This book describes the geography and wildlife of the Nile River and its surrounding lands.

Cinnthea Damone was kidnapped by alien scientists who assigned her to a rogue Badari Alpha as his unwilling consort. Rescued by the other Badari packs, she’s now living in Sanctuary Valley and doing her best to fit in. She makes the Badari uncomfortable and the humans gossip about her. The improvements she suggests in various areas like the Stores are rejected and cause more animosity. Only one Badari Warrior becomes her friend but the abuse she suffered under the late rogue Alpha makes her wary of allowing any closer ties. The situation becomes intolerable and she flees the valley. Rokhan, enforcer of the South Seas pack, realizes too late how much Cinnthea means to him and that she’s not merely a friend but his fated mate. When she leaves the valley he insists he be allowed to go on a solo hunt to retrieve her. Aided by the Badari goddess, Cinnthea has gone much further than anyone would have dreamed possible and found a surprising haven far to the west. She learns a secret which the enemy will go to any lengths to uncover. When Rokhan arrives to take her back to the valley and proclaims her to be his mate, she’s torn between what her heart wants and her fears fueled by her past experiences. Can she overcome her trauma and find a future with Rokhan? Can they survive what the enemy plans?

1550 BCE This is a lightly re-edited re-release of PRIESTESS OF THE NILE. No new material has been added. Drawn to his abandoned temple on the banks of the Nile one evening by the notes of a half forgotten, sacred song, Sobek the Crocodile God is unable to resist Merys, the beautiful singer who innocently summons him. Appearing to her as a man and concealing his true identity, he’s captivated by this descendant of his last priestess. Treated by her family as a servant, denied a dowry and with no prospects for anything but a life of drudgery, Merys is happy to steal away to spend time with the handsome stranger. Their mutual attraction burns hot but Sobek is forbidden to pursue a human woman and can offer Merys nothing beyond a few hours snatched from his duties tending the Nile. Then Egypt’s enemies attack the peaceful village. Can the love between Merys and the Crocodile God survive the ultimate test of the gods? A 21,000 word novella of ancient Egypt… Suggested reading order for the Gods of Egypt series (although the books can be read standalone): PRIESTESS OF THE NILE WARRIOR OF THE NILE DANCER OF THE NILE MAGIC OF THE NILE (a sequel to PRIESTESS) GHOST OF THE NILE HEALER OF THE NILE LADY OF THE NILE SONG OF THE NILE (a sequel to LADY)

Friendship, deceit, fear, and persecution at an elite boarding school for young women in Rwanda, fifteen years before the 1994 genocide of the Tutsi . . . “Mukasonga’s masterpiece” (Julian Lucas, NYRB) Scholastique Mukasonga drops us into an elite Catholic boarding school for young women perched on the edge of the Nile. Parents send their daughters to Our Lady of the Nile to be molded into respectable citizens and to escape the dangers of the outside world. Fifteen years prior to the 1994 Rwandan genocide, we watch as these girls try on their parents’ preconceptions and attitudes, transforming the lycée into a microcosm of the country’s mounting racial tensions and violence. In the midst of the interminable rainy season, everything unfolds behind the closed doors of the school: friendship, curiosity, fear, deceit, prejudice, and persecution. With masterful prose that is at once subtle and penetrating, Mukasonga captures a society hurtling towards horror.

In 1933 the German anthropologist Hans Alexander Winkler came across a 'spirit medium' named 'Abd al-Radi in a village near Luxor in Upper Egypt. 'Abd al-Radi was periodically possessed by the ghost of his uncle, and in that state passed messages to those who came to seek help. In an intense study, Winkler lays out the construction of the world shared by the rural people, with its saints and pilgrims, snake charmers and wandering holy men, all under the overarching power of God. Winkler's book was ahead of its time in analyzing a single institution in its social context, and in showing the debates and disagreements about the meaning of such strange events. "This multilayered study from the 1930s was precocious in its method and conclusions, and thus it retains its relevance today not only for Egyptian folklore but also for the history of anthropology in Egypt." from the Introduction by Nicholas S. Hopkins