Announcing the long-awaited memoir/exploration by internationally famed Ethical Slut author Janet W. Hardy: Girlfag: A Life Told in Sex and Musicals! Girlfags – women who love, are attracted to, and identify with gay men – are a growing community with a growing voice. Girlfags are not fag hags – fag hags enjoy gay men as company; girlfags enjoy them as bedmates and peers. Girlfags are everywhere. Janet notes, “I get much the same reaction when I mention ‘girlfags’ as I used to when I talked about ‘ethical sluts’ – a sudden lighting up of the eyes, a giggle, and a startled ‘Hey, that’s *me*!”’ And Facebook groups, Yahoo groups, a Wikipedia entry, a Livejournal blog, and a television series called Girls Who Like Boys Who Like Boys offer signs that The Age of the Girlfag is at hand. Janet’s book Girlfag: A Life Told In Sex and Musicals is a memoir, and much more. It visits girlfags past and present (from Pharaoh Hatshepsut through Mary Renault), it meanders through the shifting meanings of gender and orientation, and it spends a whole lot of time at the theater (Janet is not just a girlfag, she’s also a showtune queen).

Girlfags are women who love, are attracted to and identify with gay men; they are a growing community edging their way into mainstream gender politics. This memoir blasts through the binaries of gender and orientation and explores a fascinating sub-culture that is only just being exposed in mainstream culture.

A moving and pioneering celebration of the male bisexual self that addresses biphobia in our society In today’s sexual world, both straight and gay and lesbian communities still often refuse to accept the reality of bisexuality. Bi Men: Coming Out Every Which Way confronts head-on the limiting views that bisexuality is a transitional phase of sexual evolution or a simple refusal to accept being either homosexual or straight. This pioneering collection of moving personal essays by bisexual men and those who love them explores what it means to be bisexual in today’s monosexually oriented society. The millennial shift in sexual perspectives draws more and more men to come out as being attracted to both women and men. Bisexual and bi-curious men will find comfort and camaraderie in these stories about coming out, its impact on family and marriage, evolving perspectives on bisexuals within the LGBT community, and the building of acceptance and affirmation for bisexuality and polyamory. The nearly three dozen essays in Bi Men: Coming Out Every Which Way are told in the honest words of bisexuals, confirming the validity of their place in the world while illustrating that there are more bi men than anyone ever realized. These diverse and pioneering men’s stories reveal a long-disguised and unconventional truth—that bisexuality is a valid lifestyle that does not threaten either sexual camp. Each contributor to this collection affirms the innate fluidity of self, sexuality, family, and community, and proclaims that sexuality is truly diverse in its predispositions and creativity. Bi Men: Coming Out Every Which Way separates its essays into four parts: coming out and personal realization of bisexual nature bisexuality’s effects on family and marriage an examination of the shifting viewpoints of bisexuality within gay communities ways in which bisexuals can affirm and respect their own desires and celebrate their sexual selves These intimate stories address: biphobia monosexual prejudice the impact on marriage family issues coming out to self, spouse, and family political and community issues religious and spiritual concerns Bi Men: Coming Out Every Which Way is a vibrant, reassuring call to bisexuals, the bi-curious, or anybody who knows and loves a bisexual/bi-curious man, to read and more completely understand the unique issues of being bisexual while providing the ultimate affirmation of bisexuality’s existence.

Framed by a comprehensive review of international research, literature, and film, this book is an intimate journey into the experiences and insights of 79 Australian women in relationships with bisexual men. It takes us into the daily lives, sexual intimacies, and families of MOREs (mixed-orientation relationships) that span the gamut from extremely oppressive experiences with bi-misogynist men to extremely liberating with bi-profeminist men. Aged 19 to 65, the women are in monogamous, open, and polyamorous relationships with bisexual-identifying and/or bisexual-behaving men. The women themselves are bisexual, lesbian, heterosexual, while others refuse to categorize their own sexualities. The book addresses the discovery or disclosure of the man's bisexuality, how the relationships work and where they flounder, how the partners negotiate and establish 'new rules' and boundaries to maintain their relationship, and the impact of class, rural/urban setting, ethnicity, indigeneity, race, religion, and education on these relationships. But this book isn’t only about MOREs. The research, revelations and reflections in this book tell us much about current and shifting global constructions and understandings of intimate relationships, sexual desires and love, and the socio-cultural representations and labeling of genders and sexualities.

Despite the fact that there actually exists a large number of pornographic and romantic texts about male homosexuality consumed and produced by American women since the 1970s, the "abnormality" of those female cross-voyeurs is constantly underlined in U.S. popular and academic culture. As the astonished, public reactions in the face of a largely female (heterosexual) audience of "Brokeback Mountain" (2005) and "Queer as Folk" (2000-2005) have shown, a woman's erotic/romantic interest in male homosexuality is definitely not as accepted as its male counterpart (men consuming lesbian porn). In the academic publications on female cross-voyeurs, the application of double standards with regard to male/female cross-voyeurism is even more obvious. As Karen Hellekson and Kristina Busse note in their "Introduction" to "Fan Fiction and Fan Communities in the Internet" (2006), slash fiction - fan fiction about male homosexual relationships mainly produced and consumed by women - has stood in the center of fan fiction studies so far, despite being merely a subgenre of it. The reason for this seems to be an urge to explain the underlying motivations for the fascination of women with m/m romance or pornography within the academic discourse - a trend which differs completely from the extremely under-theorized complex of men interested in "lesbians." It is this obvious influence of conventional gender stereotypes on the perception of these phenomena that provokes me to examine the way in which the works of female cross-voyeurism and their consumers/producers are conceptualized in the U.S. scholarly accounts. In many ways, this thesis explores unknown territories and respectively tries to take a closer look at academic problems that have not been adequately addressed yet.

This young readers adaptation of The Queens’ English is a nonfiction illustrated reference guide to the LGBTQIA+ community’s contributions to the English language. This playful, richly illustrated visual dictionary is the perfect book for anyone who has ever wondered about the origin of phrases like “boi,” “drag,” or “demisexual,” the history of the word “queer,” and the wonderfully diverse, wide-ranging histories that have contributed to LGBTQIA+ culture and vocabulary. Drawing from traditions as divergent as the ancient poet Sappho to the underground ball scene of the 1980s, from the Stonewall Riots to RuPaul’s Drag Race, this glossary is a colorful compendium—and a celebration of every king, queen, butch, femme, trans, folx, and enby who has shaped the history, identity, and limitless imagination of queerness.