CAINA AMALAS is the Ghost circlemaster of Istarinmul, leader of the Emperor's spies in the city. She has defeated powerful foes, but more dangerous enemies lie before her. A sorcerous catastrophe threatens to destroy Istarinmul, and the only the mysterious sorceress Annarah, last loremaster of lost Iramis, knows how to stop it. To rescue Annarah and save Istarinmul, Caina must brave the Inferno, the hellish fortress of the sinister Immortals. But those who enter the Inferno never return...

Kylon of House Kardamnos was once a lord and Archon of the Kyracian people. Now he is a homeless exile, aiding the Ghosts in their fight against the evil of Grand Master Callatas. The woman he loves lies suspended between life and death. And unless Kylon can defeat the nagataaru that hunt her, Caina Amalas might never awaken…

CAINA is the Ghost circlemaster of Istarinmul, leader of the Emperor's spies in the city. She has hindered the malevolent plans of the sinister Grand Master Callatas, but has been unable to defeat him. Callatas has slaughtered every foe who ever challenged him, and Caina may be next. CASSANDER NILAS is a ruthless magus of the brutal Umbarian Order, and seeks to destroy the Emperor. At last he has found the key to the downfall of the Empire. All he needs to do is kill Caina Amalas, and the Empire will burn. MORGANT THE RAZOR is an assassin of legend and myth. He vanished a hundred and fifty years past, but he may hold the key to Caina's victory. Or her final defeat...

This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.

The life and times of Dante’s soaring poetic allegory of the soul’s redemptive journey toward God Written during his exile from Florence in the early 1300s, Dante Alighieri’s Divine Comedy describes the poet’s travels through hell, purgatory, and paradise, exploring the state of the human soul after death. His poema sacro, sacred poem, profoundly influenced Renaissance writers and artists such as Giovanni Boccaccio and Sandro Botticelli and was venerated by modern critics including Erich Auerbach and Harold Bloom. Dante’s “Divine Comedy” narrates the remarkable reception of Dante’s masterpiece, one of the most consequential religious books ever written. Tracing the many afterlives of Dante’s epic poem, Joseph Luzzi shows how it left its mark on the work of such legendary authors as John Milton, Mary Shelley, and James Joyce while serving as a source of inspiration for writers like Primo Levi and Antonio Gramsci as they faced the most extreme forms of political oppression. He charts how the dialogue between religious and secular ideas in The Divine Comedy has shaped issues ranging from changing conceptions of women’s identity and debates about censorship to the role of canonical literature in popular culture. An intimate portrait of a work that has challenged and inspired generations of readers, Dante’s “Divine Comedy” reveals how Dante’s strikingly original and controversial vision of the afterlife can help us define our spiritual beliefs, better understand ourselves, and navigate the complexities of modern life.

A retelling of the Divine Comedy for our Modern Age with notes and illustrations by the authors. Dante's Inferno retold upon a modern stage with accompanying annotations and illustrations. Second edition, celebrating 710 years since Inferno road. A comedy.With gracious thanks to all who contributed and tellers of all tall tales, most especially Dante Alighieri [himself] and his many translators.

A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.