This book is one of Gildas' most important works. It is a sermon condemning the secular and religious behavior of his contemporaries. The author Saint Gildas is an outstanding member of the British Celtic Christian Church. His famous knowledge and literary style earned him the title of Gildas the Wise.

Fresh from the Second City troupe in Toronto, Gilda Radner created such memorable characters as Emily Litella and Roseanne Roseannadanna as a member of the original cast of Saturday Night Live. The wife of Gene Wilder, Gilda was plagued by persistent health problems and two miscarriages, and was diagnosed with ovarian cancer in 1986. Brave, funny, and painfully honest, the twentieth-anniversary edition of It's Always Something is the story of Gilda's journey while living with cancer and her determination to continue laughing. "Cancer," she said, "is about the most unfunny thing in the world." But Gilda's gutsy and unique sense of humor never left her as she describes two years of cancer treatment -- surgery, chemotherapy, and radiation treatment, as well as the high and low points of her own career. Told as only Gilda could tell it, and newly revised to include a resource guide for those living with cancer, It's Always Something is the inspiring story of a courageous, funny woman determined to enjoy life no matter the circumstances.

'A groundbreaking work of Afrofuturism before the term was even coined' Guardian 'A lush, exciting, inspiring read' Sarah Waters In this radically reimagined vampire myth, the night hides many things... Louisiana, 1850. A young girl escapes slavery and is taken in by two mysterious women. Rumoured to be witches, the pair travel only at night, dress in men's clothing and seem to know others' innermost thoughts. But the girl sees the promise of true freedom in their dark glittering eyes: the promise to 'share the blood' and live forever. They name her Gilda. Over the next two hundred years, Gilda moves through unseen spaces: through antebellum brothels, gold-rush bars, Black women's suffrage groups, hair salons and jazz clubs, searching for a way to exist in the world. Her body, powerful against the passage of time, will know both beauty and horror through the women she desires and the blood she craves. But can Gilda truly outrun the darkness of history and face a future where the lives of everyone she loves are at stake?

Provocative new investigation into the shadowy figure of Gildas, his influence and representation. Gildas is an essential witness to the Christian culture of the British Isles in the opaque period after the decline and fall of the western Roman empire. His criticisms in De excidio Britanniae of the Britons in the context of spiritual and secular corruption and partition with pagan powers are a crucial source for understanding the transition to the medieval nations of England, Scotland, Wales, and Ireland. But the ways in which this enigmatic ecclesiastical figure has been received over the centuries have shaped an ambivalent reputation. On the one hand, he is seen as a significant contributor to ecclesiastical reform; on the other, as a dour and unreliable chronicler lamenting an inevitable spiritual and political decline. This book seeks to refine and recuperate the image of Gildas. It does so by examining his self-image as presented in select surviving works, and subsequent representations as developed by the reception of these works - the legacy of Gildas - by church luminaries such as Columbanus, Gregory the Great, and Bede; in exploring how Gildas influenced perceptions of authority in the British Isles and on the continent, it puts this legacy into a wider context. Overall, the volume argues that as one of the earliest authorities to define and defend Christian kingship Gildas deserves to be seen as a significant contributor to the political and ecclesiastical development of the early medieval West.

Gildas is the earliest insular writer who has left us a substantial legacy of theological writing. He is usually, however, not seen as a theological writer but as an historical source for 'dark age' Britain at the time of the Germanic invasions in the mid-sixth century. Yet the deacon Gildas saw himself as a prophet charged by God to call the rulers and clergy of his society back to being a chosen people of the covenant. The form this call took was that of an indictment of those groups based on the testimonia of the Christian scriptures. This book is a study both of Gildas's use of the scriptures (his text, his canon, his exegetical strategies) and of how, from the way he interprets sacred history, he created a distinctive theology of the church and of salvation.

A Novello Literary Award finalist, this captivating memoir exudes passion, eloquence, heartfelt language and ancestral roots. A trilogy tale, with ancient sites of Rome, contrasting the landscape of a picturesque countryside, seaside villages of Sicily, and olive trees in the valley of Mount Etna. All in the language of love and food, Gilda Morina Syverson is out to uncover her past.