Girls Write Now: Two Decades of True Stories from Young Female Voices offers a brave and timely portrait of teenage-girl life in the United States over the past twenty years. They're working part-time jobs to make ends meet, deciding to wear a hijab to school, sharing a first kiss, coming out to their parents, confronting violence and bullying, and immigrating to a new country while holding onto their heritage. Through it all, these young writers tackle issues of race, gender, poverty, sex, education, politics, family, and friendship. Together their narratives capture indelible snapshots of the past and lay bare hopes, insecurities, and wisdom for the future. Interwoven is advice from great women writers—Roxane Gay, Francine Prose, Chimamanda Ngozi Adichie, Zadie Smith, Quiara Alegria Hudes, Janet Mock, Gloria Steinem, Lena Dunham, Mia Alvar, and Alice Walker—offering guidance to a young reader about where she's been and where she might go. Inspiring and informative, Girls Write Now belongs in every school, library and home, adding much-needed and long-overdue perspectives on what it is to be young in America.

Ursula K. Le Guin discusses her fiction, nonfiction, and poetry?both her process and her philosophy?with all the wisdom, profundity, and rigor we expect from one of the great writers of the last century. When the New York Times referred to Ursula K. Le Guin as America’s greatest writer of science fiction, they just might have undersold her legacy. It’s hard to look at her vast body of work?novels and stories across multiple genres, poems, translations, essays, speeches, and criticism?and see anything but one of our greatest writers, period. In a series of interviews with David Naimon (Between the Covers), Le Guin discusses craft, aesthetics, and philosophy in her fiction, poetry, and nonfiction respectively. The discussions provide ample advice and guidance for writers of every level, but also give Le Guin a chance to to sound off on some of her favorite subjects: the genre wars, the patriarchy, the natural world, and what, in her opinion, makes for great writing. With excerpts from her own books and those that she looked to for inspiration, this volume is a treat for Le Guin’s longtime readers, a perfect introduction for those first approaching her writing, and a tribute to her incredible life and work.

A vivid portrait of what it means to be a teenage girl in America today, from 58 of the country's finest, most credentialed writers on the subject If you're a teenage girl today, you live your life in words-in text and instant messages, on blogs and social network pages. It's how you conduct your friendships and present yourself to the world. Every day, you're creating a formidable body of personal written work. This generation's unprecedented comfort level with the written word has led to a fearless new American literature. These collected essays, at last, offer a key to understanding the inscrutable teenage girl-one of the most mislabeled and underestimated members of society, argues editor and writer Amy Goldwasser, whose work has appeared in Seventeen, Vogue, The New York Times, and The New Yorker. And while psychologists and other experts have tried to explain the teen girl in recent years, no book since Ophelia Speaks has given her the opportunity to speak for herself-until now. In this eye-opening collection, nearly sixty teenage girls from across the country speak out, writing about everything from post-Katrina New Orleans to Johnny Depp; from learning to rock climb to starting a rock band; from the loneliness of losing a best friend to the loathing or pride they feel about their bodies. Ranging in age from 13 to 19, and hailing from Park Avenue to rural Nevada, Georgia to Hawaii, the girls in RED-whose essays were selected from more than 800 contributions-represent a diverse spectrum of socioeconomic, political, racial, and religious backgrounds, creating a rich portrait of life as a teen girl in America today. Revealing the complicated inner lives, humor, hopes, struggles, thrills, and obsessions of this generation, RED ultimately provides today's teen girl with much-needed community, perspective, and validation-and helps the rest of us to better understand her.

Fourteen-year-old Iranian-American Parvin Mohammadi sets out to win the ultimate date to homecoming in this heartfelt and outright hilarious debut. Parvin Mohammadi has just been dumped--only days after receiving official girlfriend status. Not only is she heartbroken, she's humiliated. Enter high school heartthrob Matty Fumero, who just might be the smoking-hot cure to all her boy problems. If Parvin can get Matty to ask her to Homecoming, she's positive it will prove to herself and her ex that she's girlfriend material after all. There's just one problem: Matty is definitely too cool for bassoon-playing, frizzy-haired, Cheeto-eating Parvin. Since being herself hasn't worked for her in the past (see aforementioned dumping), she decides to start acting like the women in her favorite rom-coms. Those women aren't loud, they certainly don't cackle when they laugh, and they smile much more than they talk. But Parvin discovers that being a rom-com dream girl is much harder than it looks. Also hard? The parent-mandated Farsi lessons. A confusing friendship with a boy who's definitely not supposed to like her. And hardest of all, the ramifications of the Muslim ban on her family in Iran. Suddenly, being herself has never been more important. Olivia Abtahi's debut is as hilarious as it is heartfelt--a delightful tale where, amid the turmoil of high school friendships and crushes, being yourself is always the perfect way to be.

The award-winning annual anthology from New York City’s first and only writing and mentoring organization for girls and gender-expansive teens. What is it like growing up in New York City as a teen in 2020? This book invites you into their homes and families, their schools and neighborhoods, their hearts, hopes, and fears. Enter a world where clay creatures take on aluminum oppressors. Get thrown against an elevator wall in the midst of a horror story. Go backstage with a rock band, say goodbye to relatives as you start a new life, stand with an engineer solving a coding problem. Experience tragedy in a mosque, feel the wounds of slavery, know the terror of glass shattering in a World War II village, and see how this next generation of leaders looks to the past and writes a better future for us all. For more than two decades, the nationally award-winning nonprofit Girls Write Now has broken down the barriers of gender, race, age, and poverty, elevating the voices of writers who are too often not heard—or worse, silenced. With mentors by their sides, the girls and gender-nonconforming youth tackle climate change, racism, sexism, rejection, immigration, and friendship—and take their place in history. This book is their testament. “The written word has often been the only outlet for women and girls to express their authentic stories and unique voices in so many societies across the globe. Girls Write Now harnesses that power, nurtures it, and amplifies it so that these singular voices can become generations.” —Robin Thede, creator, writer, executive producer and star of A Black Lady Sketch Show