This book is an ethnographic study of migrants, refugees and ‘temporary’ people in Malaysia, incorporating narratives, personal stories, and observations of everyday life in Kuala Lumpur and Georgetown, Penang. Rather than focusing on specific migrant communities or refugee ‘camps’, the book takes subaltern cosmopolitanism as its central lens to look at how different and diverse communities of non-citizen ‘pendatang’ (aliens) co-habit, work and live together in Malaysia. Urban centers in Malaysia offer the space for informality that allow stateless and undocumented people to seek out opportunities, while also finding ways to assimilate or even ‘disappear’ into the fabric of society. The book focuses on the notion of ‘contaminations’, rather than migration or migrants, to underscore one of the most important findings of the ethnographic study – that migrant life in Malaysia is critically integral, embedded and interwoven into the everyday life in the city - shaping and affecting all aspects of daily life from production and supply chains, food service networks, cultural and religious practices, waste and recycling work, to more intimate and private contexts such as romantic relationships, family life and sex-work. Hybridity, inter-mixing and bastardization are part and parcel of everyday urbanism in KL and Penang – these ‘contaminating elements’ challenge and disrupt categories of the ‘national’ and categories such as insider/outsider, national purity, and politically constructed divisions between ethnic and racial groups. The book thus relies upon detailed ethnographic narratives curated over a decade of study, offering students interested in fieldwork research insights into the types of engagements and commitments necessary for helping build the complex, uneasy and destabilizing knowledge that characterizes critical ethnography.

This volume, written in a readable and enticing style, is based on a simple premise, which was to have several exceptional ethnographers write about their experiences in an evocative way in real time during the COVID-19 pandemic. Rather than an edited volume with dedicated chapters, this book thus offers a new format wherein authors write several, distinct dispatches, each short and compact, allowing each writer's perspectives and stories to grow, in tandem with the pandemic itself, over the course of the book. Leaving behind the trope of the lonely anthropologist, these authors come together to form a collective of ethnographers to ask important questions, such as: What does it mean to live and write amid an unfolding and unstoppable global health and economic crisis? What are the intensities of the everyday? How do the isolated find connection in the face of catastrophe? Such first-person reflections touch on a plurality of themes brought on by the pandemic, forces and dynamics of pressing concern to many, such as contagion, safety, health inequalities, societal injustices, loss and separation, displacement, phantasmal imaginings and possibilities, the uncertain arts of calculating risk and protection, limits on movement and travel, and the biopolitical operations of sovereign powers. The various writings—spun from diverse situations and global locations—proceed within a temporal flow, starting in March 2020, with the first alerts and cases of viral infection, and then move on to various currents of caution, concern, infection, despair, hope, and connection that have unfolded since those early days. The writings then move into 2021, with events and moods associated with the global distribution of potentially effective vaccines and the promise and hope these immunizations bring. The written record of these multiform dispatches involves traces of a series of lives, as the authors of those lives tried to make do, and write, in trying times. A timely ethnography of an event that has changed all our lives, this book is critical reading for students and researchers of medical anthropology, sociocultural anthropology, contemporary anthropological theory, and ethnographic writing.

This book consists of nine chapters, each an in-depth case study into a specific non-mainstream or marginalized online community in Malaysia. The authors come from diverse backgrounds to talk about how new media can both assist and hinder maligned minorities, ignored ethnicities or the often attacked migrants in their day to day lives. The book makes a strong contribution to Malaysian studies which highlights the other and represents minority viewpoints to challenge the belief that Malaysia’s online space is monolithic and limited to several mainstream discourses in Malaysian scholarship.

Ghost Citizens is about in situ stateless people, persons who live in a country they consider their own but which does not recognize them as citizens. Liew develops the concept of the “ghost citizen” to understand a global experience and a double oppression: of being invisible and feared in law. The term also refers to two troubling state practices: ghosting their own citizens and conferring ghost citizenship (casting persons as foreigners without legal proof). Told through an examination of law, legal processes and interviews with stateless persons and their advocates, this deeply researched book examines international and domestic jurisprudence as well as administrative decision making to show an emerging practice where states are pointing to a mother figure, constructed in law as racialized, foreign and potentially disloyal, to depict persons as not kin and therefore the responsibility of other states. By tracing British colonial legal vestiges in the case study of Malaysia, Liew shows how contemporary post-colonial, democratic and multi-juridical states deploy law and its processes and historical ideas of racial categories to create and maintain statelessness. This book challenges established norms of state recognition and calls for a discussion of ideas borrowed from other areas of law, including Indigenous legal traditions and family law, on how we should organize our communities with more respectful relations and treatment among kin.

Friedrich Kittler’s lecture series provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. He begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organised. Kittler also discusses the development of various mechanical devices, like the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counterreformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to move through the development of photography and film. Kittler discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or “picture-frame” stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations. In short, these lectures provide a comprehensive introduction to the history of image production, which is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.