A YA novel set in a seaside New England town in the 1920s, where twelve-year-old Clare discovers a mysterious glass house and falls in love with Jack, the ghost of a boy who can't remember how he died.

Whether they are bumping about our attics, hitchhiking on a moonlight road, or fraternizing with our reflections, ghosts tantalize us with their secrets." --Leslie Rule Meet Leslie Rule-America's real-life ghost hunter with a penchant for sharing authentic, spine-tingling stories of the paranormal. The Gallup Organization reports that more than 32 percent of Americans have seen a ghost. More than half the population believes in the spiritual, cosmic, or supernatural. To Leslie Rule, such revelations come as no surprise. Rule has spent more than a decade researching specters and spirits and has chronicled her ghostly tales in three previous titles, Coast to Coast Ghosts, Ghosts Among Us, and When the Ghost Screams. Inside Ghost in the Mirror, Rule documents more than dozens of stories of paranormal apparitions that reveal themselves on the other side of the looking glass. Rule's painstaking archival research presents factual clues to each haunting, along with her own dramatic black-and-white photographs that capture the eerie unrest of the scenes she explores.

The Haunted Looking Glass is the late Edward Gorey's selection of his favorite tales of ghosts, ghouls, and grisly goings-on. It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations. ALGERNON BLACKWOOD, "The Empty House" W.F. HARVEY, "August Heat" CHARLES DICKENS, "The Signalman" L.P. HARTLEY, "A Visitor from Down Under" R.H. MALDEN, "The Thirteenth Tree" ROBERT LOUIS STEVENSON, "The Body-Snatcher" E. NESBIT, "Man-Size in Marble" BRAM STOKER, "The Judge's House" TOM HOOD, "The Shadow of a Shade" W.W. JACOBS, "The Monkey's Paw," WILKIE COLLINS, "The Dream Woman" M.R. JAMES, "Casting the Runes"

Caina has a deadly problem. Specifically, she carries the Ring of Rasarion Yagar, a relic created by the tyrannical necromancer-king who once ruled Ulkaar. The deadly sorcerers of the malevolent Umbarian Order wish to seize the Ring for themselves, as do the sinister priests of the ruthless Temnoti cult. And to make matters worse, the Ring is not the only powerful relic of Rasarion Yagar. And unless Caina can escape her foes, the wielders of those relics will kill her...

Marti Mickkleson sees ghosts. Only her great-grandmother believes her. Since she died the day before Marti was born, her support isn't worth much in the world of the living. When Marti wakes up in a compromising position with her estranged father standing over her, she thinks he owes her a big apology. After all, he's dead and talking to her-and she talks back. Instead, he claims he was murdered and demands she go home and do something about it. She agrees-anything to get her father out of her life and into his own afterlife. In Bicklesburg, she finds her once formidable mother in the throes of dementia, her perfect-prom-queen sister now a lawyer married to a not-so-perfect man, and her bad-boy high school boyfriend a private security guard watching over the family fortress. When her mother wanders away and is found cradling a bloodstained garden gnome, she and Grandma Bertie must uncover a murderer before Marti ends up a ghost herself.

'Gorgeously written ... It's heartbreaking but beautiful, and perfect for escaping into' FLORENCE WELCH 'Haunting yet beautifully written. I couldn't put it down. A masterpiece' POPPY DELEVINGNE Laura is a nurse in a paediatric unit. On long shifts she cares for sick babies, carefully handling their exquisitely breakable bodies. Laura needs a rest. When she sleeps, she dreams of drowning; when she wakes, she can't remember getting home. And there is a strange figure dancing in the corner of her vision, with a message, or a warning. 'Blends gnawing tension and surging tenderness ... Glass's battlefield prose calls to mind the literature of the trenches. This, though, is a trauma-generating war on death and despair fought for us in every city, every day' i paper 'Touching, devastating, almost absurdly pertinent ... What, Glass asks, do we expect from our caregivers, and how do we repay them for the burdens we lay on them?' Times Literary Supplement 'The ward scenes, with their crystalline descriptions of the vertiginous business of care, exquisitely beat out the ceaseless rhythms of life on a hospital front line' Metro 'Thrusts the reader into the pulse-raising fear, frenzy and relief of work in a paediatric intensive-care unit ... A battlefield atmosphere arises from Glass's prose as she recounts the time-stopping teamwork that aims to preserve tiny, fragile lives' Economist