Imelda Romualdez Marcos is a Filipino politician who was first lady of the Philippines for twenty-one years, during which time she and her husband are widely believed to have illegally amassed a multibillion dollar fortune, the bulk of which still remains unrecovered. Her personal wealth was estimated at $24 billion in 1979, and today it is thought to be at least $30 billion. She married Ferdinand Marcos in 1954 and became first lady in 1965, when he was elected president of the Philippines. During her tenure as first lady, Marcos owned three thousand pairs of shoes. She imported giraffes?just because she could. Her habit of initiating ostentatious architectural projects using public funds came to be described in common parlance as ?Imeldific.? In 1966, Ferdinand Marcos issued Executive Order no. 60, establishing the Cultural Center of the Philippines and appointing its board of directors. The board would elect Imelda Marcos as chair, giving her legal mandate to negotiate and manage funds for the center. The CCP is considered the central symbol of Imelda Marcos?s ?edifice complex.? Its enormous modernist concrete structures were designed by Filipino architect Leandro Locsin. Imelda Marcos declared the center the ?sanctuary of the Filipino soul.? In these pages, Giovanna Silva inspects the heritage of the country, illustrating the robust relationship between architecture and history.

Minimalistic eco-friendly houses, schools and hotels by Sri Lankan "tropical modernist" Geoffrey Bawa Sri Lankan architect Geoffrey Bawa (1919-2003) has long been one of Asian architecture's most celebrated figures. In Mr Bawa I Presume, photographer Giovanna Silva documents Bawa's private houses, schools and hotels.

-Neubau Forst Catalogue- is the 432-page print catalogue of a digital collection of tree silhouettes and sculptures seen at different seasons. Working by hand, the Neubau designers digitally removed the trees from their original Berlin surroundings and thereby crafted a body of visual material whose scope, outstanding quality of detail and excellent image resolution sets it clearly apart from conventional tree libraries compiled with autotracing tools. Each book contains an individual download code that guarantees you an exclusive discount of 25% on purchases from the data archive in the standard image (TIFF) and vector (EPS) format.

Historically the dance club is both an anthropological and architectural phenomenon. The cultural and economical evolution of society progressively transformed the idea of entertainment, and consequently the spaces in which it is formed and shaped. Today discotheques are hardly designed by architects, but rather temporary occupations of spaces which are dedicated to other functions. Through the photographs of Giovanna Silva, a selection of interviews and critical texts, Nightswimming explores this fascinating world from the 1960s until today.