Gian Vittorio Rossi (1577–1647) was an active participant in the intellectual and artistic community in Rome orbiting around Pope Urban VIII and the powerful Barberini family. His prolific literary output encompassed letters, dialogues, orations, biographies, poetry, and fiction. A superlative Latinist, Rossi unleashed his biting wit and deep knowledge of Classical literature against perceived societal wrongs. Set on the fictional island of Eudemia in the first century CE, Eudemiae libri decem is a satirical novel that criticizes Rossi's own society for its system of patronage and favors that he saw as rewarding wealth and opulence over skill and hard work. An understudied figure, Rossi's involvement with one of Rome's premier literary academies and his relationships with intellectuals in Italy and throughout Europe provide a unique insider view of seventeenth-century Rome.

Gian Vittorio Rossi (1577–1647) was an active participant in the intellectual and artistic community in Rome orbiting around Pope Urban VIII and the powerful Barberini family. His prolific literary output encompassed letters, dialogues, orations, biographies, poetry, and fiction. A superlative Latinist, Rossi unleashed his biting wit and deep knowledge of Classical literature against perceived societal wrongs. Set on the fictional island of Eudemia in the first century CE, Eudemiae libri decem is a satirical novel that criticizes Rossi's own society for its system of patronage and favors that he saw as rewarding wealth and opulence over skill and hard work. An understudied figure, Rossi's involvement with one of Rome's premier literary academies and his relationships with intellectuals in Italy and throughout Europe provide a unique insider view of seventeenth-century Rome.

Latin was for many centuries the common literary language of Europe, and Latin literature of immense range, stylistic power and social and political significance was produced throughout Europe and beyond from the time of Petrarch (c.1400) well into the eighteenth century. This is the first available work devoted specifically to the enormous wealth and variety of neo-Latin literature, and offers both essential background to the understanding of this material and sixteen chapters by leading scholars which are devoted to individual forms. Each contributor relates a wide range of fascinating but now little-known texts to the handful of more familiar Latin works of the period, such as Thomas More's Utopia, Milton's Latin poetry and the works of Petrarch and Erasmus. All Latin is translated throughout the volume.

From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.