Joseph Moore is looking for a fresh start for himself and his son River after the recent death of his wife. With the ink already dry on the purchase of a rambling rural Victorian-era home in St. Augustine prior to her death, and family in close proximity, he decides that the property will be the perfect place for him and his son to heal. However, almost as soon as they arrive, Joseph realizes that they aren't proud new homeowners, but unwanted visitors. Carolina Braun knows that she's dead... she just doesn't want to accept it. Free-spirited in life, her family always held her back from living the way she wanted. Now, more than a hundred years after her death, Carolina is still holding on to the fact that she never got to really live and wants to make sure that everyone around her knows it -- especially the awful man that is trying to make an absolute spectacle of her home. When he discovers the cantankerous ghost's hidden stash of paintings in the attic, her unfinished business becomes clear. With Joseph's help, Carolina's artwork can be released into the world and her spirit can be set free as her home is restored to its former glory. Only now after meeting Joseph and his son, Carolina has a whole new reason to stay.

Lambda Literary Award Winner for Best Gay Romance 2021 Bad enough the big old house Charlie Muir inherits is next door to Ian Gregg, the most gorgeous guy he’s ever seen—it also happens to be occupied by Rachel, the ghost who keeps running off his dates. It’s impossible to get any loving when the bed starts shaking…and not because you’re having fun in it. When Ian helps Charlie search for the source of strange noises in his house, they stumble upon a stack of photographs hiding century-old secrets. Curious of the friendship between the two men pictured, Charlie and Ian set off to solve the mystery of their relationship. With the help of the meddling ghost, a magical mirror, and a way too Smart TV, they find answers…and more. And as things heat up between Charlie and Ian, they begin to wonder if Rachel's meddling has gone too far. Doesn’t Rachel know Ian is straight? Or is he? That kiss they shared the other night sure didn't seem like it. Or the one after that…

"The best book ever written about the strangest CIA chief who ever lived." - Tim Weiner, National Book Award-winning author of Legacy of Ashes A revelatory new biography of the sinister, powerful, and paranoid man at the heart of the CIA for more than three tumultuous decades. CIA spymaster James Jesus Angleton was one of the most powerful unelected officials in the United States government in the mid-20th century, a ghost of American power. From World War II to the Cold War, Angleton operated beyond the view of the public, Congress, and even the president. He unwittingly shared intelligence secrets with Soviet spy Kim Philby, a member of the notorious Cambridge spy ring. He launched mass surveillance by opening the mail of hundreds of thousands of Americans. He abetted a scheme to aid Israel’s own nuclear efforts, disregarding U.S. security. He committed perjury and obstructed the JFK assassination investigation. He oversaw a massive spying operation on the antiwar and black nationalist movements and he initiated an obsessive search for communist moles that nearly destroyed the Agency. In The Ghost, investigative reporter Jefferson Morley tells Angleton’s dramatic story, from his friendship with the poet Ezra Pound through the underground gay milieu of mid-century Washington to the Kennedy assassination to the Watergate scandal. From the agency’s MKULTRA mind-control experiments to the wars of the Mideast, Angleton wielded far more power than anyone knew. Yet during his seemingly lawless reign in the CIA, he also proved himself to be a formidable adversary to our nation’s enemies, acquiring a mythic stature within the CIA that continues to this day.

The story of the ghostwriting of Alfred P. Sloan's best-selling memoir, General Motor's attempts to block the book's publication, and the author's eventual triumph over the corporation. Published in 1964, My Years with General Motors was an immediate best-seller and today is considered one of the few classic books on management. The book is the ghostwritten memoir of Alfred P. Sloan, Jr. (1875-1966), whose business and management strategies enabled General Motors to overtake Ford as the dominant American automobile manufacturer in the 1920s and 1930s. What has been largely unknown until now is that My Years with General Motors was almost not published. Although it was written with the permission of General Motors -- and slated for publication in October 1959 -- at the last minute General Motors tried to suppress the book out of fears that some of the material in it could become evidence in an antitrust action against the company. This book, by John McDonald, Sloan's ghostwriter, tells the behind-the-scenes story of the book's writing, its attempted suppression, and the lawsuit that eventually led to its publication. McDonald's narrative is partly the David-and-Goliath story of a lone journalist taking on the world's then-largest corporation and partly a study of strategy in its own right. McDonald's struggle to publish the book led him to navigate a complicated course among the competing interests of General Motors, Fortune magazine (his employer), and Time, Inc. (Fortune's owner). In many ways this "book about the book" parallels the Sloan book as a tale of successful, brilliantly planned strategy.

"Fiction and Vintage Photographs; Hybrid work; novella-in-flash; text-image work. This book is composed of short stories that each have a vintage black and white photograph across from them that the short story refers to. The stories are connected (have recurring setting and characters) to make a longer novella-in-short-stories. The photos are key to the book. Jacket copy: Every old photo album contains a multitude of mysteries--the people who came before. Maria Romasco Moore's eerie and incandescent novella-in-flash Ghostographs is no exception. Brief, crystalline stories combine with vintage photographs to illuminate the hidden terrain of childhood and the pain of growing up, all in one small town at the edge of an abyss where the narrator comes of age among family, friends, and phantoms. It's a place populated with charming and unforgettable characters, where housewives send away for mail-order babies and young girls glow on front porches on hot summer nights. Where men get in staring contests with lamps and great aunts live in castles and collect haunted dogs. Where games of hide and seek refuse to end. It's a town full of secrets, where the hardships of adulthood threaten to invade the wild and magical domain of children. Haunting and evocative, funny and strange, the world of Ghostographs may be memory or might just be a trick of the light"--

A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes. Only the living can make the world better. Live and make it better. Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that's been unleashed on his family and community in the wake of what they see as an unjust and brutal killing. Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father's actions. Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today's world, and how one boy grows to understand American blackness in the aftermath of his own death.

The ghost of Eric, a teenage honor student killed by his friend Tom, a defiant rebel obsessed with A Clockwork Orange, chronicles the story of his life, especially the tumultuous months that led up to his death. A first novel. Original.