From "an astonishingly original and entertaining writer" (Michael Dirda, The Washington Post) and "our greatest guide to London" (The Spectator), an extraordinary book about a disappearing city The Olympics, the story goes, have transformed London into a gleaming, wholly modern city. And East London—Olympic headquarters—is the city's new jewel, provider of unlimited opportunities and better tomorrows. The grime and poverty have been scrubbed away, and huge stadiums and grand public sculptures have taken their place. The writer Iain Sinclair has lived in East London for four decades, and in Ghost Milk, he tells a very different story about his home: that of a neighborhood turned upside down, of stolen history. Long-beloved parks have vanished; police raids can occur at any time; and high-security exclusion zones—enforced by armed guards and hidden cameras—have steamrolled East London's open streets and public spaces. To prepare for the most public of events, everything has been privatized. A call to arms against the politicians and public figures who have so doggedly preached the gospel of the Olympics, Ghost Milk is also a brilliant reflection on a changing landscape—and Sinclair's most personal book yet. In an attempt to understand what has happened to his beloved city, Sinclair travels farther afield: he walks along the Thames from the North Sea to Oxford; he rides the bus across northern England; he visits Athens and Berlin, Olympic sites of the recent and distant past. Elegiac, intimate, and audacious, Ghost Milk is at once a powerful chronicle of memory and loss, in the tradition of W. G. Sebald and Roberto Bolaño, and a passionate interrogation of our embrace of progress at any cost.

A carton of hate. A wedge of spite. A comic book of idiotic genius. The Eisner Award-winning dairy duo returns in this deluxe hardcover collecting every single stupid Milk and Cheese comic ever made from 1989 to 2010, along with a sh*t ton of supplemental awesomeness. This has everything you need! Don't judge it—love it! Or else! • Look for brand-new stories by Evan Dorkin in upcoming Dark Horse Presents issues! • "Evan's calcium-rich creations are guaranteed to spread lactose intolerance everywhere."—David Mazzucchelli (Asterios Polyp, Batman: Year One)

The hand could pluck stars! Two feet in the netherworld! A magnificent body towered over the heavens and the earth! One punch to wipe out all enemies! Slash! Slash! Slash! Slash! The path of domination was only a single piece of Celestial Land! "Fang Ling accidentally came to a cultivation world and opened up his Immortal Cultivation path. He entered the Baleful Yin Faction, the Heavenly Emperor's Cage, the Nether Realm, and the endless sea of blood, creating a legend of immortality!" "In this world, are there any lands blessed by immortals that avoid my loved ones, brother?" If not, then let me hold up the Heavens, take care of this land, and transform it into a Celestial Land to protect it! " Cultivation Stage: Dao Foundation Stage, Zhenqi Stage, Gale Fiend Stage, Mana Stage, Dao Embryo Stage, Aurous Core Stage, Dharma Appearance Stage, Primordial Spirit Stage, Pure Yang Stage ... [Close]

For more than two decades now, cognitive science has been making overtures to literature and literary studies. Only recently, however, cognitive linguistics and poetics seem to be moving towards a more serious and reciprocal type of interdisciplinarity. In coupling cognitive linguistics and poetics, cognitive poeticians aim to offer cognitive readings of literary texts and formulate specific hypotheses concerning the relationship between aesthetic meaning effects and patterns in the cognitive construal and processing of literary texts. One of the basic assumptions of the endeavour is that some of the key topics in poetics (such as the construction of text worlds, characterization, narrative perspective, distancing discourse, etc.) may be fruitfully approached by applying cognitive linguistic concepts and insights (such as embodied cognition, metaphor, mental spaces, iconicity, construction grammar, figure/ground alignment, etc.), in an attempt to support, enrich or adjust ‘traditional’ poetic analysis. Conversely, the tradition of poetics may support, frame or call into question insights form cognitive linguistics. In order to capture the goals, gains and gaps of this rapidly growing interdisciplinary field of research, this volume brings together some of the key players and critics of cognitive poetics. The eleven chapters are grouped into four major sections, each dealing with central concerns of the field: (i) the cognitive mechanisms, discursive means and mental products related to narrativity (Semino, Herman, Culpeper); (ii) the different incarnations of the concept of figure in cognitive poetics (Freeman, Steen, Tsur); (iii) the procedures that are meant to express or create discursive attitudes, like humour, irony or distance in general (Antonopoulou and Nikiforidou, Dancygier and Vandelanotte, Giora et al.); and (iv) a critical assessment of the current state of affairs in cognitive poetics, and more specifically the incorporation of insights from cognitive linguistics as only one of the contributing fields in the interdisciplinary conglomerate of cognitive science (Louwerse and Van Peer, Sternberg). The ensuing dialogue between cognitive and literary partners, as well as between advocates and opponents, is promoted through the use of short response articles included after ten chapters of the volume. Geert Brône, Katholieke Universiteit Leuven, Belgium; Jeroen Vandaele, University of Oslo, Norway.

Perfect for fans of everything from Lockwood & Co. to The Haunting of Hill House, this gothic graphic novel follows a young medium with the gift—or curse, as some might say—to communicate with the dead. This ghost story “powerfully, tenderly, and empathetically examines death, grief, and the afterlife” raved Kirkus in a starred review! Dorian Leith can see ghosts. Not only that, he listens to their problems and tries to help them move on to the afterlife. It’s a gift that’s made him an outcast to everyone in town. That is except for his dearly departed grandmother, who he’s partnered with to turn this paranormal ability into an honest living, and the local bookshop owner, who seems to be the only non-deceased person willing to give him a chance. But it’s all worth it to Dorian, who feels like he’s been given a bigger purpose. A chance to save those who cannot save themselves. Then one day, the key to Death’s Door is stolen, trapping all the ghosts in the land of the living. Since he’s only one who can see them, the spirits rely on Dorian to retrieve the key before it is too late. If they can’t move on, they’ll soon be consumed by a ghostly rot that has begun to plague them. As it continues to fester and spread, and the ghosts become desperate for relief, Dorian must do whatever it takes to find a way to bring peace to the restless dead—even if that peace comes at the cost of his own….

A Tender Voyage is the first full-length study of the history of childhood and children's lives in late imperial China. The author draws on an extraordinary range of sources to analyze both the normative concept of childhood—literary and philosophical—and the treatment and experience of children in China. The study begins with the history of pediatrics and newborn care and their evolution over time. The author moves on to the social environment of the child, including models of upbringing and expected behavior and the treatment of different kinds of children, including the rebellious and the "gentle" child. She examines the role of the mother, notably her close and complex relations with her sons, and the broader emotional world of children, their relationships with the adults around them, and the destructive power of death. The last section discusses concepts of childhood in China and the West. Throughout, the study keeps in view the issue of representation versus practice, the role of memory, and the importance of listening for what is not said.

For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural 'noise' of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and 'psychogeographer' Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair's investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.