"This book, written by the author of the "definitive" biography of primatologist Jane Goodall, presents in sweeping detail the story of a group of young volunteers and students doing animal behavior research on chimpanzees, baboons, and red colobus monkeys at Dr. Goodall's research site in Tanzania's Gombe Stream National Park during the late 1960s. Goodall, who began her work in the summer of 1960, was originally sponsored by the great paleontologist Louis Leakey and funded by the National Geographic Society. Her early studies of chimpanzees soon made her world famous as one of the great pioneers in primatology, and she began working to transform her original tented camp into a major field station for animal studies. Then came a tragic event that marked the final summer of that promising first decade and is the focus of this book. At aroundnoon, on Saturday, July 12, 1969, Ruth Davis, a young American working at Gombe as a volunteer, walked out of camp to follow a chimpanzee into the forest and never returned. Her body was found six days later floating in a pool at the base of a high waterfall. The Ghosts of Gombe explores the social tensions that developed among the small community of researchers during 1968 and 1969; considers thoroughly how the death might have happened; and describes the painful personal consequences for some of the surviving researchers."--Provided by publisher.

With great narrative, Campbell takes readers with him as he travels 1,200 miles up the Amazon, turns left up the Rio Jurua, and continues for another 28 days to the town of Cruzeiro do Sul where he collects three friends and continues further into the rainforest.

“Told with icy precision of eye and ear and a wink of wicked humor . . . First-rate haunted-house creepiness” from the bestselling author of Summer of ’42 (Kirkus Reviews). Austin Fletcher, a disturbed young Vietnam War vet, is willed a small house deep in the woods of northern Maine. He comes to own it by the generosity of a brother-in-arms—a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. The rugged landscape of Maine is an intoxicating blend of claustrophobic interiors and endless frozen wastelands. Little by little, the mysterious force in the house asserts itself until Austin isn’t exactly sure what is in his mind and what is real. And just when our hero’s had enough and is ready to quit the place, a blizzard arrives and the real haunting begins. “An unsettling experience . . . Confounding, touching and well-written.” —The New York Times Book Review

In the vein of The Lovely Bones and The Little Friend, Ghosts of the Missing follows the mysterious disappearance of a twelve-year-old girl during a town parade and the reverberations of this tragedy throughout the town. On Saturday, October 28, 1995, a girl vanished. She was not a child particularly prized in town...When questioned by reporters, those who’d known Rowan described her as ‘quiet’ and ‘loner’ and ‘shy’ and even ‘awkward.’ Words for pity. Culleton, New York has a long history—of writers, of artists, and of unsolved mysteries. It’s where Adair grew up before she moved to Brooklyn to try to make it as an artist. But after years away from her hometown and little to show for it, Adair decides to return. She moves back in to Moye House, the old mansion, and current writer’s retreat, imbued with her family's legacy. Ciaran is a writer staying at Moye House in the hopes of finally solving the mystery of what happened to Rowan Kinnane—his sister, and Adair’s childhood best friend. As the two begin investigating, secrets long buried rise to the surface, complicating their sense of themselves and their understanding of what happened on that fateful day. With her “knack for capturing heartbreaking moments with a gripping simplicity” (Village Voice), Kathleen Donohoe lures us into a haunting world of secrets and obsessions and shows just how far people will go in search of the truth.

Seventeen ghost stories from England are cozy or comic rather than spooky.

Haunting has long been a compelling element in popular culture, and has become an influential category in academic engagements with politics, economics, and aesthetics. While recent scholarship has used psychoanalysis and the Gothic as frameworks with which to study haunting, this volume seeks to situate ghosts in the cultural imagination. The chapters in Popular Ghosts are united by the impulse to theorize the cultural work that ghosts do within the trans-historical contexts that comprise our understanding of everyday life. These authors study the theoretical and aesthetic genealogies of the spectral, while also commenting on the multiple everyday spaces that this category occupies. Rather than looking to a single tradition or medium, the essays in Popular Ghosts explore film, novels, photography, television, music, social practices, and political structures from different cultures to reopen the questions that surround our haunted sense of the everyday.