Following in the tradition of his first collection of ghost stories, Dark Woods, Chill Waters, Marcus LiBrizzi has researched and written a collection of 21 true ghost stories from the Acadia/Mount Desert Island region of Maine. All the stories stand out due to their frightening elements and legendary qualities, combined with historical background and eye-witness accounts. The collection also provides a kind of gothic tour guide, recounting stories in settings that readers can go and visit.

Tales of pirates, witches, and other amazing denizens of the state of Maine.

Maine has a rich supernatural history and ghost stories from the state are as varied as they are prolific. Freelance writer and reporter Tom Verde first became interested in such eerie occurrences while researching first-hand encounters with ghosts for a series of public radio programs. This book recounts some of the spine-tingling tales he uncovered in his research, including: •The dagger-wielding shade who terrorized a Portland couple •The murdered Indian who revisited Means’s Tavern •Famed diva Lillian Nordica, whose voice still echoes through the Farmington auditorium named in her honor •The hostile spirit who tried to frighten the tenants out of an Orrington house •Even an entire phantom ship, bound eternally for Freeport These are not fictitious creations of literary imagination. People from all walks of life—including many who were positive they would never believe in ghosts—attest to these encounters.

Forgotten somewhere between Bar Harbor, Maine, and New Brunswick, Canada, lies the most remote and mysterious section of the Eastern Seaboard. It is a region rich in stark beauty—and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.

A ghostly tour of Maine's coast - twenty-five tales of hauntings and unexplained supernatural occurrences compiled by a woman whose family's home in coastal Maine is home to more than one ghost. Her interest in psychic phenomena was sparked by a request from the NBC series In Search of... for an interview about her family's haunted house. This is a different kind of tour, an intriguing, spine-tingling tour full of witches, mysterious disappearances, and things that go bump in the night.

What is it about islands that make them ideal settings for ghost stories? Maybe it’s because an island is the perfect place to dispose of a body or bury treasure, or maybe there’s some truth to the lore than spirits cannot travel over water. Whatever the case, with over 3,000 coastal islands, Maine has more than its share of those that are haunted. The proposed book features twenty-one haunted islands off the coast of Maine. A partial list of hauntings includes the following: Outer Heron Island: Death, panic, and mysterious fog plague this island, which is home to a vengeful ghost guarding a lost grave and a legendary treasure linked to a sea cave embellished in strange hieroglyphics. Swan’s Island: A number of ghosts haunt Swan’s Island, but the most noteworthy is a spirit appearing as a young, disoriented girl who leads people to the cemetery in the village of Atlantic and then mysteriously disappears before anyone discovers her grave. Mount Desert Rock: The station at this remote rock in the ocean contains a demonic spirit that targets anyone who spends the night in one particular room, inducing petrifying dreams that reenact a tragedy that took place there. Roque Island: This private island, which contains a mile-long white sand beach, is inhabited by the ghosts of a 19th century patriarch, a maid, and a young boy known as Gus, who spent his life in a cage due to incurable madness. Sable Island: The graveyard of the Atlantic, with more 350 shipwrecks, Sable Island is haunted by the spirits of those who drowned there, those who were left to fend for themselves in a bloody penal colony, and two women, one who was murdered, and one whose lifeless body was desecrated to remove the ring she wore.

"Architecture is a social art. If the practice of architecture is the art of what you can make happen, then I believe that you are only as good as your bullpenthe builders, the engineers, the artisans, the colleagues, the staffwho collaborate with you; those who become possessed by the same urge to build, by the same belief that we are working on something exceptional together." Brian MacKay-Lyons For two weeks each summer, architect Brian MacKay-Lyons uses his family farm on the east coast of Nova Scotia for aspecial event. Among the stone ruins of a village almost four hundred years old, he assembles a community of architects,professors, and students for a design-build internship and educational initiative called Ghost Research Lab. The twoweek projectone week of design and one week of constructionrests on the idea that architecture is not only about building but also about the landscape, its history, and the community. Based on the apprenticeship environment of ancient guilds, where architectural knowledge was transferred through direct experience, Ghost redefines the architectas a builder who cultivates and contributes to the quality of the native landscape. Published to celebrate the event's tenth anniversary, Ghost offers a thorough documentation of the past decade's design-build events including drawings, models, and final photographs of completed structures. Organized chronologically and interwoven with MacKay-Lyons's simple and accessible personal narratives, Ghost also features essays by some of the most eminent figures in architectural criticism, including Christine Macy, Brian Carter, Karl Habermann, Robert Ivy, Kenneth Frampton, Thomas Fisher, Juhani Pallasmaa, Peter Buchanan, and Robert McCarter. In an architectural climatefull of trends and egos, Ghost is the rare manifesto that does not preach but rather inspires quietly with simple ideas that unexpectedly unsettle and arouse.