The lives of David, wealthy and popular but still lonely, and Charlie, a soulful outsider, intersect when Rose, the female Companion bot David's parents buy to treat his dissociative disorder, forms a bond with Charlie.

A story of sisterhood, solidarity, and finding your place in a changing world, A GIRL IN THREE PARTS is an unforgettable coming of age story set against the backdrop of the women's rights movement. Allegra Elsom is caught in the middle. Some days she's eleven, and others she feels closer to nineteen. Some days she knows too much, and others she feels hopelessly naive. Some days she is split in three, torn between conflicting loyalties to her grandmothers, Matilde and Joy, and her father, Rick--none of whom can stand to be in a room together since the decades-old tragedy that hit their family like a wrecking ball. Allegra struggles to make peace in her family and navigate the social gauntlet at school while asking bigger questions about her place in the world: What does it mean to be "liberated"? What is it about "becoming a woman" that earns her a slap in the face? What does it mean to do the right thing, when everyone around her defines it differently? As the feminist movement reshapes her Sydney suburb, Allegra makes her own path--discovering firsthand the incredible ways that women can support each other, and finding strength within herself to stand up to the people she loves. Readers will not soon forget Suzanne Daniel's poignant debut, or the spirit of sisterhood that sings out from its pages.

A story of sisterhood, solidarity, and finding your place in a changing world, A GIRL IN THREE PARTS is part Eighth Grade, part Divine Secrets of the Ya-Ya Sisterhood, and entirely original. Allegra Elsom is caught in the middle. Some days she's eleven, and others she feels closer to nineteen. Some days she knows too much, and others she feels hopelessly naive. Some days she is split in three, torn between conflicting loyalties to her grandmothers, Matilde and Joy, and her father, Rick--none of whom can stand to be in a room together since the decades-old tragedy that hit their family like a wrecking ball. Allegra struggles to make peace in her family and navigate the social gauntlet at school while asking bigger questions about her place in the world: What does it mean to be "liberated"? What is it about "becoming a woman" that earns her a slap in the face? What does it mean to do the right thing, when everyone around her defines it differently? As the feminist movement reshapes her Sydney suburb, Allegra makes her own path--discovering firsthand the incredible ways that women can support each other, and finding strength within herself to stand up to the people she loves. Readers will not soon forget Suzanne Daniel's poignant debut, or the spirit of sisterhood that sings out from its pages.

Approaching adolescence when her family moves to Washington State, Dottie, the daughter of a bartending mother and heavy drinking father, finds solace from her troubles in general misbehavior and school sports. A first novel of adolescence that introduces a voice so fresh, so original, so pitch-perfect it seems destined to become a classic in the literature of coming of age. In the early 1980s in Martinsburg, West Virginia, Dorothy lives with her bartending mother, her bar-attending stepfather, and her sweetly precocious little brother. Dottie is nine, plagued by insomnia, asthma, earaches, and bad teeth. She is lonely and insecure, but her intelligence and keen perception enable her to see every vivid detail of her impoverished rural surroundings and the strange characters around her. When her family moves to eastern Washington State, Dottie--confused, petulant, feeling more alone than ever, and furious at her changing body--battles her way through junior high, where she finds some success and recognition in sports and academics. Her hard-won victories are tempered by her troubled family and friends and she finds solace and distraction in alcohol, cigarettes, and acting out. Dottie--nicknamed Utah by her teammates from the Colville Indian Reservation--becomes a star basketball player, falls in and out of love, and confronts a new, devastating emotional setback.

Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.