Originally published in Russian during the final years of the Soviet Union, this volume examines the influences of foreign literary movements, specifically Romanticism and Realism, on the three authors examined within. By viewing Gibran and Rihani's works in the light of English poets such as Wordsworth, Byron, and Shelley and American writers such as Emerson and Whitman—and by exploring Naimy through the lens of the Russian Realist tradition, drawing parallels specifically with the work of Belinsky, Tolstoy, Turgenev, and the Chekhovian tradition—this work provides an unusual window into the Arab world's cultural interaction with Europe, America, and Russia in the early 20th century. At the same time, it reaches beyond its academic scope and reveals universal elements that speak to all people and go beyond cultural frameworks altogether.

Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same 'hybrid', 'exilic', and 'diasporic' questions that have dogged their fellow postcolonialists. Issues of belonging, loyalty, and affinity are recognized and dealt with in the various essays, as are the various concerns involved in cultural and relational identification. The contributors to this volume come from different national backgrounds and share in examining the nuances of this emerging literature. Authors discussed include Elmaz Abinader, Diana Abu-Jaber, Leila Aboulela, Leila Ahmed, Rabih Alameddine, Edward Atiyah, Shaw Dallal, Ibrahim Fawal, Fadia Faqir, Khalil Gibran, Suheir Hammad, Loubna Haikal, Nada Awar Jarrar, Jad El Hage, Lawrence Joseph, Mohja Kahf, Jamal Mahjoub, Hisham Matar, Dunya Mikhail, Samia Serageldine, Naomi Shihab Nye, Ameen Rihani, Mona Simpson, Ahdaf Soueif, and Cecile Yazbak. Contributors: Victoria M. Abboud, Diya M. Abdo, Samaa Abdurraqib, Marta Cariello, Carol Fadda-Conrey, Cristina Garrigós, Lamia Hammad, Yasmeen Hanoosh, Waïl S. Hassan, Richard E. Hishmeh, Syrine Hout, Layla Al Maleh, Brinda J. Mehta, Dawn Mirapuri, Geoffrey P. Nash, Boulus Sarru, Fadia Fayez Suyoufie

Reproduction of the original: The Book of Khalid by Ameen Rihani

Arab-American poetry is an especially rich, people-involved, passionate literature that has been spawned, at least until recently, in isolation from the American mainstream. This anthology reflects the current renaissance in the literature of what may be the latest ethnic community to assert itself. Twenty poets are represented in this collection, fifteen of them living, five of them women. They start with Ameen Rihani and Kahlil Gibran and include celebrated contemporaries who write in Arabic or English or both. Contributors: Kahlil Gibran o Ameen Rihani o Jamil Holway o Mikhail Naimy o Elia Abu Madi o Etel Adnan o D.H. Melhem o Samuel Hazo o Joseph Awad o Eugene Paul Nasser o H.S. (Sam) Hamod o Jack Marshall o Fawaz Turki o Doris Safie o Ben Bennani o Sharif Elmusa o Lawrence Joseph o Gregory Orfalea o Naomi Shihab Nye o Elmaz Abinader.

This book by the author of "The Prophet" reveals his innermost self through his letters written between 1904 and 1930. They form a true self-portrait of the poet in the time of his greatest artistic productivity. These are Gibran's Boston & New York years, with an interlude in Paris, during which he studied under the sculptor Auguste Rodin. There are touching letters to his sister & other members of his family, there are thoughtful letters to Guraieb, the Editor who introduced him and impassioned letters to Ziadeh, the Lebanese writer with whom Gibran formed an extraordinary "literaary and love relationship" entirely through correspondence

Understanding the complexities of Arab politics, history, and culture has never been more important for North American readers. Yet even as Arabic literature is increasingly being translated into English, the modern Arabic literary tradition is still often treated as other--controversial, dangerous, difficult, esoteric, or exotic. This volume examines modern Arabic literature in context and introduces creative teaching methods that reveal the literature's richness, relevance, and power to anglophone students. Addressing the complications of translation head on, the volume interweaves such important issues such as gender, the Palestinian-Israeli conflict, and the status of Arabic literature in world literature. Essays cover writers from the recent past, like Emile Habiby and Tayeb Salih; contemporary Palestinian, Egyptian, and Syrian literatures; and the literature of the nineteenth-century Nahda.