When the heart is destroyed, the mind is capable of unspeakable things in the name of love... Stevie loves his little sister Lily and will always protect her. As children, he was the one who looked after her. If anyone threatened her, she could always depend on him. Protecting her from Roy was the most difficult of all. He had too much power over both of them... Stevie wonders why his sister isn't turning to him for help now. Where is she? Who's stopping her from contacting him? Determined to find her, Stevie won't be distracted from his single-minded purpose. He and Lily have to be together for always. As for the other bodies? When Stevie is crossed, people don't live long...

From the author of Three Souls comes a vividly imagined and haunting new novel set in early 20th century Shanghai—a story of friendship, heartbreak, and history that follows a young Eurasian orphan’s search for her long-lost mother. That night I dreamed that I had wandered out to Dragon Springs Road all on my own, when a dreadful knowledge seized me that my mother had gone away never to return . . . In 1908, Jialing is only seven years old when she is abandoned in the courtyard of a once-lavish estate near Shanghai. Jialing is zazhong—Eurasian—and faces a lifetime of contempt from both Chinese and Europeans. Without her mother’s protection, she can survive only if the estate’s new owners, the Yang family, agree to take her in. Jialing finds allies in Anjuin, the eldest Yang daughter, and Fox, an animal spirit who has lived in the haunted courtyard for centuries. But Jialing’s life as the Yangs’ bondservant changes unexpectedly when she befriends a young English girl who then mysteriously vanishes. Always hopeful of finding her long-lost mother, Jialing grows into womanhood during the tumultuous early years of the Chinese republic, guided by Fox and by her own strength of spirit, away from the shadows of her past. But she finds herself drawn into a murder at the periphery of political intrigue, a relationship that jeopardizes her friendship with Anjuin and a forbidden affair that brings danger to the man she loves.

Every great city is a restless work in progress, but nowhere is the urban impulse more in flux than in Berlin, that sprawling metropolis located on the fault line of history. A short-lived fever-dream of modernity in the Roaring Twenties, redubbed Germania and primped up into the megalomaniac fantasy of a Thousand-Year Reichstadt in the Thirties, reduced in 1945 to a divided rubble heap, subsequently revived in a schizoid state of post-World War II duality, and reunited in 1989 when the wall came tumbling down — Berlin has since been reborn yet again as the hipster hub of the 21st century. This book is a hopscotch tour in time and space. Part memoir, part travelogue, Ghost Dance in Berlin is an unlikely declaration of love, as much to a place as to a state of mind, by the American-born son of German-speaking Jewish refugees. Peter Wortsman imagines the parallel celebratory haunting of two sets of ghosts, those of the exiled erstwhile owners, a Jewish banker and his family, and those of the Führer’s Minister of Finance and his entourage, who took over title, while in another villa across the lake another gaggle of ghosts is busy planning the Final Solution.

In the celebrated Buffalo Woman Comes Singing, Brooke Medicine Eagle revealed her extraordinary spiritual odyssey from her first guided steps on the medicine path to her ongoing work as one of the most respected Native American teachers of the modern era. Now she shares a groundbreaking approach to spiritual transformation--by revitalizing the powerful ancient ritual The Ghost Dance. Four centuries ago, when European invaders were ruthlessly plundering indigenous cultures, a Paiute tribesman received a vision of hope and resurrection, given by Father Spirit, to help survivors of the onslaught create a beautiful new life in the face of defeat, broken dreams, and death. That vision was celebrated in an ecstatic ghost dance honoring those who had perished. Brooke Medicine Eagle explains how and why we are profoundly connected to The Ghost Dance. As she herself becomes initiated into the "illusion of death" and the wisdom of "heart-centered ascension," she teaches us how to confront our deepest fears, overcome our resistance to change, and renew our lives. Through prayer, music, and dance, Medicine Eagle provides us with the tools to bring about the final fulfillment of this profound ritual--by living in harmony with earth's rhythms, practicing sustainable living, honoring and sharing with all our relations, and freeing ourselves from the burden of possessions and possessiveness. Perceptive, practical, and luminous, The Last Ghost Dance is a call to action, a challenge to raise up from the ashes of our desecrated planet a world that welcomes the full flowering of the spirit--and a new age of abundance, love, and peace.

The 1870 Ghost Dance was a significant but too often disregarded transformative historical movement with particular impact on the Native peoples of northern California. The spiritual energies of this ?great wave,? as Peter Nabokov has called it, have passed down to the present day among Native Californians, some of whose contemporary individual and communal lives can be understood only in light of the dance and the complex religious developments inspired by it. Cora Du Bois's historical study, The 1870 Ghost Dance, has remained an essential contribution to the ethnographic record of Native Californian cultures for seven decades yet is only now readily available for the first time. Du Bois produced this pioneering work in the field of ethnohistory while still under the tutelage of anthropologist Alfred Louis Kroeber. Her monograph informs our understanding of Kroeber's larger, grand and crucial salvage-ethnographic project in California, its approach and style, and also its limitations. The 1870 Ghost Dance adds rich detail to our understanding of anthropology in California before World War II

A broad range of perspectives from Natives and non-Natives makes this book the most complete account and analysis of the Lakota ghost dance ever published. A revitalization movement that swept across Native communities of the West in the late 1880s, the ghost dance took firm hold among the Lakotas, perplexed and alarmed government agents, sparked the intervention of the U.S. Army, and culminated in the massacre of hundreds of Lakota men, women, and children at Wounded Knee in December 1890. Although the Lakota ghost dance has been the subject of much previous historical study, the views of Lakota participants have not been fully explored, in part because they have been available only in the Lakota language. Moreover, emphasis has been placed on the event as a shared historical incident rather than as a dynamic meeting ground of multiple groups with differing perspectives. In The Lakota Ghost Dance of 1890, Rani-Henrik Andersson uses for the first time some accounts translated from Lakota. This book presents these Indian accounts together with the views and observations of Indian agents, the U.S. Army, missionaries, the mainstream press, and Congress. This comprehensive, complex, and compelling study not only collects these diverse viewpoints but also explores and analyzes the political, cultural, and economic linkages among them.