A family cloaked in secrets. A beguiling woman. A unique setting. Inspector Bordelli is back to solve one of the most difficult cases of his entire career in the sixth book in this atmospheric crime noir series - perfect for fans of Andrea Camilleri. Florence, 1967. It is winter, and one year has passed since the historic and devastating flood of the Arno, though the memories of that day still linger with the stains on the city walls. The anniversary of the flood brings with it a new case for Inspector Bordelli, who is weighed down with remorse for having taken justice into his own hands, and yearning for Eleonora, the woman he's lost, when the mystery opens. A local wealthy industrialist - fiercely loved and respected by everyone he knew - has been found murdered in his grand villa in the Fiesole hills, and the killer has left no trace. With no obvious leads to follow, Bordelli is patiently retracing the victim's last days when he encounters an old friend from the war. Inviting the frail man into his home with the aim of restoring him to strength with good food and wine, Bordelli is yet to realise that this very friend will lead him ever closer to the secrets at the heart of the mystery - starting with a mysterious woman . . .

When newspaper reporter Alex Rutherford receives a tip about a murdered family in the Niagara region, she decides to investigate—especially when she learns that her own family might be involved. Accompanied by her best friend, Ginny, and her dog, Spider, they set out to solve the case.

When Marcie Ducasse, assistant editor of Roaming New England Magazine, makes her first solo trip through northern New England checking into stories of supernatural happenings, she expects to hear some strange tales, not become part of one. But when a farmer tells Marcie about the ghosts of three men hanged in his barn back in the 1940s and then turns up a few hours later hanging in that same barn, Marcie finds herself up to her neck in a murder investigation. With the help of Kevin Murray, a local newspaper reporter, Marcie begins digging into the case, and she quickly discovers that even murders committed over sixty years ago are not dead and buried--especially when they take the form of ghosts from the past.

A Texas map marked with three red dots like drops of blood. A serial killer who claims to have dementia. A mysterious young woman who wants answers. What could go wrong? FINALIST FOR THE ITW THRILLER AWARD • “Fast and furious . . . You’ll never see what’s coming.”—The Washington Post Years ago, her sister Rachel vanished. Now she is almost certain the man who took Rachel sits in the passenger seat beside her. He claims to have dementia and no memory of murdering girls across Texas in a string of places where he shot eerie pictures. To find the truth, she proposes a dangerous idea: a ten-day road trip with a possible serial killer to examine cold cases linked to his haunting photographs. Is he a liar or a broken old man? Is he a pathological con artist—or is she? You won’t see the final, terrifying twist spinning your way until the very last mile. Praise for Paper Ghosts “Paper Ghosts is a riveting summer read that shows Texas in a powerfully intimate light.” —The Austin Chronicle “[An] artful and elegiac psychological thriller . . . riveting.”—Publishers Weekly (starred review) “[Paper Ghosts] elevates the often tawdry genre of the serial killer novel to a work of art.”—Sunday Express (UK) “Texas has yet again bred a major American noir writer.”—D Magazine “[Heaberlin has] developed a distinctive literary voice, one that is on full display in Paper Ghosts.”—Houston Chronicle “Entertainingly unnerving.”—The Dallas Morning News “Strong characterisation, haunting images, a wonderful sense of place, and some dark comedy make this travelogue-cum-psychological thriller well worth the read.”—The Guardian

“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).

In 1929, in a remote county of the Arkansas Ozarks, the gruesome murder of harmonica-playing drifter Connie Franklin and the brutal rape of his teenaged fiancée captured the attention of a nation on the cusp of the Great Depression. National press from coast to coast ran stories of the sensational exploits of night-riding moonshiners, powerful "Barons of the Hills," and a world of feudal oppression in the isolation of the rugged Ozarks. The ensuing arrest of five local men for both crimes and the confusion and superstition surrounding the trial and conviction gave Stone County a dubious and short-lived notoriety. Closely examining how the story and its regional setting were interpreted by the media, Brooks Blevins recounts the gripping events of the murder investigation and trial, where a man claiming to be the murder victim--the "Ghost" of the Ozarks--appeared to testify. Local conditions in Stone County, which had no electricity and only one long-distance telephone line, frustrated the dozen or more reporters who found their way to the rural Ozarks, and the developments following the arrests often prompted reporters' caricatures of the region: accusations of imposture and insanity, revelations of hidden pasts and assumed names, and threats of widespread violence. Locating the past squarely within the major currents of American history, Ghost of the Ozarks: Murder and Memory in the Upland South paints a convincing backdrop to a story that, more than 80 years later, remains riddled with mystery.

In the spring of 1945, on the eve of the Allied victory in war torn Europe, an unmarked German transport plane crash lands deep in the rugged Swiss Alps, and with it is buried one of the greatest single collections of World War II stolen artwork never recovered. Lying undisturbed in its rocky tomb for over half a century, a family member's deathbed disclosure and war memorabilia hold the key to the existence and dormant location of this incredible treasure. American advertising executive Matt Ferguson, upon his discovery and pursuit of his great uncle's mysterious legacy, enlists the help of a beautiful art expert, Courtney Lewis, and as their quest is unwittingly exposed, immediately become embroiled in a local murder investigation that draws them together in an effort to save not only a piece of history, but ultimately their lives. Striving to stay ahead of anonymous pursuers, they are stalked by a ruthless South American industrialist bent on forcibly seizing the priceless collection for himself, while simultaneously being hunted by a murderous band of ODESSA henchmen representing the past and present generations of the German Nazi party, seeking an additional relic from the crash more sinister than a mere cache of stolen art. With the dogged persistence of a city homicide detective determined to solve a triple murder, and his ability to knit together a global police effort, the chaotic and thrilling race to recover the find of a lifetime becomes a fast-paced, action packed adventure that weaves together an eclectic cast of characters in an international web of intrigue, murder, mystery and an unexpected conclusion that will keep readers riveted until the last page.