Richard Gill is perhaps this country’s most passionate advocate of music and the richness it brings to life and to society in general. His own musical credentials include: conductor with Opera Australia, Opera Queensland, the Sydney Symphony Orchestra, Canberra Symphony Orchestra, Australian Symphony Orchestra, and current director of the Victorian Opera. He is one of - if not the - most respected and admired musical figures in Australia. He is also one of the best known, having been the most memorable figure in the ABC's wonderful documentary series ‘Operatunity Oz’ (2006 and 2007). In this wonderful memoir he writes about his life in music, and the music in his life. Warm, funny, fascinating and always passionate and informed about the world he loves most, this is a book for anyone who enjoys music.

Richard Gill is one of Australia's best-known - and best-loved - musical figures. His career has taken him from teaching music in Sydney's western suburbs to Music Director of the Victorian Opera, and along the way an involvement with almost every major opera company and orchestra in Australia. What truly distinguishes Richard is his passion and enthusiasm for spreading not just the joy of music, but its myriad benefits. He is our greatest musical educator, and his life's work - alongside his other roles - has been advocating music in our education system, and furthering the development of those who've gone on to choose music as a vocation. He brings music to life, and his knowledge and deep enjoyment of his subject is as inspiring and enlightening to a class of primary school students as it is to the cast of a major opera. Give Me Excess of It is Richard's memoir, tracing his life from school days to the highs (and lows) of conducting and directing an opera company. It's warm, extremely funny, highly opinionated, occasionally rude (where warranted) and always sublimely full of the love of music. Shortlisted for Queensland Literary Awards' Non-fiction Book Award 2013

William Shakespeare's Twelfth Night is a comedy about a brother and sister pair that are shipwrecked off the coast of Illyria and are separated. Viola, the sister, must assume the identity of a man to earn a living in the home of Duke Orsino, who is in love with the Lady Olivia.Twelfth Night, Or What You Will is a comedy by William Shakespeare, based on the short story "Of Apolonius and Silla" by Barnabe Rich. It is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. The main title is believed to be an afterthought, created after John Marston premiered a play titled What You Will during the course of the writing.

Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion and madness in the early modern period. It argues that the ways in which today's popular and theatrical cultures judge how much is too much can distort our understanding of early modern drama and theatre. It argues that permitting the excesses of the early modern drama onto the contemporary stage might free actors and audiences alike from assumptions that in order to engage with the drama of the past, its characters must be just like us. The book deals with characters in the plays of Shakespeare and his contemporaries who are sad for too long, or angry to the point of irrationality; people who laugh when they shouldn't or make their audiences do so; people whose selfhood has broken down into an excess of fragmentary extremes and who are labelled mad. It is about moments in the theatre when excessive emotion is rewarded and applauded - and about moments when the expression of emotion is in excess of what is socially acceptable: embarrassing, shameful, unsettling or insane. The book explores the broader cultures of emotion that produce these theatrical moments, and the theatre's role in regulating and extending the acceptable expression of emotion. It is concerned with the acting of excessive emotion and with acting emotion excessively. And it asks how these excesses are produced or erased, give pleasure or pain, in versions of early modern drama in theatre, film and television today. Plays discussed include Hamlet, Romeo and Juliet, The Spanish Tragedy, Twelfth Night, Much Ado About Nothing, Measure for Measure, and Coriolanus.

In The Island of Excess Love, Pen has lost her parents. She's lost her eye. But she has fought Kronen; she has won back her fragile friends and her beloved brother. Now Pen, Hex, Ash, Ez, and Venice are living in the pink house by the sea, getting by on hard work, companionship, and dreams. Until the day a foreboding ship appears in the harbor across from their home. As soon as the ship arrives, they all start having strange visions of destruction and violence. Trance-like, they head for the ship and their new battles begin. This companion to Love in the Time of Global Warming follows Pen as she searches for love among the ruins, this time using Virgil's epic Aeneid as her guide. A powerful and stunning book filled with Francesca Lia Block's beautiful language and inspiring characters.

‘Liner Notes is, unsurprisingly, as good as its author’s songs, with moments of sharp humor alternating with real-life pain, and vivid reflections on love, death, and the whole damn thing. Loudon Wainwright is a true original: not like anyone else, just as he set out to be.’ Salman Rushdie In the late 1960s, Loudon Wainwright III established himself as a loner, deliberately standing outside the conventional. He recorded his first album in 1969, full of raw, angry poetry, but it was the 1972 novelty song ‘Dead Skunk’ that brought him popular recognition. Wainwright’s songs are as hilarious as they can be painful. In Liner Notes, he details the family history and fractured relationships that have informed him: the alcoholism, infidelities and competitiveness; the successes, joys and love. Wainwright writes poignantly about being a son, a parent, a brother and a grandfather while re-printing selections from his father’s columns and meditating upon family, inspiration and art. As plain-speaking on the page as in his songs, Wainwright lays everything bare in this heartfelt memoir of music and family. His lyrics adorn and inform the text, amplifying his prose and connecting his songs to the life he led. ‘He is unafraid and clear-eyed about the events of his life – and utterly engaging.’ Rosanne Cash ’Fans of the self-lacerating, painfully funny Wainwright III will find the memoir they want here’ Kirkus Reviews

Drug-taking and drug control are alike; both are often done to excess. Against Excess shows how we can limit the damage done by drugs and the damage done by drug policies.