What happens when a broken doll is touched by stardust? She becomes a ghost doll, of course! The newly awakened Ghost Doll and her companion Jasper, a mangy black cat, set off in search of a safe place to live. But the city is new and dangerous territory for Ghost Doll (who fell asleep in quieter times). The noise and rush of traffic terrifies her, and as for the new style of toy—complete with computer chip and battery—she can’t think of anything worse. But there is something far more sinister and dangerous lurking in the city. Someone else witnessed the falling star and is anxious to get a hold of the fragment—and Ghost Doll—for his own evil purposes. How will Ghost Doll and Jasper escape their hunter and find a home where they both are safe and loved? Fiona McDonald has created a visually stunning and poignantly told story about an unlikely friendship and the importance of feeling secure and wanted. Ghost Doll and Jasper is an Edward Gorey-esque graphic novel for kids—sure to captivate and enchant as the ethereal Ghost Doll and her alley cat Jasper embark on an adventure full of magic, suspense, and, most importantly, friendship.

In search of a loving home, a ghost doll, accompanied by her cat companion, tries to navigate the modern city and avoid capture by an evil scientist.

What is graffiti? And why have we, as a culture, had the urge to do it since 30,000 BCE? Artist Fiona McDonald explores the ways in which graffiti works to forever compel and simultaneously repel us as a society. When did graffiti turn into graffiti art, and why do we now pay thousands of dollars for a Banksy print when just twenty years ago, seminal graffiti artists from the Bronx were thrown into jail for having the same idea? Graffiti has not always been imbued with a sense of aesthetic, but when and why did we suddenly “decide” that it is worthy of consideration and criticism, just within the past few years? Throughout history, graffiti has served as an innately individualistic expression (such as Viking graffiti on the walls of eighth-century churches), but it has also evolved into a visual and narrative expression of a collective group. Graffiti brings to mind not only hip-hop culture and urban landscapes, but petroglyphs, tree trunks strewn with carved hearts symbolizing love, and million-dollar works of art. Learn about more graffiti artists and rebels such as: the band Black Flag, Lee Quinones and Fab 5 Freddy, Dandi, Zephyr, Blek le Rat, Nunca, Keith Haring, and more! Illustrated with stunning full-color photos of graffiti throughout time, The Popular History of Graffiti promises to be an important and dynamic addition to graffiti literature.

Includes all stories from A thin ghost and others (1919) and A warning to the curious and other ghost stories (1925), and other stories.

Haunted or blessed? Ghosts or guardian angels? Currier presents 12 new stories of gay men and the memories that haunt them, blending history and contemporary issues of the gay community with the unexpected of the supernatural.

Is there a single right interpretation for such cultural phenomena as works of literature, visual artworks, works of music, the self, and legal and sacred texts? In these essays, almost all written especially for this volume, twenty leading philosophers pursue different answers to this question by examining the nature of interpretation and its objects and ideals. The fundamental conflict between positions that universally require the ideal of a single admissible interpretation (singularism) and those that allow a multiplicity of some admissible interpretations (multiplism) leads to a host of engrossing questions explored in these essays: Does multiplism invite interpretive anarchy? Can opposing interpretations be jointly defended? Should competition between contending interpretations be understood in terms of (bivalent) truth or (multivalent) reasonableness, appropriateness, aptness, or the like? Is interpretation itself an essentially contested concept? Does interpretive activity seek truth or aim at something else as well? Should one focus on interpretive acts rather than interpretations? Should admissible interpretations be fixed by locating intentions of a historical or hypothetical creator, or neither? What bearing does the fact of the historical situatedness of cultural entities have on their identities? The contributors are Annette Barnes, Noël Carroll, Stephen Davies, Susan Feagin, Alan Goldman, Charles Guignon, Chhanda Gupta, Garry Hagberg, Michael Krausz, Peter Lamarque, Jerrold Levinson, Joseph Margolis, Rex Martin, Jitendra Mohanty, David Novitz, Philip Percival, Torsten Pettersson, Robert Stecker, Laurent Stern, and Paul Thom.

This stunning set, complete with five editions of Twilight, New Moon, Eclipse, Breaking Dawn, and The Short Second Life of Bree Tanner: An Eclipse Novella, makes the perfect gift for fans of the bestselling vampire love story. Deeply romantic and extraordinarily suspenseful, The Twilight Saga capture the struggle between defying our instincts and satisfying our desires