Giuseppe Verdi (1813–1901) was the Shakespeare of opera, the composer of Rigoletto, Il Trovatore, La Traviata, Aida and Otello. The chorus of Hebrew slaves from Nabucco (1842) is regarded in Italy as virtually an alternative national anthem – and the great tragedian rounded off his career fifty years later with a rousing comedy, Falstaff. When Verdi was born, much of northern Italy was under Napoleonic rule, and Verdi grew up dreaming of a time when the peninsula might be governed by Italians. When this was achieved, in 1861, he became a deputy in the first all-Italian parliament. While in his 20s, Verdi lost his two children and then his wife (many Verdi operas feature poignant parent-child relationships). Later, he retired, with his second wife, to his beloved farmlands, refusing for long stretches to return to composition. Verdi died in January 1901, universally mourned as the supreme embodiment of the nation he had helped create. Daniel Snowman was born in London, educated at Cambridge and Cornell and at 24 became a Lecturer at the University of Sussex, going on to become BBC Radio's Chief Producer, Features. Since 2004 has held a Senior Research Fellowship at the Institute of Historical Research (University of London). Recent books include a study of the cultural impact of the 'Hitler Emigrés', a collection of critical essays on the work of today's leading historians and The Gilded Stage: A Social History of Opera, reviewed by Tim Blanning as 'A mighty achievement, by far and away the best history of opera available'.

Giuseppe Verdi (1813–1901) was the Shakespeare of opera, the composer of Rigoletto, Il Trovatore, La Traviata, Aida and Otello. The chorus of Hebrew slaves from Nabucco (1842) is regarded in Italy as virtually an alternative national anthem – and the great tragedian rounded off his career fifty years later with a rousing comedy, Falstaff.When Verdi was born, much of northern Italy was under Napoleonic rule, and Verdi grew up dreaming of a time when the peninsula might be governed by Italians. When this was achieved, in 1861, he became a deputy in the first all-Italian parliament.While in his 20s, Verdi lost his two children and then his wife (many Verdi operas feature poignant parent-child relationships). Later, he retired, with his second wife, to his beloved farmlands, refusing for long stretches to return to composition. Verdi died in January 1901, universally mourned as the supreme embodiment of the nation he had helped create.DANIEL SNOWMAN was born in London, educated at Cambridge and Cornell and at 24 became a Lecturer at the University of Sussex, going on to become BBC Radio’s Chief Producer, Features. Since 2004 has held a Senior Research Fellowship at the Institute of Historical Research (University of London). Recent books include a study of the cultural impact of the ‘Hitler Emigrés’, a collection of critical essays on the work of today's leading historians and The Gilded Stage: A Social History of Opera, reviewed by Tim Blanning as ‘A mighty achievement, by far and away the best history of opera available’.

Henry V is the best-known military hero in English history: better known than Marlborough or Wellington, or his grandfather, Edward III. He enjoyed more success against the French than any of them, coming tantalisingly close to conquering that vast country and imposing an English dynasty; this in a reign of just nine years, in only seven of which he was at war. Even before he died the heroic myth, later enshrined by Shakespeare, was being created. His victories have become the touchstone of English nationalism, English militarism and English imperialism. For good or ill, Henry V now signifies the one-time 'Greatness of England'. He was a military genius, yet his megalomania was not always in the best interests of his own kingdom, let alone the people of France who suffered at his hands. Behind the carefully constructed nationalist myth was a cold, calculating, ruthless ruler who, before his early death, revealed ominous tyrannical tendencies.

There's something about Jane... Jane Austen lived only just into her forties, never married, never had children, lived all her life in the south of England and rarely strayed far from the genteel and orthodox social circle into which she was born. She completed only six novels, and achieved little fame in her lifetime. Yet 200 years after her death, she remains one of our most revered writers, and one of the most regularly adapted for television and film. Her novels are beloved by readers all over the world who continue to be inspired, beguiled and delighted by her often comic, and always shrewd insights into the calculations, and complexities of human hearts and minds. This short biography aims to get to the heart of the enigmatic woman who was Jane Austen, and to the enduring qualities in her work which make it so universally loved and admired.

In the space of less than twenty years, Napoleon turned Europe upside down. Rising from obscure origins to supreme power by a mixture of luck, audacity and military genius, he was able to harness the energies released by the French Revolution to resolve the internal problems which it had created, before turning his restless ambition to remodeling the political structure of the whole continent in a series of brilliant military victories. He was never able to finally subdue all his foreign enemies, and in the end they came together to bring him down; but by then it was impossible to restore what he had destroyed, or, in France, to destroy much of what he had created. The memory of his epic exploits, carefully refashioned during his last years in exile, haunted Europe for over a century, while the more distant effects of his career changed the whole destiny of the Americas and of the world.

Sigmund Freud is rightly called the godfather of psychoanalysis. He forever changed the way we view ourselves and developed our understanding of human nature. His concepts have become part of our psychological vocabulary: unconscious thoughts and feelings, conflict, the meaning of dreams, the sensuality of childhood. He dared to try new methods and treatments. Everyone knows the term Freudian slip and has a basic understanding of his theories, however, Freud gave us a great deal more. From education to critical theory he changed the way we think. His ideas and clinical practices offer psychological insights that bring help and healing. Freud's work has suffused contemporary Western thought and popular culture. He is the epitome of a pocket GIANT.

As one of few composers to be considered a giant in the realm of universally accepted operatic works as well as a source of national Italian identity, Giuseppe Verdi’s repertoire is one of the most widely performed in history. Although much of Verdi’s life remains a mystery, the composer’s insistence on his peasant upbringing was somewhat untruthful; he grew up comfortably—a learned man. Detailing Verdi’s confused past, this book aims to confirm the world-renowned composer’s personal history as well as debunk any of the embellishments the “ageing maestro” promulgated himself.