Christian dialogic writings flourished in the Catholic missions in late Ming China. This study focuses on the mission work of the Italian Jesuit Giulio Aleni (Ai Rulüe 艾儒略, 1582–1649) in Fujian and the unique text Kouduo richao 口鐸日抄 (Diary of Oral Admonitions, 1630–1640) that records the religious and intellectual conversations among the Jesuits and local converts. By examining the mechanisms of dialogue in Kouduo richao and other Christian works distinguished by a certain dialogue form, the author of the present work aims to reveal the formation of a hybrid Christian–Confucian identity in late Ming Chinese religious experience. By offering the new approach of dialogic hybridization, the book not only treats dialogue as an important yet underestimated genre in late Ming Christian literature, but it also uncovers a self–other identity complex in the dialogic exchanges of the Jesuits and Chinese scholars. Giulio Aleni, Kouduo richao, and Christian–Confucian Dialogism in Late Ming Fujian is a multi-faceted investigation of the religious, philosophical, ethical, scientific, and artistic topics discussed among the Jesuits and late Ming scholars. This comprehensive research echoes what the distinguished Sinologist Erik Zürcher (1928–2008) said about the richness and diversity of Chinese Christian texts produced in the 17th and 18th centuries. Following Zürcher’s careful study and annotated full translation of Kouduo richao (Monumenta Serica Monograph Series, LVI/1-2), the present work features a set of new findings beyond the endeavours of Zürcher and other scholars. With the key concept of Christian-Confucian dialogism, it tells the intriguing story of Aleni’s mission work and the thriving Christian communities in late Ming Fujian.

Revision of author's 2006 dissertation entitled Learning from the other (via publisher's email).

The Zhenzheng lun 甄正論 (T 2112, Treatise of Revealing the Correct) is a Chinese Buddhist apologetic treatise with a distinct anti-Daoist stance in three juan. It is organized as a dialogue between a Daoist, the "Venerable Obstructed by Customs" (zhisu gongzi 滯俗公子), and the Buddhist "Master Revealing the Correct" (zhenzheng xiansheng 甄正先生) in which the former is gradually led towards an orthodox Buddhist understanding by the latter through the refutation of his various arguments against Buddhism. Composed in the late 7th century, the text was authored depending on the political interests and strategies of Wu Zhao武曌 (624–705), who in 690 was enthroned as Empress Wu Zetian 武則天. This study of Thomas Jülch offers a richly annotated and complete translation of the Zhenzheng lun along with an introductory part that focuses on reconstructing the political and propagandistic circumstances relevant to the understanding of the Zhenzheng lun.

This book introduces the history of cultural exchanges between East Asia and the West through comparative biographical sketches of sixty personalities from China and Japan. These sketches illustrate how both countries, starting from a shared cultural heritage in script and Confucian, Buddhist, and Daoist worldviews, took rather different approaches in their encounters with the European world since the 16th to 17th centuries. In particular in the 19th century under external and internal pressure, both nations strove to modernize their societies by introducing technology and new ideas from the Western world, turning them into political rivals and even enemies. Thus, these biographical sketches also shed some light on the general dynamics of cross-cultural interactions between China, Japan, and the West up to the early 20th century. The Chinese and Japanese men and women presented in this book are outstanding personalities who tried to open up the road to international relationships, pioneers in their respective domains who introduced Western culture to their nations, precursors who strove for modernization, e.g., in the fields of translation, education, medicine, media, and social welfare. They testify to individual agency in these cross-cultural exchanges. Many of those who tried to be “cultural bridge-builders” since the 16th century were Christians, simply because the missionaries, who worked hard to learn the native languages of China and Japan, were the first to introduce new cultural elements to these countries. The universal scope and vision of the Christian faith enabled both missionaries and native believers to overcome narrow nationalism or xenophobia and turned them into cross-cultural mediators.

This book integrates history, theology, and art and analyzes the Jesuits’ cross-cultural mission in late imperial China. Readers will find a rich collection of resources from historical sites, museums, manuscripts, and archival materials, including previous unpublished works of art. The production and circulation of art from different historical periods and categories show the artistic, theological, and missional values of Christian art. It highlights European Jesuits, Asian Christians, transnationalism, and gives voice to Chinese Christian women and their patronage of art in the seventeenth century. It offers a rare systematic study of the relation between art and mission history.

This book offers a study of the cosmogonic works by Fr. Angelo Zottoli S.J., a Jesuit missionary who has received relatively little attention by modern scholars, but who deserves a special recognition for his theological and philosophical ideas. More generally, the book aims to shed light on the importance of cosmogony in the cross-cultural and interdisciplinary environment of Xujiahui, the area in modern Shanghai where Zottoli flourished. It shows how through Zottoli’s teaching and sermons he was able to reimagine his own cosmogonic ideas, his personality, and his relationship with local Chinese converts. Among Zottoli’s most famous students was Ma Xiangbo (馬相伯 1840–1939) and Zottoli played a crucial role in Ma’s intellectual formation. A wider familiarity with Zottoli’s works is not only interesting in and of itself, but also paves the way to future studies on the complex and multifaceted relationship between European missionaries and Chinese students in Shanghai during the nineteenth century.

This collection of essays explores the impact of Jesus within and beyond Christianity, including his many afterlives in literature and the arts, social justice, and world religion during the past two thousand years and especially in the present global context. This second volume focuses on the diverse interfaith afterlives of Jesus. Moving beyond the explicitly Christian afterlives traced in volume one, this set of essays explores how Jesus has significant afterlives in Islam, Judaism, Hinduism, Ruism and Mormonism, as well as selected secular afterlives in progressive Christianity. The contributors include religion scholars from the respective traditions, as well as faith practitioners reflecting on Jesus within their own religious context. While the essays are all grounded in critical scholarship, reflective practice, or both, they are expressed in nontechnical language that is accessible to interested nonspecialists.