Manhattan's past whispers for attention amongst the bustle of the city's ever-changing landscape. At Fraunces Tavern, George Washington's emotional farewell luncheon in 1783 echoes in the Long Room. Gertrude Tredwell's ghost appears to visitors at the Merchant's House Museum. Long since deceased, Olive Thomas shows herself to the men of the New Amsterdam Theatre, and Dorothy Parker still keeps her lunch appointment at the Algonquin Hotel. In other places, it is not the paranormal but the abnormal violent acts by gangsters, bombers, and murderers that linger in the city's memory. Some think Jack the Ripper and the Boston Strangler hunted here. The historic images and true stories in Ghosts and Murders of Manhattan bring to life the people and events that shaped this city and raised the consciousness of its residents.

1926. New York. The Roaring Twenties. Jazz. Flappers. Prohibition. Coal-powered cars. A cold war with a British Empire that still covers half of the globe. Yet things have developed differently from established history. America is in the midst of a cold war with a British Empire that has only just buried Queen Victoria, her life artificially preserved to the age of 107. Coal-powered cars roar along roads thick with pedestrians, biplanes take off from standing with primitive rocket boosters, and monsters lurk behind closed doors and around every corner. This is a time in need of heroes. It is a time for The Ghost. A series of targeted murders are occurring all over the city, the victims found with ancient Roman coins placed on their eyelids after death. The trail appears to lead to a group of Italian-American gangsters and their boss, who the mobsters have dubbed 'The Roman'. However, as The Ghost soon discovers, there is more to The Roman than at first appears, and more bizarre happenings that he soon links to the man, including moss-golems posing as mobsters and a plot to bring an ancient pagan god into the physical world in a cavern beneath the city. As The Ghost draws nearer to The Roman and the center of his dangerous web, he must battle with foes both physical and supernatural and call on help from the most unexpected of quarters if he is to stop The Roman and halt the imminent destruction of the city. From the Trade Paperback edition.

• More than 60 frightening tales • Covers all regions of the state An entertaining look at supernatural phenomena in New York, including the ghost of a British soldier at Fort Ontario, Champ the Lake Champlain monster, the haunted castle of Captain Beardslee, spirits in Manhattan's oldest house, the alien abduction at the Brooklyn Bridge, and many more.

COULD YOU FIND A MUSEUM FOR A MONSTER?OR A JAZZ BAR FOR A JABBERWOCK? Zoe Norris writes travel guides for the undead. And she's good at it too -- her new-found ability to talk to cities seems to help. After the success of The Sbambling Guide to New York City, Zoe and her team are sent to New Orleans to write the sequel. Work isn't all that brings Zoe to the Big Easy. The only person who can save her boyfriend from zombism is rumored to live in the city's swamps, but Zoe's out of her element in the wilderness. With her supernatural colleagues waiting to see her fail, and rumors of a new threat hunting city talkers, can Zoe stay alive long enough to finish her next book?

This instant New York Times bestseller offers a withering view of life on Wall Street from the perspective of an unhappy insider who is too hooked on the money to find a way out, even as his career is ruining his marriage and corroding his soul. It’s 2005. Nick Farmer is a thirty-five-year-old bond trader with Bear Stearns clearing seven figures a year. The novelty of a work-related nightlife centering on liquor, hookers, and cocaine has long since worn thin, though Nick remains keenly addicted to his annual bonus. But the lifestyle is taking a toll on his marriage—and on him. When a nerdy analyst approaches him with apocalyptic prognostications of where Bear’s high-flying mortgage-backed securities trading may lead, Nick is presented with the kind of ethical dilemma he’s spent a lifetime avoiding. Throw in a hot financial journalist who seems to be more interested in him than in the percolating financial Armageddon and the prospect that his own wife may have found a new romantic interest of her own, and you have the recipe for Nick’s personal and professional implosion. By turns hilarious and harrowing, Ghosts of Manhattan follows a winning but flawed protagonist as he struggles to find the right path in a complicated urban heart of darkness

Discover the darker side of New York City history with this collection of stories and photos. Amid the bustle of the city’s ever-changing landscape, Manhattan’s past still whispers. At Fraunces Tavern, George Washington’s emotional farewell luncheon in 1783 echoes in the Long Room. Gertrude Tredwell’s ghost appears to visitors at the Merchant’s House Museum. Long since deceased, Olive Thomas shows herself to the men of the New Amsterdam Theatre, and Dorothy Parker still keeps her lunch appointment at the Algonquin Hotel. In other places, it is not the paranormal but the abnormal—violent acts by gangsters, bombers, and murderers that linger in the city’s memory. Some even believe that Jack the Ripper and the Boston Strangler hunted here. The historic images and true stories in Ghosts and Murders of Manhattan explores the people and events that shaped this city, and live in the shadows of its majestic skyline.

Thirteen-year-old New Yorker Rory Hennessy can see things no one else can. When a magician's trick opens his eyes to Mannahatta, Rory finds an amazing spirit city coexisting alongside modern-day Manhattan. A place where Indian sachems, warrior cockroaches, and papier-mƒch‚ children live, ruled by the immortal Gods of Manhattan - including Babe Ruth, Alexander Hamilton, and Peter Stuyvesant. But Rory's power to see Mannahatta brings danger, and he is pursued by enemies, chasing history and trying to free those who have been enslaved. And when he is given the chance to right Mannahatta's greatest wrong, seeing Mannahatta may not be a gift after all. . . .