestern towns, Stuck uses place to expose the absurdity of race and the odd ways that Black people and white people converge and retreat, rub against and bump into one another. Ultimately, Give My Love to the Savages is the story of America. With biting humor and careful honesty, Stuck riffs on the dichotomy of love and barbarity—the yin and yang of racial experience—and the difficult and uncertain terrain Black Americans must navigate in pursuit of their desires.

'Because a life lived in fear is equal to no life at all' This is the uncompromising vision of Jehnny Beth and Johnny Hostile. Fearless and highly erotic, these stories delight in ideas of sexual transgression and liberation, offering a window onto a world where anything is permitted, and everything is safe. As each of Jehnny Beth and Johnny Hostile's characters break from the bonds of acceptability and enter a darkness of desire, submission and sex, they discover their own humanity, a place where they can truly be free. A manifesto in the form of erotic photography, monologues and dialogues, Johnny Hostile's stimulating photography punctuates Jehnny Beth's seductive prose. Collapsing the barriers between sex an art while examining the universal values of human existence and consciousness through uninhibited desire, C.A.L.M. established Jehnny Beth and Johnny Hostile as two of the bravest and most provocative voices in fiction and erotic art today. The full collection of Johnny Hostile's photography is featured in a limited-edition hard cover art book of C.A.L.M.

“Red Dawn meets Escape from New York and The Hunger Games” (Booklist) in an action-packed dystopian fantasy filled with “prose [that] is gorgeous and brilliant” and “tells a satisfyingly dark tale through alternating the two sisters’ points of view” (VOYA, starred review). It’s been nearly two decades since the Red Allies first attacked New York, and Manhattan is now a prisoner-of-war camp, ruled by Rolladin and her brutal, impulsive warlords. For Skyler Miller, Manhattan is a cage that keeps her from the world beyond the city’s borders. But for Sky’s younger sister, Phee, the POW camp is a dangerous playground of possibility, and the only home she’d ever want. When Sky and Phee discover their mom’s hidden journal from the war’s outbreak, they both realize there’s more to Manhattan—and their mother—than either of them had ever imagined. And after a group of strangers arrives at the annual POW census, the girls begin to uncover the island’s long-kept secrets. The strangers hail from England, a country supposedly destroyed by the Red Allies, and Rolladin’s lies about Manhattan’s captivity begin to unravel. Hungry for the truth, the sisters set a series of events in motion that end in the death of one of Rolladin’s guards. Now they’re outlaws, forced to join the strange Englishmen on an escape mission through Manhattan. Their flight takes them into subways haunted by cannibals, into the arms of a sadistic cult in the city’s Meatpacking District and, through the pages of their mom’s old journal, into the island’s dark and shocking past.

"I had been found feral, and despite their beautiful home... they were the same. Savages. Feral Savages. So I would treat them accordingly. I would live accordingly. I would kill accordingly." I have a secret. Okay, probably more than one. I live a delicate balance, living with the evil I know than the one I don't. I accepted that. Until they showed up. Until they brought my secret and past into the light. Until I had no choice but to accept my true fate.Sh*t. This is why you punch first and ask questions later.*Fantasy RH* Our bad*ss heroine and guardians swear a lot. As well, please be advised that the book contains darker themes including assault, PTSD, and violence. Additionally, sexual themes are suitable for mature audiences +18.

But teenager Sasha’s secret trumps them all: she is dating a vegetarian. This trait will never fly with the rest of the Savages, who are…uniquely carnivorous. Problems start to pile up. Sasha’s boyfriend convinces her to try going vegetarian for a month, but then leaves her for a vegan vigilante. Angelica attempts to pay her mounting credit card bill by allowing commercials to film in the family home, until one of Ivan’s pranks leaves a model dead in their bathroom. A detective hired to investigate Titus’s predatory business affairs notices the model’s disappearance, and starts to think that there may be something more sinister to the perfect-seeming Savages. He’s right, of course—they’re cannibals.

A “necessary and brilliant” (NPR) exploration of our cultural fascination with true crime told through four “enthralling” (The New York Times Book Review) narratives of obsession. In Savage Appetites, Rachel Monroe links four criminal roles—Detective, Victim, Defender, and Killer—to four true stories about women driven by obsession. From a frustrated and brilliant heiress crafting crime-scene dollhouses to a young woman who became part of a Manson victim’s family, from a landscape architect in love with a convicted murderer to a Columbine fangirl who planned her own mass shooting, these women are alternately mesmerizing, horrifying, and sympathetic. A revealing study of women’s complicated relationship with true crime and the fear and desire it can inspire, together these stories provide a window into why many women are drawn to crime narratives—even as they also recoil from them. Monroe uses these four cases to trace the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. Combining personal narrative, reportage, and a sociological examination of violence and media in the 20th and 21st centuries, Savage Appetites is a “corrective to the genre it interrogates” (The New Statesman), scrupulously exploring empathy, justice, and the persistent appeal of crime.

"A fabulous, action-packed modern take on Indian mythology. I can't wait to read more!" -- Rick Riordan, author of the Percy Jackson series For fans of Roshani Chokshi and Rick Riordan!"A fabulous, action-packed modern take on Indian mythology. I can't wait to read more!" -- Rick Riordan, author of the Percy Jackson seriesAfter three weeks of vacation, Ash Mistry is ready to leave the heat and dust of India behind him. Then he discovers a hidden gold arrowhead---a weapon used to defeat evil King Ravana in legend.At least, Ash is pretty sure it's only a legend . . .But when Lord Savage comes after Ash, the legends are suddenly way too real. Savage commands an army of monstrous shapechangers called rakshasas, who want only to seize the arrowhead and restore Ravana to power. As they hunt Ash through magnificent fortresses and brutal deserts, he must learn to work with a powerful rakshasa girl named Parvati, and find the strength within himself to fight on and save the world as we know it.