Seventeen all-new stories illuminate the steampunk world of fog and fear! Modern masters of the supernatural weave their magic to revitalize the chilling Victorian and Edwardian ghostly tale: here are haunted houses, arcane inventions, spirits reaching across the centuries, ghosts in the machine, fateful revelations, gaslit streets scarcely keeping the dark at bay, and other twisted variations on the immortal classics that frighten us still.

Two brothers discover an old man living in the abandoned hotel behind their house. They protect “Dr. J” from Halloween harassment by local teenagers, only to find him missing the next day. Had he ever really been there – or was he a ghost? Interest level: Grades 3-7 Reading level: Grade 2.2 (Lexile 390) HIP JR novels feature preteen characters in exciting situations. Geared to readers in Grades 3-7, reading at Grade 2-3 level.

Tyler and Zach don't believe in ghosts. So when a friend offers them big money to spend a night in the old Blackwood house, they jump at the chance. Easy money There's no such thing as ghosts... right? Really? No such thing...? One of the biggest sellers of the High Interest Teenage series.

'Gaslight & Ghosts' is an anthology of the marvellous, the magical and the macabre to celebrate the 1998 World Fantasy Convention, held in London, England.

This is a collection of eight ghost stories, written by the remarkably prolific husband and wife team of Claude and Alice Askew, centering on Aylmer Vance, an investigator of the supernatural. Dexter, the narrator, meets Vance during a fishing holiday and Vance tells him three ghost stories on successive nights, each story involving Vance more closely in the action. The fourth story brings Dexter himself into the action, and reveals him to have unsuspected clairvoyant powers. The remaining stories feature Vance and Dexter as a sort of Holmes-and-Watson team investigating incidents not all of which prove to have supernatural causes. The final story, "The Fear" is very effective, describing a house in which a general feeling of extreme fear grips the inhabitants at various times and locations; the emotion of fear is effectively evoked and an interesting tale is constructed as Vance and Dexter work to assign the fear "a local habitation and a name".

From North Beach to South of Market to Golden Gate Park and points in between, ghosts have made their spectral presences known.

The first three volumes of The Best Horror of the Year have been widely praised for their quality, variety, and comprehensiveness. With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect—and enjoy.